Soap opera has become the most popular form of radio and television drama and now constitutes the biggest market for modern day dramatists. For the new writer, as well as those experienced in other genres, this book reveals how Soap works. As well as covering the specifics of Soap writing, Chris Curry guides the writer through the uniquely collaborative process from storylining to finished script. 'A clear, honest, practical and funny guide to soap writing' - Valerie Windsor.

The pure luxury of soaps made with coconut butter, almond oil, aloe vera, oatmeal, and green tea is one of life’s little pleasures. And with the help of Anne-Marie Faiola, author of Soap Crafting and Milk Soaps, it’s easy to make luscious, all-natural soaps right in your own kitchen. This collection of 32 recipes ranges from simple castile bars to intricate swirls, embeds, and marbled and layered looks. Begin with a combination of skin-nourishing oils and then add blueberry puree, dandelion-infused water, almond milk, coffee grounds, mango and avocado butters, black tea, or other delicious ingredients — and then scent your soap with pure essential oils. Step-by-step photography guides you through every stage of cold-process soapmaking.

A no-nonsense, direct down-the-lens look at the television industry written from the point of view of a television drama producer who's been there, done it, fought some battles and won the odd award. Written in an engaging, anecdotal tone, Writing for Television provides advice on: - Getting an agent - The type of writer television's looking for - The tool kit a television writer needs - The writer/script editor relationship - How to structure a storyline - How to write good treatments and outlinesPacked full of useful insights, links and information, the book includes interviews with successful television writers working today, pointers on how to work collaboratively in the industry and how to make good contacts with the people who can further your career. 'Yvonne delivers a practical, accessible, no-nonsense guide to the world of writing for popular TV' - Mal Young, Producer, writer and former BBC Controller of Drama Series 'A very comprehensive and informative book on TV script writing. Yvonne covers every conceivable point that will help writers wanting to break into writing for the small screen, whilst at the same time creating a very accessible read' - Tony McHale, Sanctuary Films

Soap operas have captured loyal, often lifelong viewers since the first American daytime serial debuted in 1949. In this collection of 29 new and five classic essays and recollections, authors and soap opera insiders delve into the passion for television melodrama that compels viewers to "tune in tomorrow." The contributors include iconic soap star Thorsten Kaye, journalist Leigh Montville, authors Elinor Lipman and Ann Hood, and editors of Soaps in Depth magazine. They explore the soap phenomenon from a range of perspectives and consider the appeal of a venerable genre in which, as novelist Jacquelyn Mitchard observes, "everyone's life was more depressing than mine."

A workbook designed to guide the reader through the process of SOAP writing. Chapter one introduces the reader to the veterinary technician practice model and provides rules regarding the medical record in entirety.

Since the debut of These Are My Children in 1949, the daytime television soap opera has been foundational to the history of the medium as an economic, creative, technological, social, and cultural institution. In Her Stories, Elana Levine draws on archival research and her experience as a longtime soap fan to provide an in-depth history of the daytime television soap opera as a uniquely gendered cultural form and a central force in the economic and social influence of network television. Closely observing the production, promotion, reception, and narrative strategies of the soaps, Levine examines two intersecting developments: the role soap operas have played in shaping cultural understandings of gender and the rise and fall of broadcast network television as a culture industry. In so doing, she foregrounds how soap operas have revealed changing conceptions of gender and femininity as imagined by and reflected on the television screen.