A murdered heiress, a missing necklace, and a train full of shifty, unusual, and suspicious characters leaves Daisy and Hazel with a new mystery to solve in this third novel of the Wells & Wong Mystery series. Hazel Wong and Daisy Wells are taking a vacation across Europe on world-famous passenger train, the Orient Express—and it’s clear that each of their fellow first-class travelers has something to hide. Even more intriguing: There’s rumor of a spy in their midst. Then, during dinner, a bloodcurdling scream comes from inside one of the cabins. When the door is broken down, a passenger is found murdered—her stunning ruby necklace gone. But the killer has vanished, as if into thin air. The Wells & Wong Detective Society is ready to crack the case—but this time, they’ve got competition.

A detective story with as many laughs as there are twists and turns, from award-winning author Ted Staunton! In the beginning, it was simple: I wanted to be a detective, and I needed something to detect . . . Thirteen-year-old Duncan lives with his unconventional bohemian aunt. She's determined to give him an expensive private education, even though Duncan isn't particularly interested in school. He wants to be a detective like the ones in the World's Best 100 Detective Stories, which he reads when he should be studying. Fortunately for Duncan (and readers!), he gets something to detect in the first chapter of this funny crime mystery. Full of twists and turns and laugh-out-loud adventure, this highly entertaining story will have readers wondering if they've solved the mystery (and most likely they haven't) until the last page turn. Ted Staunton ratchets up the fun in this fast-paced romp, loosely based on a true story from Texas in the early 2000s.

"Viktor Shklovsky's 1925 book Theory of Prose might have become the most important work of literary criticism in the twentieth century had not two obstacles barred its way: the crackdown by the Soviet dictatorship on Shklovsky and other Russian Formalists in the 1930s, and the unavailability of an English translation. Now translated in its entirety for the first time, Theory of Prose not only anticipates structuralism and post-structuralism, but poses questions about the nature of fiction that are as provocative today as they were in the 1920s. Arguing that writers structure their material according to artistic principles rather than from attempts to imitate "reality," Shklovsky uses Cervantes, Tolstoi, Sterne, Dickens, Bely, and Rozanov to give us a new way of thinking about fiction and, in his most impassioned moments, about the world. Benjamin Sher's lucid translation will allow Shklovsky's Theory of Prose to fulfill its destiny as a major theoretical work of the twentieth century." from back cover.

Invited by bestselling authors Lee Child and Laurie R. King, seventy of the most successful mystery writers in the business contribute essays and tips on the craft of writing, How to Write a Mystery is an invaluable guide and a must-have for every level of mystery writers Topics Include: Before Writing (rules, genres, setting, character, research, etc.), While Writing (outlining, the plot, dialogue, mood, etc.), Other than Novels (short stories, true crime, etc.), Other Considerations (divers character, copyright, criticism, online platforms, etc.) Book jacket.

9781844583256:Synopsis coming soon.......

'I have long believed that loving a boyband brings with it a wealth of transferable skills, but I'd never imagined solving a murder would be one of them...' Harri and her best friends worship Half Light - an internationally famous boyband. When frontman Frankie is arrested on suspicion of murdering his oldest friend Evan, Harri feels like her world's about to fall apart. But quickly she realises that she - and all the other Half Light superfans out there - know and understand much more about these boys than any detective ever could. Now she's rallying a fangirl army to prove Frankie's innocence - and to show the world that you should never underestimate a teenage girl with a passion...

WHODUNIT? YOUDUNIT! So you want to write a mystery. There's more to it than just a detective, a dead body, and Colonel Mustard in the drawing room with the candlestick. Fortunately, Larry Beinhart--Edgar Award-winning author of You Get What You Pay For, Foreign Exchange, and American Hero--has taken a break from writing smart, suspenseful thrillers to act as your guide through all the twists and turns of creating the twists and turns of a good mystery. Drawing on advice and examples from a host of the best names in mystery writing--from Raymond Chandler and Mickey Spillane to Scott Turow and Thomas Harris--plus some of his own prime plots, Larry Beinhart introduces you to your most indispensable partners in crime: *Character, plot, and procedure * The secrets to creating heroes, heroines, and villains ("All writers draw upon themselves and their experience. While the whole of yourself might not be capable of being either a serial killer or an FBI agent, there are parts in each of us that are capable of almost anything.") * The fine art of scripting the sex scene *The low-down on violence ("A crime novel without violence is like smoking pot without inhaling, sex without orgasm, or a hug without a squeeze." ) *And much more! From the opening hook to the final denouement, Larry Beinhart takes the mystery out of being a mystery writer.