This is Volume 5 Of Women's Travel Writing:1750-1850 and contains Letters from the Island of Tenerife, Brazil, The cape of Good Hope and the East Indies by Mrs Kindersley.

The Romantic Period saw a massive advance in British colonial expansion, which was accompanied by a corresponding expansion in travel writings. These published letters, journals and books provided British readers with detailed accounts of new and exotic locations and thus engaged the reading public with expansionist enterprises. Covering the period of the French Revolution up until Victoria’s ascendancy to the throne, and featuring journeys spanning France and central Europe, India, and South America, this collection brings together some of the most interesting travel accounts written by women at this time. The authors included come from a variety of social backgrounds and their written styles are as varied as their journeys. For instance, Williams and Morgan were professional writers who may be described as ‘feminists’, while Fay and Falconbridge were ordinary women who had been through extraordinary experiences.

Includes ten contributor's writings on 250 years of women travel writers. Travel is a quest, an escape, a passion. Women explorers and travellers are a special breed. This book covers 22 courageous women who encircled the globe, and boldly crossed international barriers often to encounter the most patriarchal cultures of their time.

This is Volume 3 Of Women’s Travel Writing:1750—1850 And Contains A ‘Narrative Of Two Voyages To The River Sierra Leone, During The Years 1791-2-3’by A. M. Falconbridge And A ‘History Of A Six Weeks’ Tour Through A Part Of France, Switzerland, Germany, And Holland; With Letters Descriptive Of A Sail Round The Lake Of Geneva, And Of The Glaciers Of Chamouni.’ By Mary And Percy Shelley.

This title was first published in 2001: Hundreds of European travelogues produced by British travellers between 1750 and 1800 remain out of sight in most libraries and have generally been out of print since the 18th century. While many people with a working knowledge of the 18th century are familiar with works including Sterne's "A Sentimental Journey" and Smollett's "Travels through France and Italy", those produced by less "literary" travellers are largely unknown. This study aims to recreate the world of 18th-century travel writing in order to illuminate its central role in shaping Britain's emerging sense of national identity - an identity which proves to be more complex an less homogeneous than some cultural and historical studies would suggest. The author finds that the developing discourse of national character is bound up with questions of gender: national and authorial virtue are projected in terms of appropriately gendered behaviour, for male and female travel writers alike. In turn, gender intersects with class, most obviously in the tendency to denigrate aristocratic travellers as effeminate and celebrate the more manly activities of the middle-class traveller. These then - national identity, authorship and gender - are the central preoccupations of the study

With the volume's global perspective and comparative framework, this collection contributes to the ongoing scholarly examination of consumption by taking the topic of women, material culture, and consumption into new arenas. The essays explore the connections between consumption and subjectivity; they build upon and complicate the idea that consumption, as a form of meaning making, is key to the construction of gendered, classed, and national identities. Providing a cross-cultural perspective on consumption, the essays are historically specific case studies. While some essays examine women's consumption in a range of Anglophone and Francophone locations, primarily in Britain, France, Australia, Canada, and the US, other essays on Chinese, Senegalese, Indian, and Mexican women's consumption, particularly as it relates to fashion and design, provide a comparative framework that will recalibrate ongoing discussions about consumption and domesticity, dress and identity, and desire and subjectivity. In addition to its focus on gender and consumption, this volume addresses gender and collecting, exploring the tensions between accumulation and systematic collecting. Also examined is the way in which the display of collected objects?in Impressionists' paintings, in mass-produced illustrations, in the glass cases of museums and department stores?participates in the construction of particular identities as well as serving as a kind of value-producing material practice.

This book examines how non-fictional travel accounts were rewritten, reshaped, and reoriented in translation between 1750 and 1850, a period that saw a sudden surge in the genre's popularity. It explores how these translations played a vital role in the transmission and circulation of knowledge about foreign peoples, lands, and customs in the Enlightenment and Romantic periods. The collection makes an important contribution to travel writing studies by looking beyond metaphors of mobility and cultural transfer to focus specifically on what happens to travelogues in translation. Chapters range from discussing essential differences between the original and translated text to relations between authors and translators, from intra-European narratives of Grand Tour travel to scientific voyages round the world, and from established male travellers and translators to their historically less visible female counterparts. Drawing on European travel writing in English, French, German, Spanish, and Portuguese, the book charts how travelogues were selected for translation; how they were reworked to acquire new aesthetic, political, or gendered identities; and how they sometimes acquired a radically different character and content to meet the needs and expectations of an emergent international readership. The contributors address aesthetic, political, and gendered aspects of travel writing in translation, drawing productively on other disciplines and research areas that encompass aesthetics, the history of science, literary geography, and the history of the book.