Also has published earlier works under Black, Jenna.

Winner of the PEN Oakland–Josephine Miles Award “A stunning portrayal of a tragedy endured and survived by women.” —David W. Blight, author of Frederick Douglass “Readers expecting hoop-skirted ladies soothing fevered soldiers’ brows will not find them here...Explodes the fiction that men fight wars while women idle on the sidelines.” —Washington Post The idea that women are outside of war is a powerful myth, one that shaped the Civil War and still determines how we write about it today. Through three dramatic stories that span the war, Stephanie McCurry invites us to see America’s bloodiest conflict for what it was: not just a brothers’ war but a women’s war. When Union soldiers faced the unexpected threat of female partisans, saboteurs, and spies, long held assumptions about the innocence of enemy women were suddenly thrown into question. McCurry shows how the case of Clara Judd, imprisoned for treason, transformed the writing of Lieber’s Code, leading to lasting changes in the laws of war. Black women’s fight for freedom had no place in the Union military’s emancipation plans. Facing a massive problem of governance as former slaves fled to their ranks, officers reclassified black women as “soldiers’ wives”—placing new obstacles on their path to freedom. Finally, McCurry offers a new perspective on the epic human drama of Reconstruction through the story of one slaveholding woman, whose losses went well beyond the material to intimate matters of family, love, and belonging, mixing grief with rage and recasting white supremacy in new, still relevant terms. “As McCurry points out in this gem of a book, many historians who view the American Civil War as a ‘people’s war’ nevertheless neglect the actions of half the people.” —James M. McPherson, author of Battle Cry of Freedom “In this brilliant exposition of the politics of the seemingly personal, McCurry illuminates previously unrecognized dimensions of the war’s elemental impact.” —Drew Gilpin Faust, author of This Republic of Suffering

This book offers a narrative and analysis of a central event in the colonial history of Nigeria - the Women's War of 1929, also called the Aba Women's Riots by colonial officials. The Women's War of 1929 addresses the historical debates related to the causes and consequences of the event with assessments of each side's strengths and weaknesses. Focusing mainly on the actions of African participants, the book explains the cultural, social, and economic issues that led to the Women's War and the reasons why women used specific strategies. It also evaluates the aftermath of the conflict and how the protest practices used by Igbo and Ibibio women influenced British colonial policy. The book goes further than other historical accounts of the Women's War by evaluating subsequent women's protests into the 1930s. The volume includes a large collection of primary documents reproduced for print from archives in Nigeria and London. A chapter designed for students gives context to the documents and offers a short guide on how to use them effectively. The document collection offers insights into more than just the Women's War, owing to firsthand accounts and opinions from Igbo and Ibibio people, as well as how colonial officials described life under British colonialism. The documents section is designed to be a primary resource for students and professors of African Studies, African History, British Imperial Studies, and Gender Studies so that readers interested in the subject have the chance to read the actual words of African women and colonial officials. This book is part of the African World Series, edited by Toyin Falola, Jacob and Frances Sanger Mossiker Chair in the Humanities, University of Texas at Austin. "Fantastic! That's the first word that comes to mind in considering this volume. Falola and Paddock have done researchers, teachers and students an enormous service by making readily available for the first time a sizeable chunk of the enormous quantity of testimonies and documents generated as a result of Women's War of 1929. Teachers especially will find the chapter on historiography, which provides a thoughtful, useful and concise guide for students on how historians work, of great interest." -- Anene Ejikeme, Associate Professor of History, Trinity University "This book is by far the most comprehensive study on the 1929 Women's War, a major milestone in the colonial history of Nigeria. It goes beyond a synthesis of scholarship on the war by offering a rich and nuanced narrative of the multifaceted causes and consequences of the anti-colonial movement within the contexts of the Igbo and Ibibio socio-cultural organizations, and the colonial political economy. The inclusion of key primary documents and excerpts on the war and related events with useful information on historical techniques distinguishes this book from many others on Nigerian nationalist studies, and underscores its significance to African colonial historiography and British imperial studies. It provides critical perspectives on women and gender studies, anthropological and historical studies, and studies in colonialism, nationalism, and resistance, and therefore, will be of interest to a wide readership including students and researchers." -- Gloria Chuku, Associate Professor of Africana Studies, University of Maryland "As this book illustrates, the testimonies of men and women speaking about the Women's War allow readers to hear their voices ... Throughout this book, the authors have done a fine job of highlighting the richness of African voices, which reveal the complexity of the colonial encounter." -- Africa

In 1929, tens of thousands of south eastern Nigerian women rose up against British authority in what is known as the Women's War. This book brings togther, for the first time, the multiple perspectives of the war's colonized and colonial participants and examines its various actions within a single, gendered analytical frame.

When Gail Harris was assigned by the U.S. Navy to a combat intelligence job in 1973, she became the first African American female to hold such a position. Her 28-year career included hands on leadership in the intelligence community during every major conflict from the Cold War to Desert Storm to Kosovo, and most recently at the forefront of one of the Department of Defense's newest challenges: Cyber Warfare. At her retirement, she was the highest ranking African American female in the Navy. A Woman's War: The Professional and Personal Journey of the Navy's First African American Female Intelligence Officer is an inspirational memoir that follows Gail Harris's career as a naval intelligence officer, sharing her unique experience and perspective as she completed the complex task of providing intelligence support to military operations while also battling the status quo, office bullies, and politics. This book also looks at the way intelligence is used and misused in these perilous times.

In consideration of UN Resolution 1325 (which called for women's equal participation in promoting peace and security and for greater efforts to protect women exposed to violence during and after conflict), this volume takes stock of the current state of knowledge on women, peace and security issues, including efforts to increase women's participation in post-conflict reconstruction strategies and their protection from wartime sexual violence.

This volume explores how art and artifacts can tell women’s stories of war—a critical way into these stories, often hidden due to the second-tier status of reporting women’s accomplishments. This unique lens reveals personal, cultural, and historically noteworthy experiences often not found in records, manuscripts, and texts. Nine stories from history are examined, from the mythical Amazons of Ancient Greece to a female prisoner of war during World War II. Each of the social, political, and battlefield experiences of Penthesilea, Artemisia, Boudica, the feminine cavaliers, the Dahomey Amazons, suffragists, World War I medical corps, and a World War II prisoner of war are intertwined with a particular work of art or an artifact. These include pottery, iconographic images, public sculpture, stone engraving, clothing, decorative arts, paintings, and pulp art. While each story stands alone, brought together in this volume they represent a cross-sectional reflection on the record of women and war. The chapters cover not only a diverse range of women from around the globe - the African continent, the Hispanic territory of Europe, Carian and Ancient Greece and Rome, Iran, Great Britain-Scotland-ancient Caledonia, Western Europe, and North America—but also a diverse choice of artwork and artifacts, eras, and the nature of the wars being fought. This book will be of value to those interested in gender across history and its interplay in the field of war.