Writers on Earth is a collection of reflections, essays, stories, and poems captures the heart of Gen Z's relationship with the environmental issues of the 21st century. Rather than equating nature with the pristine and preserved, the pieces represent the environment as all-encompassing: the toxic dust in Bangkok, the rain in Manila, the disappearing maya birds and the invasive stoats and possums in New Zealand. The world of climate change is their world. This generation knows no other. These pages extend the vibrant community of young writers found at Write the World (www.writetheworld.com)--the global online gathering place for 13 to 19-year-old writers. With a Foreword by Pulitzer-Prize winning author, Elizabeth Kolbert, Writers on Earth comprises 33 pieces, hand-selected by the editors at Write the World from thousands of works and including stunning illustrations by young artists Emma Barry and Liberty Mountain.

Where do we come from? Who created us? Why are we here? These questions have puzzled us since the dawn of time, but when it became apparent to Jon Stewart and the writers of The Daily Show that the world was about to end, they embarked on a massive mission to write a book that summed up the human race: What we looked like; what we accomplished; our achievements in society, government, religion, science and culture -- all in a tome of 238 pages with lots of color photos, graphs and charts. After two weeks of hard work, they had their book. EARTH (The Book) is the definitive guide to our species. With their trademark wit, irreverence, and intelligence, Stewart and his team posthumously answer all of life's most hard-hitting questions, completely unburdened by objectivity, journalistic integrity, or even accuracy.

David Suzuki's lifelong work as an environmentalist, naturalist, and scientist have influenced countless others in their fight to save the planet, 20 such devotees of them have contributed to this inspiring collection. These journalists, scientists, writers and environmentalists have taken their enthusiasm for Suzuki's philosophy and funneled it into their own personal recollections, manifestos, and essays: Rick Bass describes his love for the Yaak Valley in Montana; Richard Mabey takes readers to a moonlit May evening in Suffolk; David Helvarg tells us of a stirring seaside memory from his childhood. No matter what journey these writers take us on, the unifying theme of their work is always the same: a deep and abiding love of nature — inspired and shared by David Suzuki.

"The Sacred Earth is a penetrating collection of crystalline prose presented as poetry, circling and building and creeping up on us. In the end, it may indeed change our view of the earth and out place in it." — from the foreword by David Brower Drawn from the great works of contemporary American nature writing, this profound and beautiful collection celebrates the earth and explores our spiritual relationship with nature. Contributors include: Edward Abbey • David Abram • Diane Ackerman • Rick Bass • Wendell Berry • Rachel Carson • John Daniel • Annie Dillard • Gretel Ehrlich • Loren Eiseley • Louise Erdrich • Matthew Fox • Joahn Haines • Joan Halifax • Jim Harrison • Linda Hogan • Sue Hubbell • Aldo Leopold • Barry Lopez • Peter Matthiessen • Bill McKibben • Thomas Merton • Richard Nelson • John Nichopls • David Quammen • Chet Raymo • Gary Snyder • Wallace Stegner • Jack Turner • Terry Tempest Williams • Edward O. Wilson • and others

As America and the world grapple with the consequences of global environmental change, writer and activist Bill McKibben offers this unprecedented, provocative, and timely anthology, gathering the best and most significant American environmental writing from the last two centuries. Classics of the environmental imagination, the essays of Henry David Thoreau, John Muir, and John Burroughs; Aldo Leopold's A Sand County Almanac; Rachel Carson's Silent Spring - are set against the inspiring story of an emerging activist movement, as revealed by newly uncovered reports of pioneering campaigns for conservation, passages from landmark legal opinions and legislation, and searing protest speeches. Here are some of America's greatest and most impassioned writers, taking a turn toward nature and recognizing the fragility of our situation on earth and the urgency of the search for a sustainable way of life. Thought-provoking essays on overpopulation, consumerism, energy policy, and the nature of nature, join ecologists - memoirs and intimate sketches of the habitats of endangered species. The anthology includes a detailed chronology of the environmental movement and American environmental history, as well as an 80-page color portfolio of illustrations.

American environmental literature has relied heavily on the perspectives of European Americans, often ignoring other groups. In Black on Earth, Kimberly Ruffin expands the reach of ecocriticism by analyzing the ecological experiences, conceptions, and desires seen in African American writing. Ruffin identifies a theory of "ecological burden and beauty" in which African American authors underscore the ecological burdens of living within human hierarchies in the social order just as they explore the ecological beauty of being a part of the natural order. Blacks were ecological agents before the emergence of American nature writing, argues Ruffin, and their perspectives are critical to understanding the full scope of ecological thought. Ruffin examines African American ecological insights from the antebellum era to the twenty-first century, considering WPA slave narratives, neo-slave poetry, novels, essays, and documentary films, by such artists as Octavia Butler, Alice Walker, Henry Dumas, Percival Everett, Spike Lee, and Jayne Cortez. Identifying themes of work, slavery, religion, mythology, music, and citizenship, Black on Earth highlights the ways in which African American writers are visionary ecological artists.

A sharp and provocative new essay collection from the award-winning author of Freedom and The Corrections The essayist, Jonathan Franzen writes, is like “a fire-fighter, whose job, while everyone else is fleeing the flames of shame, is to run straight into them.” For the past twenty-five years, even as his novels have earned him worldwide acclaim, Franzen has led a second life as a risk-taking essayist. Now, at a moment when technology has inflamed tribal hatreds and the planet is beset by unnatural calamities, he is back with a new collection of essays that recall us to more humane ways of being in the world. Franzen’s great loves are literature and birds, and The End of the End of the Earth is a passionate argument for both. Where the new media tend to confirm one’s prejudices, he writes, literature “invites you to ask whether you might be somewhat wrong, maybe even entirely wrong, and to imagine why someone else might hate you.” Whatever his subject, Franzen’s essays are always skeptical of received opinion, steeped in irony, and frank about his own failings. He’s frank about birds, too (they kill “everything imaginable”), but his reporting and reflections on them—on seabirds in New Zealand, warblers in East Africa, penguins in Antarctica—are both a moving celebration of their beauty and resilience and a call to action to save what we love. Calm, poignant, carefully argued, full of wit, The End of the End of the Earth provides a welcome breath of hope and reason.