"The 'Sunday Mercury's' correspondents wrote of contemporary events, scenes, and personalities. They did not write from hindsight, nor are they prone to exaggerate their personal roles. The practice of the old soldier over-emphasizing his actions and placing himself on center stage has resulted in wags referring to Henry Kyd Douglas' 'I Rode With Stonewall" as 'Stonewall Rides With Me.' Generals, such as Robert E. Lee and U.S. Grant, made it a practice to read enemy newspapers. It has been said that General Lee, because of the skill of the Confederate spy network in the Maryland counties fronting Chesapeake Bay and the Potomic River, true, insofar as it applies to the 'Sunday Mercury, ' the information reaching Lee from this source would be a spymaster's dream" from the foreward by Edwin C. Bearss.

Originally published by UNC Press in 1989, Fighting for the Confederacy is one of the richest personal accounts in all of the vast literature on the Civil War. Alexander was involved in nearly all of the great battles of the East, from First Manassas through Appomattox, and his duties brought him into frequent contact with most of the high command of the Army of Northern Virginia, including Robert E. Lee, Stonewall Jackson, and James Longstreet. No other Civil War veteran of his stature matched Alexander's ability to discuss operations in penetrating detail-- this is especially true of his description of Gettysburg. His narrative is also remarkable for its utterly candid appraisals of leaders on both sides.

Studies diverse topics on the writing of Civil War history No event has transformed the United States more fundamentally—or been studied more exhaustively—than the Civil War. In Writing the Civil War, fourteen distinguished historians present a wide-ranging examination of the vast effort to chronicle the conflict—an undertaking that began with the remembrances of Civil War veterans and has become an increasingly prolific field of scholarship. Covering topics from battlefield operations to the impact of race and gender, this volume is an informative guide through the labyrinth of Civil War literature. The contributors provide authoritative and interpretive evaluations of the study and explication of the struggle that has been called the American Iliad. The first four essays consider military history: Joseph Thomas Glatthaar writes on battlefield tactics, Gary W. Gallagher on Union strategy, Emory M. Thomas on Confederate strategy, and Reid Mitchell on soldiers. In essays that focus on political concerns, Mark E. Neely, Jr. links the military and political with his examination of presidential leadership, while Michael F. Holt surveys the study of Union politics, and George C. Rable examines the work on Confederate politics. Michael Les Benedict bridges political and societal concerns in his discussion of constitutional questions; Phillip Shaw Paludan and james L. roark confront the broad themes of economics and society in the North and South; and Drew Gilpin Faust and Peter Kolchin evaluate the importance of gender, slavery, and race relations. Writing the Civil War demonstrates the richness and diversity of Civil War scholarship and identifies topics yet to be explored. Noting a surprising dearth of scholarship in several area, the essays point to new directions in the quest to understand the complexities of the most momentous event in American history.

From the New York Times bestselling and award-winning author of Empire of the Summer Moon and Rebel Yell comes “a masterwork of history” (Lawrence Wright, author of God Save Texas), the spellbinding, epic account of the last year of the Civil War. The fourth and final year of the Civil War offers one of the most compelling narratives and one of history’s great turning points. Now, Pulitzer Prize finalist S.C. Gwynne breathes new life into the epic battle between Robert E. Lee and Ulysses S. Grant; the advent of 180,000 black soldiers in the Union army; William Tecumseh Sherman’s March to the Sea; the rise of Clara Barton; the election of 1864 (which Lincoln nearly lost); the wild and violent guerrilla war in Missouri; and the dramatic final events of the war, including Lee’s surrender at Appomattox and the murder of Abraham Lincoln. “A must-read for Civil War enthusiasts” (Publishers Weekly), Hymns of the Republic offers many surprising angles and insights. Robert E. Lee, known as a great general and Southern hero, is presented here as a man dealing with frustration, failure, and loss. Ulysses S. Grant is known for his prowess as a field commander, but in the final year of the war he largely fails at that. His most amazing accomplishments actually began the moment he stopped fighting. William Tecumseh Sherman, Gwynne argues, was a lousy general, but probably the single most brilliant man in the war. We also meet a different Clara Barton, one of the greatest and most compelling characters, who redefined the idea of medical care in wartime. And proper attention is paid to the role played by large numbers of black union soldiers—most of them former slaves. Popular history at its best, Hymns of the Republic reveals the creation that arose from destruction in this “engrossing…riveting” (Kirkus Reviews, starred review) read.

