"More than 125 Photos That Changed Our World. Get the fascinating stories behind the greatest pictures ever taken."--

This is a new release of the original 1939 edition.

A wonderful and humorous recreation of 120 iconic images covering over 150 years of the history of photography.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Collects photographs from around the world involving the different ways people work.

He has been called "the phantom of photography", but he sees himself as a "nonviolent anarchist" with a Leica, film and geometric vision. Henri Cartier-Bresson, the most acclaimed candid photographer in the world, is revered as a demigod by legions of miniature-camera enthusiasts, who have almost never seen a picture of him. After half a century of shooting everybody, everywhere, he has remained the photographer without a face until now. In May 2000, while on assignment chronicling camera old-timers, Cartier-Bresson decided to shoot his subject, friend and colleague David Douglas Duncan at the Picasso museum in Paris. Upon arriving at the shoot, Duncan seized a rare opportunity. He borrowed his wife’s zoom-lens camera and asked Cartier-Bresson for a roll of film. Then, without a word between them, Duncan began to photograph Cartier-Bresson. Duncan fully realized the outstanding nature of these images and decided to turn them into a tribute to a master of photography. This book captures the true essence of portraiture and is sure to become a classic of its genre - a one-of-a-kind portrait of a photographer and a lesson of spontaneity in portrait photography.

"DECREAZIONE" is a book collecting Joseph Koudelka's images exhibited at the fifty-firth Venice Biennale, at the Vatican Pavilion. With his suggestive black-and-white images and his moving, desolated landscapes, Koudelka tells stories of destruction, declined in three different forms: time, violence, and contrast between nature and uncontrolled industrial development. Josef Koudelka was born in Moravia in 1938. He published numerous photographic books on the relationship between man and landscape, about gypsy life, and on the invasion of Prague in 1968. Significant exhibitions of his works have been held at international museums and galleries and he received numerous major awards.