In today's world the Christian is constantly being challenged with new teachings. Some of these are particularly dangerous because they are put forward by those with evangelical credentials. Tom Nicholas Wright is one of the leading proponents of the New Perspective on Paul. Wright sees himself as the new Luther, a discoverer of the true biblical understanding of key doctrines like that of justification by faith. According to him, the Reformation misunderstood the nature of justification by faith alone and the role of the law in the Old Testament. Wright maintains that this has continued to be the case for those of the Reformed Faith. He tells us that we are guilty of anachronism, whereby we interpret first-century Judaism in the light of medieval Roman Catholicism. In this work the writer not only defends the Reformed understanding of this vital doctrine but also seeks to show how Wright has misunderstood the nature of the new covenant and the place of ethnic Israel.

Peter Wright has been a dancer, choreographer, teacher, producer and director in the theatre as well as in television for over 70 years. In Wrights & Wrongs, Peter offers his often surprising views of today's dance world, lessons learned – and yet to learn – from a lifetime's experience of ballet, commercial theatre and television. Peter started his career in wartime, with the Kurt Jooss company. He has worked with such greats as Pina Bausch, Margot Fonteyn, Rudolf Nureyev, Marcia Haydée, Richard Cragun, Monica mason, Karen Kain, Miyako Yoshida and Carlos Acosta - as well as today's generation of starts including Alina Cajocaru, Marianela Nunez, Natalia Osipova and Lauren Cuthbertson. While now regarded as part of the British ballet establishment, for many years Peter developed his career outside London, particularly in Germany with John Cranko's Stuttgart Ballet. That distance gives him a unique and unrivalled view on ballet companies. His close association with choreographers Frederick Ashton, Ninette de Valois, founder of the Royal Ballet, Kenneth MacMillan and David Bintley gives Peter an authoritative perspective on British ballet. Wrights and Wrongs includes black-and-white photographs from Wright's career, and as Exeunt magazine comments: 'Anyone with an interest in British ballet will find plenty to occupy them in Wright's book... the many dramas and delights of his life in dance spring forth from the page with brio.'

A renowned scholar calls for a change of direction for the study of Jesus in the 21st century.

Under the guidance of one of the world's leading New Testament scholars, you and your small group will here discover that the bizarre images of Revelation conceal one of Scripture's clearest and most dramatic visions of God's plan for creation.

The first graphic novel of the Secret Smithsonian Adventures series. Our heroes intervene to save the National Air and Space Museum from Wright brothers interlopers! Schoolmates Dominique, Eric, Josephine, and Ajay are excited about a field trip to the Smithsonian's National Air and Space Museum. When they get there, however, they find a very different museum than the one they were expecting. Not only is it much smaller, it's filled with balloons, blimps, and dirigibles, many of them with the same logo: BARRIS AIRSHIPS. Where's the Spirit of St. Louis? Where's the Apollo 11 command module? Where's the Wright Brothers' 1903 flyer? With the help of a museum "fabrications specialist," they travel through time to try and restore the Wright brothers to their well-earned place in history. Along the way they also learn about aerodynamics and other aviation principles from a wise-cracking A.I. named Smitty. But the kids' story doesn't end there--something is amiss in the next stop on their Smithsonian tour, the National Museum of Natural History--so they'll have to work together to save history again in volume two.

What if reading Genesis 2–3 in its ancient Near Eastern context shows that the creation account makes no claims regarding Adam and Eve's material origins? John Walton's groundbreaking insights into this text create space for a faithful reading of Scripture along with full engagement with science, creating a new way forward in the human origins debate.