A Boston music journalist-turned-corporate writer investigates the suspicious death of a friend from her punk past in this noir mystery. The Boston club scene may be home to a cast of outsiders and misfits, but it’s where Tara Winton belongs—the world she’s been part of for the past twenty years. Now, one of the old gang is dead, having fallen down the basement stairs at his home. With her journalist’s instincts, Tara senses there’s something not quite right about Frank’s supposedly accidental death. When she asks questions, she begins to uncover some disturbing truths about the club scene in its heyday. Beneath the heady, sexually charged atmosphere lurked something darker. Twenty years ago, there was another death. Could there be a connection? Is there a killer still at large…and could Tara herself be at risk? “[A] a fascinating reminiscence of sex, drugs, and rock and roll.”—Kirkus Reviews “Simon writes with authority and affection about a lost world. Highly recommended”—Catriona McPherson, award-winning author of Strangers at the Gate “World Enough, is steeped in the 1980s Boston rock scene, with its sticky-floored clubs, radio stations dusted in coke, stars and hangers-on, seedy barbacks, and all the attendant sin and debauch that emerges after midnight when you can still hear the show ringing in your ears.”—Boston Globe “Simon's dark story shimmers with brilliance—and stands as her finest.”—Richmond Times-Dispatch

In World Enough, Maureen N. McLane maps a universe of feeling and thought via skyscapes, city strolls, lunar vistas, and passages through environments given and built. These poems explore how we come to know ourselves—sensually, intellectually, politically, biologically, historically, and anthropologically. Moving from the most delicate address to the broadest salutation, World Enough takes us from New England to New York to France to the moon. McLane fuses song and critique, giving us poetry as "musical thought," in Carlyle's phrase. Shuttling between idyll and disaster, between old forms and open experiment, these are restless, probing, exacting poems that aim to take the measure of—and to give a measure for—where we are. McLane moves through many forms and creates her own, invoking the French Revolution alongside convolutions of the heart and revolutions of the moon. Shifting effortlessly between the species and the self, between the sentient surround and the peculiar pulse within, World Enough attests to experience both singular and shared: "not that I was alive / but that we were."

More than twelve years ago, over the course of ten years training teachers to write their own poems in order to pass the craft along to students, McEwen realized that nothing comes easily when life is conducted at a high rate of speed. In this updated, second edition, she reflects on the experience of publishing World Enough & Time in 2011. In addition readers and the public comment on the impact World Enough has had on their lives. McEwen draws not only on personal experience, but on readings ranging from literary anecdote and poetry to Buddhism, anthropology, current news, and social history, all supplemented by interviews with contemporary writers and artists. This is a real reader's book, one that stands up as both sustained narrative and occasional inspiration. McEwen espouses the pleasure to be found in slowing down, both for the ease and comfort of the thing itself (taking time to go for a walk, to write down one's dreams, to read, to talk, to pray), and for its impact on creativity. There are chapters on walking, talking, drawing, dreaming, on making space, on pausing/praying, on telling stories. World Enough & Time is aimed at the educated general reader, could be used as a creative primer, and will be of interest to creative writing students and artists in every genre.

For more than thirty years, humankind has known how to grow enough food to end chronic hunger worldwide. Yet while the ''Green Revolution'' succeeded in South America and Asia, it never got to Africa. More than 9 million people every year die of hunger, malnutrition, and related diseases every year - most of them in Africa and most of them children. More die of hunger in Africa than from AIDS and malaria combined. Now, an impending global food crisis threatens to make things worse. In the west we think of famine as a natural disaster, brought about by drought; or as the legacy of brutal dictators. But in this powerful investigative narrative, Thurow & Kilman show exactly how, in the past few decades, American, British, and European policies conspired to keep Africa hungry and unable to feed itself. As a new generation of activists work to keep famine from spreading, Enough is essential reading on a humanitarian issue of utmost urgency.

The world of World Enough is configured differently. From the opening page the reader is confronted by a succession of "anomalies" that create a transform of the world we are familiar with. Set against the backcloth of an imagined history spanning Russia, France, Greater Israel, the United States of Africa and the colonies of North America engaged in a war of liberation, World Enough is narrated in a series of flashbacks and varied temporal registers by the novel's four main characters: Katerina and Padua, sisters born in pre-revolutionary Russia, and two Africans, Quaque and Million M'loy. Their four accounts, switching back and forth throughout the novel, complement and sometimes contradict each other in their construction of an epic tale of romance, espionage, chess, geopolitics, war and the prolongation of people's natural lifespan, running from the early 20th century through to some unspecified time in the 21st.

World Enough, and Time is the first book of this spellbinding action adventure trilogy. In a post-apocalyptic world 200 years from now, humans are a dying species. When Joshua's wife is kidnapped by a griffin and a vampire, he and his comrades, a centaur and an android, set out to rescue her across a surreal landscape filled with seemingly mythological creatures. But the explanation for the existence of these beasts is based in science, and informed by nightmare. And the odyssey isn't over until they confront the evil cabal whose goal is nothing less than the extinction of the human race.