Presents biographical profiles of significant women from throughout the history of the world, each with birth and death dates when known, a time line, quotation, and references. Arranged alphabetically from Vict-X.

Publisher Description

Part of The World in a Life series, this brief, inexpensive text provides insight into the life of Queen Victoria. As one of the longest reigning monarchs in British history, Queen Victoria gave her name to an age filled with enormous possibilities and perplexing contradictions. At the time of Victoria's birth, Britain ruled over what was fast becoming the greatest empire in the world, containing millions of non-white, non-Christian peoples. During her childhood and youth, the kingdom itself became transformed from one dominated by landed aristocrats to one governed according to the principles of bourgeois liberalism. The royal family served as the most visible symbol of domesticity, while at the same time Victoria's very position as queen defied the ideology of separate spheres upon which domesticity rested. Victoria, the ruler of millions of people, opposed women participating in politics or public life. She believed women's suffrage to be a "wicked folly" and a violation of God's laws. She never gave up that belief, even as the fledging feminist movement of mid-century matured and grew to the size of a mass movement by the end of the century. And yet she reigned, with little thought of the contradictions that entailed. We live in a global age where big concepts like "globalization" often tempt us to forget the personal side of the past. The titles in The World in a Life series aim to revive these meaningful lives. Each one shows us what it was like to live on a world historical stage. Brief, inexpensive, and thematic, each book can be read in a week, fit within a wide range of curricula, and shed insight into a particular place or time. Four to six short primary sources at the end of each volume sharpen the reader's view of an individual's impact on world history.

In the early decades of the twentieth century, tens of thousands of African Americans arrived at Detroit's Michigan Central Station, part of the Great Migration of blacks who left the South seeking improved economic and political conditions in the urban North. The most visible of these migrants have been the male industrial workers who labored on the city's automobile assembly lines. African American women have largely been absent from traditional narratives of the Great Migration because they were excluded from industrial work. By placing these women at the center of her study, Victoria Wolcott reveals their vital role in shaping life in interwar Detroit. Wolcott takes us into the speakeasies, settlement houses, blues clubs, storefront churches, employment bureaus, and training centers of Prohibition- and depression-era Detroit. There, she explores the wide range of black women's experiences, focusing particularly on the interactions between working- and middle-class women. As Detroit's black population grew exponentially, women not only served as models of bourgeois respectability, but also began to reshape traditional standards of deportment in response to the new realities of their lives. In so doing, Wolcott says, they helped transform black politics and culture. Eventually, as the depression arrived, female respectability as a central symbol of reform was supplanted by a more strident working-class activism.

The race to the crown -- The birth of "pocket Hercules"--The lonely, naughty princess -- An impossible, strange madness -- "Awful scenes in the house"--Becoming queen: "I shall not fail" -- The coronation: "a dream out of the Arabian nights" -- Learning to rule -- A scandal in the palace -- Virago in love -- The bride: "I never, never spent such an evening" -- Only the husband, not the master -- The palace intruders -- King to all intents: "like a vulture into his prey" -- Perfect, awful, spotless prosperity -- Annus Mirabilis: the revolutionary year -- What Albert did: the Great Exhibition of 1851 -- The Crimea: 'This unsatisfactory war' -- London boils over -- Royal parents: "everything passes so quickly!" -- "Who will call me Victoria now?" -- "The whole house seems like Pompeii." -- Resuscitating the widow at Windsor -- The queen's stallion -- The faery queen awakes -- Enough to kill any man -- Two ironclads colliding: the queen and Mr. Gladstone -- The monarch in a bonnet -- The "poor munshi" -- The diamond empire -- The end of the Victorian Age - "The streets were indeed a strange sight

Reveals Queen Victoria as a ruler who captivated feminist activists - with profound consequences for nineteenth-century culture and politics.

In 1973, Jocelyn Cohen and Nancy Poore established Helaine Victoria Press to publish women's history postcards. Spurred by the energy of the second wave feminist movement, they learned how to research histories buried in old books and archives and how to print on a vintage letterpress. The press attracted more participants, closing only in 1991 in response to changing communication technologies. Drawing on feminist and material rhetorics, the authors of Women Making History demonstrate that, by creating postcards, Helaine Victoria Press aimed to do more than provide a convenient writing surface or even affect collective memory; instead, they argue, the press generated feminist memory. The cards, each with the picture of a woman or group of women from history, were multimodal. Pictures were framed in colors and borders appropriate to the era and subject. Lengthy captions offered details about the lives of the women pictured. Unlike other memorials, the cards were mobile; they traveled through the postal system, viewed along the way by the purchasers, mail sorters, mail carriers, and recipients. Upon arriving at their destinations, cards were often posted on office bulletin boards or refrigerators at home, where surroundings shaped their meanings. Women Making History shows that Helaine Victoria Press's cards, like the movement from which they emanated, were dynamic and participatory. They were, in short, a multidirectional, open ended, rhetorically evolving process of transforming feminist consciousness. The print edition includes many images from the press's records, and the digital edition offers additional images plus audio and video clips from press participants. This is the first book to demonstrate the relationships between the feminist art movement, the women in print movement, and the scholars studying women's history. Readers will be drawn to both the large quantity of illustrative materials and the theoretical framework of the book, as it provides an expanded understanding of rhetorical multimodality. Scholars of gender and women's studies, art history, media studies, and the history of rhetoric, as well as members of the public with interests in feminism, Lesbian feminist culture, postcards, fine letterpress printing, and papermaking will be inspired by this richly produced history.