Charles A. Ellwood's 'Sociology and Modern Social Problems' is a comprehensive and accessible text that offers an introduction to sociology through the lens of modern social issues. With a focus on the family as a typical human institution, Ellwood examines the elementary principles of sociology and applies them to problems such as immigration, poverty, and crime. The book emphasizes interpretation over social facts, and encourages students to work out their own systems of social theory. Ellwood also provides a brief list of select references in English for further reading.

In a valuable addition to the debate on the nature of contemporary working-class culture, Thomas Dunk shows that the function and meaning of gender, ethnicity, popular leisure activities, and common-sense knowledge are intimately linked with the way an individual's experience is structured by class. After reviewing the principal theoretical problems relating to the study of working-class culture and consciousness, Dunk provides a detailed ethnographic analysis of "the Boys" – the male working-class subjects of this study. Male working-class culture, he argues, contains both the seeds of a radical response to social inequality and a defensive reaction against alternative social practices and ideas. In a new forward, Dunk contextualizes the original text with regard to the debates about class and masculinity that have occurred since the book was first published.

This innovative and absorbing book surveys a little known chapter in the story of American urbanism—the history of communities built and owned by single companies seeking to bring their workers’ homes and place of employment together on a single site. By 1930 more than two million people lived in such towns, dotted across an industrial frontier which stretched from Lowell, Massachusetts, through Torrance, California to Norris, Tennessee. Margaret Crawford focuses on the transformation of company town construction from the vernacular settlements of the late eighteenth century to the professional designs of architects and planners one hundred and fifty years later. Eschewing a static architectural approach which reads politics, history, and economics through the appearance of buildings, Crawford portrays the successive forms of company towns as the product of a dynamic process, shaped by industrial transformation, class struggle, and reformers’ efforts to control and direct these forces.