A landmark book, “brilliant, thoughtful” (The Atlantic) and “raw and gorgeous” (LA Times), that fast-forwards the discussion of the central artistic issues of our time, from the bestselling author of The Thing About Life Is That One Day You'll Be Dead. Who owns ideas? How clear is the distinction between fiction and nonfiction? Has the velocity of digital culture rendered traditional modes obsolete? Exploring these and related questions, Shields orchestrates a chorus of voices, past and present, to reframe debates about the veracity of memoir and the relevance of the novel. He argues that our culture is obsessed with “reality,” precisely because we experience hardly any, and urgently calls for new forms that embody and convey the fractured nature of contemporary experience.

Jaded New York City Public Defender Liana Cohen would give anything to have one client in whom she can believe. Dozens of hardened criminals and repeat offenders have chipped away at her faith in both herself and the system. Her boyfriend Jakob’s high-powered law firm colleagues see her do-gooder job as a joke, which only adds to the increasing strain in their relationship. Enter imprisoned felon Danny Shea, whose unforgivable crime would raise a moral conflict in an attorney at the height of her idealism—and that hasn't been Liana in quite a while. But Danny's astonishing blend of good looks, intelligence, and vulnerability intrigues Liana. Could he be the client she’s been longing for—the wrongly accused in need of a second chance? Is he innocent? As their attorney-client relationship transforms into something less than arm’s length, Liana is forced to confront fundamental questions of truth, faith, and love—and to decide who she wants to be.

A seven-day book of magic proves to be trouble for five children, who must learn the book's rules and tame its magic.

Souvenir record of flight commencing 21 Sept. 1955 over W. Qld., central Australia and N. Qld.

This informal book traces the evolution of literary nonfiction and reveals how Gay Talese writes in the genre. In addition, articles by such masters as John McPhee, Tom Wolfe, and Annie Dillard illustrate various writing techniques.

An intimate portrait of a marriage intertwined with a meditation on reality TV that reveals surprising connections and the meaning of an authentic life. A VINTAGE ORIGINAL. In Lucas Mann's trademark vein--fiercely intelligent, self-deprecating, brilliantly observed, idiosyncratic, personal, funny, and infuriating--Captive Audience is an appreciation of reality television wrapped inside a love letter to his wife, with whom he shares the guilty pleasure of watching "real" people bare their souls in search of celebrity. Captive Audience resides at the intersection of popular culture with the personal; the exhibitionist impulse, with the schadenfreude of the vicarious, and in confronting some of our most suspect impulses achieves a heightened sense of what it means to live an authentic life and what it means to love a person.

The trouble started when Howard Sykes came home from school and found the "goon" sitting in the kitchen. He said he'd been sent by Archer. But who was Archer? It had to do with the 2,000 words that Howard's author father had failed to deliver. It soon became clear not only that Archer wanted those words, but that his wizard siblings, Hathaway, Dillian, Shine, Torquil, Erskine, and Venturus, would also go to any lengths to get them. Although each wizard ruled a section of the town, he or she was a prisoner in it. Each suspected that one of them held the secret behind the words, and that secret was the key to their freedom. Which one of them was it? The Sykes family become pawns in the wizards' fight to win their freedom, wrest control from one another, and fan out to rule the world. Diana Wynne Jones skillfully guides the reader through a riveting, twisty plot, with satisfying surprises at every amazing turn. An exciting science fiction adventure where, happily, nothing is what it first seems to be.