This book discusses modern Hungarian literary culture as a site of intercultural exchange, suggesting through a variety of case-studies that encounters with foreign literatures are integral to national literary tradition, and studying them renews critical perspectives on national literary history. It contributes to current reconsiderations of methods of literary historiography, and will appeal to readers interested in Hungarian literature, and to scholars of reception study, cultural memory, comparative literary study, and of world literature.

Now in paperback, a transcendent and wide-ranging collection of stories by László Krasznahorkai: “a visionary writer of extraordinary intensity and vocal range who captures the texture of present-day existence in scenes that are terrifying, strange, appallingly comic, and often shatteringly beautiful.”—Marina Warner, announcing the Booker International Prize In The World Goes On, a narrator first speaks directly, then narrates a number of unforgettable stories, and then bids farewell (“here I would leave this earth and these stars, because I would take nothing with me”). As László Krasznahorkai himself explains: “Each text is about drawing our attention away from this world, speeding our body toward annihilation, and immersing ourselves in a current of thought or a narrative…” A Hungarian interpreter obsessed with waterfalls, at the edge of the abyss in his own mind, wanders the chaotic streets of Shanghai. A traveler, reeling from the sights and sounds of Varanasi, India, encounters a giant of a man on the banks of the Ganges ranting on and on about the nature of a single drop of water. A child laborer in a Portuguese marble quarry wanders off from work one day into a surreal realm utterly alien from his daily toils. “The excitement of his writing,” Adam Thirlwell proclaimed in The New York Review of Books, “is that he has come up with his own original forms—there is nothing else like it in contemporary literature.”

At the point of its creation in 1873, Budapest was intended to be a pleasant rallying point of orderliness, high culture and elevated social principles: the jewel in the national crown. From the turn of the century to World War II, however, the Hungarian capital was described, variously, as: Judapest, the sinful city, not in Hungary, and the Chicago of the Balkans. This is the first English-language study of competing metropolitan narratives in Hungarian literature that spans both the liberal late Habsburg and post-liberal, 'Christian-national' eras, at the same time as the 'Jewish Question' became increasingly inseparable from representations of the city. Works by writers from a wide variety of backgrounds are discussed, from Jewish satirists to icons of the radical Right, representatives of conservative national schools, and modernist, avant-garde and 'peasantist' authors. Gwen Jones is Hon. Research Associate at the Department of Hebrew and Jewish Studies, University College London.

Ranging from cuneiform to shorthand, from archaic Greek to modern Chinese, from Old Persian to modern Cherokee, this is the only available work in English to cover all of the world's writing systems from ancient times to the present. Describing scores of scripts in use now or in the past around the world, this unusually comprehensive reference offers a detailed exploration of the history and typology of writing systems. More than eighty articles by scholars from over a dozen countries explain and document how a vast array of writing systems work--how alphabets, ideograms, pictographs, and hieroglyphics convey meaning in graphic form. The work is organized in thirteen parts, each dealing with a particular group of writing systems defined historically, geographically, or conceptually. Arranged according to the chronological development of writing systems and their historical relationships within geographical areas, the scripts are divided into the following sections: the ancient Near East, East Asia, Europe, South Asia, Southeast Asia, and the Middle East. Additional parts address the ongoing process of decipherment of ancient writing systems; the adaptation of traditional scripts to new languages; new scripts invented in modern times; and graphic symbols for numerical, music, and movement notation. Each part begins with an introductory article providing the social and cultural context in which the group of writing systems was developed. Articles on individual scripts detail the historical origin of the writing system, its structure (with tables showing the forms of the written symbols), and its relationship to the phonology of the corresponding spoken language. Each writing system is illustrated by a passage of text, and accompanied by a romanized version, a phonetic transcription, and a modern English translation. A bibliography suggesting further reading concludes each entry. Matched by no other work in English, The World's Writing Systems is the only comprehensive resource covering every major writing system. Unparalleled in its scope and unique in its coverage of the way scripts relate to the languages they represent, this is a resource that anyone with an interest in language will want to own, and one that should be a part of every library's reference collection.

This translation originally copyrighted in 2010.

**Washington Post Best Books of 2013** The celebrated TRANSYLVANIAN TRILOGY by Count Miklós Bánffy is a stunning historical epic set in the lost world of the Hungarian aristocracy just before World War I. Written in the 1930s and first discovered by the English-speaking world after the fall of communism in Hungary, Bánffy’s novels were translated in the late 1990s to critical acclaim and appear here for the first time in hardcover. They Were Found Wanting and They Were Divided, the second and third novels in the trilogy, continue the story of the two aristocratic cousins introduced in They Were Counted as they navigate a dissolute society teetering on the brink of catastrophe. Count Balint Abády, a liberal politician who defends his homeland’s downtrodden Romanian peasants, loses his beautiful lover, Adrienne, who is married to a sinister and dangerously insane man, while his cousin László loses himself in reckless and self-destructive addictions. Meanwhile, no one seems to notice the gathering clouds that are threatening the Austro-Hungarian Empire and that will soon lead to the brutal dismemberment of their country. Set amid magnificent scenery of wild forests, snowcapped mountains, and ancient castles, THE TRANSYLVANIAN TRILOGY combines a Proustian nostalgia for a lost world, insight into a collapsing empire reminiscent of the work of Joseph Roth, and the drama and epic sweep of Tolstoy.

From the winner of the 2015 Man Booker International Prize