Working the Sea is the story of a Maine fisherman’s life, a collection of memories and teachings from a master storyteller. Author Wendell Seavey, who grew up in the 1940s in the fishing village that inspired this story, avoids the overly romantic or picturesque language of other fishing and working-class narratives, writing in a true Downeast Yankee voice and candidly describing both the joys and hardships of the fishing life. Seavey is firmly rooted in the fishing traditions of his community and family, and the book reflects these deep roots. But his perspectives and observations are unique and at times unexpected as he travels across the United States, engages in psychic and spiritual activity, develops an environmental philosophy of life, and meets a host of memorable countercultural characters. Seavey also shares practical lessons about approaching life’s “insurmountable obstacles” and getting past them, and about his transformation from a “fisherman-user” to a “fisherman-ecologist” striving to be part of the cycle of life. This new edition includes an account of the author’s two-year sojourn in Texas as well as several other new stories.

A Pulitzer Prize Finalist, this powerful elegy for our disappearing coast “captures nature with precise words that almost amount to poetry” (The New York Times). Hailed as “the book on climate change and sea levels that was missing” (Chicago Tribune), Rising is both a highly original work of lyric reportage and a haunting meditation on how to let go of the places we love. With every record-breaking hurricane, it grows clearer that climate change is neither imagined nor distant—and that rising seas are transforming the coastline of the United States in irrevocable ways. In Rising, Elizabeth Rush guides readers through these dramatic changes, from the Gulf Coast to Miami, and from New York City to the Bay Area. For many of the plants, animals, and humans in these places, the options are stark: retreat or perish. Rush sheds light on the unfolding crises through firsthand testimonials—a Staten Islander who lost her father during Sandy, the remaining holdouts of a Native American community on a drowning Isle de Jean Charles, a neighborhood in Pensacola settled by escaped slaves hundreds of years ago—woven together with profiles of wildlife biologists, activists, and other members of these vulnerable communities. A Guardian, Publishers Weekly, and Library Journal Best Book Of 2018 Winner of the National Outdoor Book Award A Chicago Tribune Top Ten Book of 2018

Argues against common competitive practices while outlining recommendations based on the creation of untapped market spaces with growth potential.

A bold new short story collection from one of the most exhilarating and innovative writers of our time. The stories in Leaving the Sea take place in a world which is a distortion of our own, where strange illnesses strike at random and where people disappear without a trace. Ben Marcus has created a labyrinth populated by disturbed, weary men; from the frustrated creative writing teacher to the advocate of self-inhumation; from Paul, whose return home leads him further into his isolation, or Mather, whose child is sick, to an unnamed narrator who spends his lonely evenings calculating the probabilities of his mother's imminent demise. Dark, funny and utterly unique, Leaving the Sea showcases a writer at the height of his powers.

What makes a story a story? What is style? What’s the connection between realism and real life? These are some of the questions James Wood answers in How Fiction Works, the first book-length essay by the preeminent critic of his generation. Ranging widely—from Homer to David Foster Wallace, from What Maisie Knew to Make Way for Ducklings—Wood takes the reader through the basic elements of the art, step by step. The result is nothing less than a philosophy of the novel—plainspoken, funny, blunt—in the traditions of E. M. Forster’s Aspects of the Novel and Strunk and White’s The Elements of Style. It sums up two decades of insight with wit and concision. It will change the way you read.

Contemporary public discourses about the ocean are routinely characterized by scientific and environmentalist narratives that imagine and idealize marine spaces in which humans are absent. In contrast, this collection explores the variety of ways in which people have long made themselves at home at sea, and continue to live intimately with it. In doing so, it brings together both ethnographic and archaeological research – much of it with an explicit Ingoldian approach – on a wide range of geographical areas and historical periods.

This publication draws upon the fields of science, economics and business strategy to chart the future of humankind's relationship to the ocean. A healthy ocean provides the basis for a prosperous world, and oceans have been largely ignored as a driver of human well-being until now. Ocean health has been in a serious state of decline for the past 100 years from a range of pressures including human population growth, energy consumption and use of natural resources. Humanity will exceed the resources and environmental conditions necessary to exist, within the next century if nothing changes. Solutions to these challenges lie not only in traditional resource conservation management, but in new fields of technology, governance and innovation.