This book presents a study of the development of the feminist movement in Britain and America during the 19th century. Acknowledging the similar social conditions in both countries during that period, the author suggests that a real sense of distinctiveness did exist between British and American feminists. American feminists were inspired by their own perception of the superiority of their social circumstances, for example, whereas British feminists found their cause complicated by traditional considerations of class. Christine Bolt aims to show that the story of the American and British women's movement is one of national distinctiveness within an international cause. This book should be of interest to students and teachers of American and British political history and women's studies.

The time has come, Lillian Smith wrote in 1962, for women to risk the "great and daring creative act" of discovering and articulating their own identity. Three years later, Southern women of a younger generation, fortified by the skills and self-respect earned in the black civil-rights movement, issued the first manifesto of a new feminism. Their words landed with explosive force, setting off cultural reverberations which have shaken the lives of men and women alike. A little more than a decade after that, this issue of Southern Exposure began to take form. Its creation has taken us back into history and deep into the meaning of our own lives. As we set out to understand the situation of Southern women, we found ourselves "in search of our mothers' gardens." We found ourselves naming an experience we share across the generations. "So many of the stories that I write," Alice Walker discovered, "are my mother's stories." To speak in our own voices, we had first to give expression to a "promise song" that has been there all along.