An intense exploration of Middle Eastern writers of violence and their experiments with ideas of cruelty, deception, madness, rage, war, annihilation, and evil.

Writing has come face-to-face with a most crucial juncture: to negotiate with the inescapable presence of violence. From the domains of contemporary Middle Eastern literature, this book stages a powerful conversation on questions of cruelty, evil, rage, vengeance, madness, and deception. Beyond the narrow judgment of violence as a purely tragic reality, these writers (in states of exile, prison, martyrdom, and war) come to wager with the more elusive, inspiring, and even ecstatic dimensions that rest at the heart of a visceral universe of imagination. Covering complex and controversial thematic discussions, Jason Bahbak Mohaghegh forms an extreme record of voices, movements, and thought-experiments drawn from the inner circles of the Middle Eastern region. By exploring the most abrasive writings of this vast cultural front, the book reveals how such captivating outsider texts could potentially redefine our understanding of violence and its now-unstoppable relationship to a dangerous age.

Violence has been a central political issue in the Middle East during the past two decades, either episodically (Syria, Iran), or continually (Turkey, Egypt, Algeria, Iraq, Afghanistan, and Israel/Palestine). This groundbreaking new study sheds light on the dynamics of this phenomenon by going beyond factors usually cited as the root causes'economy, religion, and culture'and investigating the political structure that actually triggers this violence. Initially, violence seems to be a rational instrument in contested power relations, but it often evolves into fragmented and privatized forms, such as warlords, or to nihilistic, sacrificial, or messianic forms.This book explores the ways in which the criminalization of political, ethnic, and sectarian identities has contributed to the formation of a ?tragic mind? that perceives violence as the surest provider of justice and hope. Only this in-depth research combining the cognitive, social, and religious sciences, as well as different problematiques such as the emergence of new religiosity, can allow us to understand the logic behind those attacks and the self-sacrificing forms of violence.Hamit Bozarslan, Ecole des Hautes Etudes en Sciences Sociales, Paris, is the author of several books, including La question kurde: Etats et Minorities au Moyen-Orient.

Laura Robson examines the interactions between international and regional political economies of oil and water, and the increasingly explicit colonial and postcolonial politics of ethno-national identity centered around the question of Palestine, arguing that the Middle East's emergence as a 'zone of violence' only developed over the past century.

This book examines the issue of gender and violence in the Middle East and North Africa. Drawing on case studies across the region, the authors examine the historical, cultural, religious, social, legal and political factors affecting the issue.

Explores the relation between histories of violence and their contemporary commemoration.

Dissident Writings of Arab Women: Voices Against Violence analyzes the links between creative dissidence and inscriptions of violence in the writings of a selected group of postcolonial Arab women. The female authors destabilize essentialist framings of Arab identity through a series of reflective interrogations and "contesting" literary genres that include novels, short stories, poetry, docudramas, interviews and testimonials. Rejecting a purist "literature for literature’s sake" ethic, they embrace a dissident poetics of feminist critique and creative resistance as they engage in multiple and intergenerational border crossings in terms of geography, subject matter, language and transnationality. This book thus examines the ways in which the women’s writings provide the blueprint for social justice by "voicing" protest and stimulating critical thought, particularly in instances of social oppression, structural violence, and political transition. Providing an interdisciplinary approach which goes beyond narrow definitions of literature as aesthetic praxis to include literature’s added value as a social, historical, political, and cultural palimpsest, this book will be a useful resource for students and scholars of North African Studies, Postcolonial Studies, Francophone Studies, and Feminist Studies.