This sumptuous book showcases the work of women jewellers from around the world. It tells the story of influential women in the jewellery industry throughout the twentieth century, continuing to the present day. Along with beautiful images of the fantastic work they have produced, Women Jewellery Designers also follows the role of women in the jeweller's workshop. Jewellery designers include: Gabrielle (Coco) Chanel, Suzanne Belperron, Line Vautrin, Wendy Ramshaw, Gerada Flockinger, Claude Lalanne, and many more. Jewellery firms include: Boivin, Cartier, Van Cleef & Arpels, Bulgari, Jensen, Tiffany & Co. AUTHOR: A Fellow of the Gemmological Association of Great Britain (Gem A), Juliet Weir-de La Rochefoucauld began her career at Sotheby's & Co., London. Based in France, she is also the author of Twenty-First Century Jewellery Designers: An Inspired Style. Juliet's Great-grandfather, Thomas Weir, founded the jewellers Weir and Sons in Dublin in 1869, a company that is still run by members of the family. 500 colour illustrations

Presents the stories and designs of the leading contemporary jewellery designers working across the globe today.

Liza Urla is the author of the jewelry blog, Gemologue https://gemologue.com/tag/jewelry-blog

This luxurious book is the first comprehensive survey of jewelry as an art form, showcasing the dazzling work of a diverse collection of today's most exclusive jewelers

Called "the Fabergé of our time" by Diane von Furstenberg, Joel A. Rosenthal, who works in Paris under the name JAR, is one of the most acclaimed jewellery designers of the past thirty years. JAR is known for his use of precious and semi-precious stones resplendent with myriad shades of vibrant colour and set in organic shapes: one brooch, for instance, features lifelike petals in subtly differentiated hues, made from a thousand pavé sapphires and amethysts. The New York Times has described his jewellery as "belligerent, stubborn, audacious, funny, contradictory", while JAR himself has characterised his work as "somewhere between geometry and a bouquet of flowers". This book, featuring nearly 70 pieces from throughout JAR's career, provides a concise, accessible, elegantly designed retrospective of the best of his jewellery creations, and is the only book of its kind on his work available in English.

A new perspective on woman’s role in the world of art jewelry at the turn of the twentieth century—from Art Nouveau in France and the Arts and Crafts movement in Britain, to Jugendstil in Germany and Austria, Louis Comfort Tiffany in New York, and American Arts and Crafts in Chicago—and the most extensive survey to date of the sheer diversity and beauty of art jewelry during this period. Accompanying a groundbreaking exhibition at The Richard H. Driehaus Museum in Chicago, this lavishly illustrated catalog showcases nearly two hundred stunning pieces from the Driehaus Collection and prominent national collections, many of which have never been seen by the public. Women were not only the intended wearers of art jewelry during the early twentieth century, but also an essential part of its creation. Their work—boldly artistic, exquisitely detailed, hand wrought, and inspired by nature—is now widely sought after by collectors and museums alike. From the world’s first independent female jewelry makers, to the woman as artistic motif, this jewelry reflected rapid changes in definitions of femininity and social norms. Essays by noted scholars explore five different areas of jewelry design and fabrication, and discuss the important female figures and historic social milieu associated with these movements—from the suffragists and the Rational Dress Society in England; to the Wiener Werkstätte and Gustav Klimt; and the Art Nouveau masters René Lalique and Alphonse Mucha, who depicted otherworldly women in jewelry for equally fascinating patrons like Sarah Bernhardt. The essays are illustrated by historic photographs and decorative arts of the period as well as the extraordinary pieces themselves: hair combs, bracelets, brooches, and tiaras executed in moonstones, translucent horn, enamel, opals, aquamarines, and much more. As Driehaus writes in his introduction to Maker & Muse, “Essential as these elements are, the metal and gemstones of a necklace—or a brooch or a bracelet—are like a canvas. It is the designer who evokes true greatness, beauty, and value from them. Neither monumental nor mass-produced, the object contains a memory of a particular artist’s skilled hand.”

Parisian jeweller Lydia Courteille has been making a very special name for herself over the past thirty years; with her avant-garde and unusual jewellery designs, she has been keeping the Place Vendome Jewellery Houses on their toes. Taking her inspiration from cultural landmarks in France and from numerous historical and literary sources including film, she has combined her love of unusual gemstones with colour combinations that speak to the senses. To see, to touch and to wear Courteille's jewels is to travel to rarely visited spots in the world, from the sulphurous volcanic landscape of the Danakil desert to the remote tribes of the Omo Valley and the Bontoc people of the Philippines.