A guide to proper American English word usage, grammar, pronunciation, and style features examples of good and bad usage from the media.

Joel Higgins has 901 unsent text messages saved on his phone. Ever since the thing that happened, there are certain people he hasn't been able to talk to in person. Sure, he shows up at school, does his mandatory volunteer hours at the soup kitchen, and spends pretty much every moment thinking about Eli, the most amazing girl in the world. But that doesn't mean he's keeping it together, or even that he has any friends. So instead of hanging out with people in real life, he drafts text messages. But he never presses send. As dismal as sophomore year was for Joel, he doesn't see how junior year will be any better. For starters, Eli doesn't know how he feels about her, his best friend Andy's gone, and he basically bombed the SATs. But as Joel spends more time at the soup kitchen with Eli and Benj, the new kid whose mouth seems to be unconnected to his brain, he forms bonds with the people they serve there-including a veteran they call Rooster-and begins to understand that the world is bigger than his own pain. In this dazzling, hilarious, and heartbreaking debut, Joel grapples with the aftermath of a tragic loss as he tries to make sense of the problems he's sees all around him with the help of banned books, Winnie-the-Pooh, a field of asparagus, and many pairs of socks.

NEW YORK TIMES BESTSELLER • REESE’S BOOK CLUB PICK • “Delightful . . . [a] captivating and slyly subversive fictional paean to the real women whose work on the Oxford English Dictionary went largely unheralded.”—The New York Times Book Review “A marvelous fiction about the power of language to elevate or repress.”—Geraldine Brooks, New York Times bestselling author of People of the Book Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the Scriptorium, an Oxford garden shed in which her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Young Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word bondmaid flutters beneath the table. She rescues the slip and, learning that the word means “slave girl,” begins to collect other words that have been discarded or neglected by the dictionary men. As she grows up, Esme realizes that words and meanings relating to women’s and common folks’ experiences often go unrecorded. And so she begins in earnest to search out words for her own dictionary: the Dictionary of Lost Words. To do so she must leave the sheltered world of the university and venture out to meet the people whose words will fill those pages. Set during the height of the women’s suffrage movement and with the Great War looming, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. Inspired by actual events, author Pip Williams has delved into the archives of the Oxford English Dictionary to tell this highly original story. The Dictionary of Lost Words is a delightful, lyrical, and deeply thought-provoking celebration of words and the power of language to shape the world. WINNER OF THE AUSTRALIAN BOOK INDUSTRY AWARD

Four award-winning authors. Four amazing alternate histories. In this collection of novellas, four masters of alternate history turn back time, twisting the facts with four excursions into what might have been. Bestselling author Harry Turtledove imagines a different fate for Socrates (now Sokrates); S. M. Stirling envisions life "in the wilds of a re-barbarized Texas" after asteroids strike the earth in the 19th century; Sidewise winner Mary Gentle contributes a story of love (and pigs) set in the mid-15th century, as European mercenaries prepare to sack a Gothic Carthage; and Nebula nominee Walter Jon Williams pens a tale of Nietzsche intervening in the gunfight at the O.K. Corral.

The magical follow-up to The Monster Who Wasn't. The second book in this brilliantly rich and strange fantasy series will make us all believe in monsters – be they good, bad or somewhere in between. Sam might be half-monster and half-fairy, but since finding a loving family with the Kavanaghs, his daily life has been all human. And now he's facing one of the greatest human challenges – starting secondary school. But Sam barely has time to worry about the strange stuff teachers say (why do they call it the Great War when it sounds like was anything but great?) before he is thrust back into the world of monsters. Sam's school friends Amira, Hazel and Wilfred reveal that they are shifters: noble twin-souled beings who live half their lives as humans and the other half as dogs. When his new friends are kidnapped one by one, Sam is dragged into an adventure that will force him to confront both halves of his own identity, monster and fairy, if he wants a chance at saving their lives ...

Hannah is a young British-Pakistani girl living in East London. Her strict household makes it difficult for her to escape from the pressure of being a good daughter. One such pressure leads her on a fairy-tale romance with a guy she meets at the British Museum. He ticks all the boxes except one. He isn't human. He belongs to the realm of Jinns. Hannah soon discovers the guy she's falling in love with is a prisoner, bound to an ancient vase for 1000 years for a crime that wasn't entirely his fault. To release the love of her life from his sentence, Hannah must embark on a dangerous journey that will not only break her away from her own family but will also attract the attention of entities in the Jinn world that should never have learned how far a human will go to save the Jinn she loves. Don't Say the Jinn Word is created by MAVIE, an eGlobal Creative Publishing author.