Postcards sent by men on the front, and to them by their families, are among the most numerous, and most telling, surviving artefacts of the Great War. They tell us much about attitudes towards the war, and provide a great insight into men's lives, and into the thoughts and emotions of those left behind. Very different in their illustration, and in their writing, between the beginning of the war and the end, postcards provide a social history of the war in microcosm. Illustrated with a wide range of postcards, this is a fascinating look into the response of the British people to the horrors of the war.

"Over 270 different cards of 132 individual aviators are included in this ground-breaking edition. Boelcke, Immelmann, the Richthofen brothers, Udet, and G?ring are just a few of the famed aces and Pour le Mé́rite flyers photographed by Postkarten-Vertrieb Willi Sanke. Each postcard is given full page coverage, accompanied by a brief history of each man, together with his victories and highest attained award"--Page 2 of cover.

Here's World War II as it has never been seen before. The propaganda of the war years reflects the mood of the nations involved. The stories behind propaganda postcards are fascinating bits of history often overlooked in textbooks. These are the real thing -- showing how the Axis and Allies demonized their enemies and glorified their heroes. More than 300 postcards from over 20 nations and Menchine's incisive commentary provide a provocative glimpse into the emotional climate of the peoples affected by the war, whether they were on the battlefield or on the production line.

"Postcards From World War II" is a unique look at the history of our nation at war presented through postcard images and messages. 150 full-color postcards.

She links, for example, the modernist representation of an unstable self to soldiers' familiarity with corpses, the modernist mistrust for fact to the competing nationalist discourses of August 1914, and the modernist description of buildings as having shaken off the past to a desire to forget the war. Booth argues that the dislocations of war often figure centrally in modernist forms even when the war itself seems peripheral to modernist content.

German art student Otto Schubert was 22 years old when he was drafted into the Great War. As the conflict unfolded, he painted a series of postcards that he sent to his sweetheart, Irma. During the battles of Ypres and Verdun, Schubert filled dozens of military-issued 4” x 6” cards with vivid images depicting the daily realities and tragedies of war. Beautifully illustrated with full-color reproductions of his exquisite postcards, as well as his wartime sketches, woodcuts, and two lithograph portfolios, Postcards from the Trenches is Schubert's war diary, love journal, and life story. His powerful artworks illuminate and document in a visual language the truths of war. Postcards from the Trenches offers the first full account of Otto Schubert, soldier-artist of the Great War, rising art star in the 1920s, prolific graphic artist and book illustrator, one of the “degenerate” artists defamed by the Nazis, and a man shattered by the Second World War and the Cold War. Created in the midst of enormous devastation, Schubert's haunting visual missives are as powerful and relevant today as they were a century ago. His postcards are both a young man's token of love and longing and a soldier's testimony of the Great War.