"Our camp, they tell us, is now to be called a 'relocation center' and not a 'concentration camp.' We are internees, not prisoners. Here's the truth: I am now a non-alien, stripped of my constitutional rights. I am a prisoner in a concentration camp in my own country. I sleep on a canvas cot under which is a suitcase with my life's belongings: a change of clothes, underwear, a notebook and pencil. Why?"—Kiyo Sato In 1941 Kiyo Sato and her eight younger siblings lived with their parents on a small farm near Sacramento, California, where they grew strawberries, nuts, and other crops. Kiyo had started college the year before when she was eighteen, and her eldest brother, Seiji, would soon join the US Army. The younger children attended school and worked on the farm after class and on Saturday. On Sunday, they went to church. The Satos were an ordinary American family. Until they weren't. On December 7, 1941, Japan bombed the US naval base at Pearl Harbor, Hawaii. The next day, US president Franklin Roosevelt declared war on Japan and the United States officially entered World War II. Soon after, in February and March 1942, Roosevelt signed two executive orders which paved the way for the military to round up all Japanese Americans living on the West Coast and incarcerate them in isolated internment camps for the duration of the war. Kiyo and her family were among the nearly 120,000 internees. In this moving account, Sato and Goldsmith tell the story of the internment years, describing why the internment happened and how it impacted Kiyo and her family. They also discuss the ways in which Kiyo has used her experience to educate other Americans about their history, to promote inclusion, and to fight against similar injustices.

"More than 110,000 ethnic Japanese Americans were forcibly removed from their homes at the start of World War II and transported to desolate detention centers after President Franklin D. Roosevelt signed Executive Order 9066 in early 1942. Paul Kitagaki's parents and grandparents were part of that group, but they never talked about their experience. To better understand, Kitagaki tracked down the subjects of more than sixty photographs taken by Dorothea Lange, Ansel Adams and other photographers. This book is a result of that work, which took Kitagaki on a ten-year pilgrimage around the country photographing survivors of camps"--

When her father left Japan, his mother told him never to return: there was no future there for him. Shinji Sato arrived in California determined to plant his roots in the Land of Opportunity even though he could not become a citizen. He and his wife started a farm and worked in the fields together with their nine children. At the outbreak of World War II, when Kiyo, the eldest, was 18, the Satos were ordered to Poston Internment Camp. Though they had lived the US for two decades and their children were citizens, they were suddenly uprooted and imprisoned by the government.

Three voices. Three acts of defiance. One mass injustice. The story of camp as you’ve never seen it before. Japanese Americans complied when evicted from their homes in World War II -- but many refused to submit to imprisonment in American concentration camps without a fight. In this groundbreaking graphic novel, meet JIM AKUTSU, the inspiration for John Okada’s No-No Boy, who refuses to be drafted from the camp at Minidoka when classified as a non-citizen, an enemy alien; HIROSHI KASHIWAGI, who resists government pressure to sign a loyalty oath at Tule Lake, but yields to family pressure to renounce his U.S. citizenship; and MITSUYE ENDO, a reluctant recruit to a lawsuit contesting her imprisonment, who refuses a chance to leave the camp at Topaz so that her case could reach the U.S. Supreme Court. Based upon painstaking research, We Hereby Refuse presents an original vision of America’s past with disturbing links to the American present.

Confinement and Ethnicity documents in unprecedented detail the various facilities in which persons of Japanese descent living in the western United States were confined during World War II: the fifteen “assembly centers” run by the U.S. Army’s Wartime Civil Control Administration, the ten “relocation centers” created by the War Relocation Authority, and the internment camps, penitentiaries, and other sites under the jurisdiction of the Justice and War Departments. Originally published as a report of the Western Archeological and Conservation Center of the National Park Service, it is now reissued in a corrected edition, with a new Foreword by Tetsuden Kashima, associate professor of American ethnic studies at the University of Washington. Based on archival research, field visits, and interviews with former residents, Confinement and Ethnicity provides an overview of the architectural remnants, archeological features, and artifacts remaining at the various sites. Included are numerous maps, diagrams, charts, and photographs. Historic images of the sites and their inhabitants -- including several by Dorothea Lange and Ansel Adams -- are combined with photographs of present-day settings, showing concrete foundations, fence posts, inmate-constructed drainage ditches, and foundations and parts of buildings, as well as inscriptions in Japanese and English written or scratched on walls and rocks. The result is a unique and poignant treasure house of information for former residents and their descendants, for Asian American and World War II historians, and for anyone interested in the facts about what the authors call these “sites of shame.”

This intimate memoir offers a poignant, at times humorous account of Japanese American life in California before and after WWII. In 1942, fourteen-year-old Hank Umemoto gazed out a barrack window at Manzanar Internment Camp, saw the silhouette of Mount Whitney against an indigo sky, and vowed that one day he would climb to the top. Fifty-seven years and a lifetime of stories later, at the age of seventy-one, he reached the summit. As Umemoto wanders through the mountains of California’s Inland Empire, he recalls pieces of his childhood on a grape vineyard in the Sacramento Valley, his time at Manzanar, where beauty and hope were maintained despite the odds, and his later career as proprietor of a printing firm—sharing it all with grace, honesty, and unfailing humor.

"A compilation of oral histories and unpublished photographs that narrate the history of the Japantown neighborhood in Sacramento, California"--