This is the author's most influential work of literary theory and criticism in which she explores the relations between literature, philosophy, and psychoanalysis.

Madness and Modernism provides a phenomenological study of schizophrenic disorders, criticizing some standard conceptions of these disorders. Sass argues that many aspects of this group of disorders can actually involve more sophisticated (albeit dysfunctional) forms of mind and experience.

As a transformative thinker of the twentieth century, whose work spanned all branches of the humanities, Michel Foucault had a complex and profound relationship with literature. And yet this critical aspect of his thought, because it was largely expressed in speeches and interviews, remains virtually unknown to even his most loyal readers. This book brings together previously unpublished transcripts of oral presentations in which Foucault speaks at length about literature and its links to some of his principal themes: madness, language and criticism, and truth and desire. The associations between madness and language—and madness and silence—preoccupy Foucault in two 1963 radio broadcasts, presented here, in which he ranges among literary examples from Cervantes and Shakespeare to Diderot, before taking up questions about Artaud’s literary correspondence, lettres de cachet, and the materiality of language. In his lectures on the relations among language, the literary work, and literature, he discusses Joyce, Proust, Chateaubriand, Racine, and Corneille, as well as the linguist Roman Jakobson. What we know as literature, Foucault contends, begins with the Marquis de Sade, to whose writing—particularly La Nouvelle Justine and Juliette—he devotes a full two-part lecture series focusing on notions of literary self-consciousness. Following his meditations on history in the recently published Speech Begins after Death, this current volume makes clear the importance of literature to Foucault’s thought and intellectual development.

And description -- Versatility of summary -- Control of emotion and aesthetic distance -- Scene or summary -- Description -- Setting a story by scene.

Introducing the perspective of 'writing madness' into African literature means seeing that literature from a different angle, through the lenses of writers who have ruffled up the surface of realist representation and have explored issues and styles that represent a trespassing of borders, introducing an element of risk and instability. This study follows the transformation from colonial narratives projecting settlers' horror of the 'heart of darkness' onto the African body and mind, to African writers' interaction with these narratives and their own projections of what constitutes madness in a colonial and postcolonial world, and an analysis of how writing by women displays the gendered violence of the process of mental colonisation. FLORA VEIT-WILD is Professor in the African Studies Dept at the Humboldt University, Berlin. North America: Tsehai/African Academic; South Africa: Jacana; Zimbabwe: Weaver Press

Out of Her Mind, edited by Rebecca Shannonhouse, captures the best literature by and about women struggling with madness. A remarkable chronicle of gifted and unconventional women who have spun their inner turmoil into literary gold, the collection features classic short stories, breathtaking literary excerpts, key historical writings, and previously unpublished letters by Zelda Fitzgerald. Shannonhouse’s recent anthology, Under the Influence: The Literature of Addiction, is also available as a Modern Library Paperback Original.

From the #1 New York Times bestselling author of Killers of the Flower Moon and The Wager—and one of the most gifted reporters and storytellers of his generation—comes a “horrifying, hilarious, and outlandish” (Entertainment Weekly) collection of gripping true crime mysteries about people whose obsessions propel them into unfathomable and often deadly circumstances. "[Grann is] one of the preeminent adventure and true-crime writers working today."—New York Magazine Whether David Grann is investigating a mysterious murder, tracking a chameleon-like con artist, or hunting an elusive giant squid, he has proven to be a superb storyteller. In The Devil and Sherlock Holmes, Grann takes the reader around the world, revealing a gallery of rogues and heroes with their own particular fixations who show that truth is indeed stranger than fiction. Look for David Grann’s latest bestselling book, The Wager!