Presents a novel approach to woodturning using thin, narrow planks of wood (usually of little use to woodturners) to produce hollow, twisted vessels. This turning method is described in detail and there are 14 designs, each accompanied by illustrated step-by-step instructions and an inspirational gallery.

MEET THIRTY-ONE CONTEMPORARY ARTISTS PUSHING THE BOUNDARIES OF A CLASSIC CRAFT.They are from different parts of the world but share a common passion: turning wood into sculptural forms of self-expression. You'll see each artist at work--in their studios, homes, and at the lathe--and discover why their stunning work is considered to be preeminent in the respective fields of woodtruning and modern art. A gallery of beautiful photographs is included. New Masters of Woodturning looks beyond the surface of the wood and into the vision and mind of the artist, providing insights that offer a captivating and important perspective of turn-of-the-century art and craft.

It is hard to improve upon perfection, but Raffan does, bringing his classic introduction to woodturning up-to-date. Readers are introduced to the lathe, the methods of attaching wood to it, and (most importantly) turning tools and their proper care and use. By mastering these techniques, one can move on to any style of woodturning.

A Revolution in Wood celebrates the magnificent gift of sixty-six pieces of turned and carved wood to the Renwick Gallery of the Smithsonian American Art Museum by the distinguished collectors Fleur and Charles Bresler. Illustrated in lavish detail, works by this country's best-known wood artists highlight the growing sophistication of American craft's youngest medium and the expressive capacity of its most organic material. Masterpieces by the field's pioneers, including David Ellsworth, William Hunter, Mark and Melvin Lindquist, Edward Moulthrop, and Rude Osolnik, demonstrate the extraordinary range of expression achievable on the lathe, the medium's foundational tool. Compelling recent works by Ron Fleming, Michelle Holzapfel, Hugh McKay, Norm Sartorius, Mark Sfirri, and many others reveal the advent of new techniques, including multi-axis turning, the incorporation of secondary materials, and a strong focus on carving. A wide-ranging essay by Renwick Curator Nicholas R. Bell examines contemporary wood art's historical roots and its rapid growth since the 1970s. Particular attention is given to the medium's development outside the studio craft movement and how that dynamic has shaped the current field. An interview with Fleur Bresler by former Renwick Curator-in-Charge Kenneth R. Trapp offers a window on the collector's passion and highlights her twenty-five-year dedication to wood and to the artists she considers family. The final section, “Wood Art at the Renwick Gallery,” illustrates in color over two hundred works by more than one hundred artists, making this premier public collection available in print for the first time. From James Prestini's original gift of twenty pieces before the Renwick's opening to experimental works by current artists, this guide to the Smithsonian's collection will serve as a reference for years to come.

This publication presents a selection of wood-based works from the collection of Robert Bohlen, one of the finest and most thorough collectors of wood art. The artistic progress of the medium is analyzed by a wide array of essays.

Turning expert Rchard Raffan's easy-to-follow instructions and step-by-step illustrations make this work accessible to anyone interested in woodturning.

There is scientific evidence proving evolution cannot be responsible for life on Earth. It is time to question what biology text books and nature documentaries claim about our origins. Even Darwin admitted, “I threw out queries, suggestions, wondering all the time over everything; and to my astonishment the ideas took like wildfire. People made a religion of them.” Dr. John Ashton has dedicated 40+ years to teaching and researching science, and exposing the lack of proven evidence for Darwin’s theories. In Evolution Impossible, he uses discoveries in genetics, biochemistry, geology, radiometric dating, and other scientific disciplines to explain why the theory of evolution is a myth. Discover for yourself: Why the fossil record is evidence of extinction, not evolution How erosion and sedimentation dates conflict with radiometric dating How the lack of transitional fossils undermines evolutionary notions Why living cells and new organisms do not rise by chance or random mutations Regardless of your level of scientific education, you will finish this book able to cite 12 reasons why evolution cannot explain the origin of life.