Popular images of women during the American Civil War include self-sacrificing nurses, romantic spies, and brave ladies maintaining hearth and home in the absence of their men. However, as DeAnne Blanton and Lauren M. Cook show in their remarkable new study, that conventional picture does not tell the entire story. Hundreds of women assumed male aliases, disguised themselves in men’s uniforms, and charged into battle as Union and Confederate soldiers—facing down not only the guns of the adversary but also the gender prejudices of society. They Fought Like Demons is the first book to fully explore and explain these women, their experiences as combatants, and the controversial issues surrounding their military service. Relying on more than a decade of research in primary sources, Blanton and Cook document over 240 women in uniform and find that their reasons for fighting mirrored those of men—-patriotism, honor, heritage, and a desire for excitement. Some enlisted to remain with husbands or brothers, while others had dressed as men before the war. Some so enjoyed being freed from traditional women’s roles that they continued their masquerade well after 1865. The authors describe how Yankee and Rebel women soldiers eluded detection, some for many years, and even merited promotion. Their comrades often did not discover the deception until the “young boy” in their company was wounded, killed, or gave birth. In addition to examining the details of everyday military life and the harsh challenges of -warfare for these women—which included injury, capture, and imprisonment—Blanton and Cook discuss the female warrior as an icon in nineteenth-century popular culture and why twentieth-century historians and society ignored women soldiers’ contributions. Shattering the negative assumptions long held about Civil War distaff soldiers, this sophisticated and dynamic work sheds much-needed light on an unusual and overlooked facet of the Civil War experience.

Ralph Peters' Darkness at Chancellorsville is a novel of one of the most dramatic battles in American history, from the New York Times bestselling, three-time Boyd Award-winning author of the Battle Hymn Cycle. Centered upon one of the most surprising and dramatic battles in American history, Darkness at Chancellorsville recreates what began as a brilliant, triumphant campaign for the Union—only to end in disaster for the North. Famed Confederate Generals Robert E. Lee and Stonewall Jackson bring off an against-all-odds surprise victory, humiliating a Yankee force three times the size of their own, while the Northern army is torn by rivalries, anti-immigrant prejudice and selfish ambition. This historically accurate epic captures the high drama, human complexity and existential threat that nearly tore the United States in two, featuring a broad range of fascinating—and real—characters, in blue and gray, who sum to an untold story about a battle that has attained mythic proportions. And, in the end, the Confederate triumph proved a Pyrrhic victory, since it lured Lee to embark on what would become the war's turning point—the Gettysburg Campaign (featured in Cain At Gettysburg). At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

“War means fighting, and fighting means killing,” Confederate cavalry commander Nathan Bedford Forrest famously declared. The Civil War was fundamentally a matter of Americans killing Americans. This undeniable reality is what Jonathan Steplyk explores in Fighting Means Killing, the first book-length study of Union and Confederate soldiers’ attitudes toward, and experiences of, killing in the Civil War. Drawing upon letters, diaries, and postwar reminiscences, Steplyk examines what soldiers and veterans thought about killing before, during, and after the war. How did these soldiers view sharpshooters? How about hand-to-hand combat? What language did they use to describe killing in combat? What cultural and societal factors influenced their attitudes? And what was the impact of race in battlefield atrocities and bitter clashes between white Confederates and black Federals? These are the questions that Steplyk seeks to answer in Fighting Means Killing, a work that bridges the gap between military and social history—and that shifts the focus on the tragedy of the Civil War from fighting and dying for cause and country to fighting and killing.