In his follow-up to Men in this Town, photographer, art director and blogger Giuseppe Santamaria brings together a unique photographic collection showcasing the styles of the modern woman on the streets of London, Tokyo, Paris, Madrid, LA, Melbourne and New York. Across the globe, Giuseppe seeks out the everyday woman in each city whose strong, confident dress sense speaks volumes about who they are. Alongside striking images snapped on the streets, Giuseppe has profiled a handful of women with sartorial flair, who reveal the inspirations for their distinct fashion choices and their thoughts on the modern-day fashion landscape.

Debut novelist Jacobs joins an elite group of authors (Jane Austen, Nancy Mitford, Diane Johnson) whose novels celebrate intelligent, modest, witty, and endearingly funny women. The setting is Manhattan, but women everywhere can identify with Iris and Lana as they struggle to keep friendships afloat, the checkbook balanced, the career moving, and the morale up.

From five distinct cities around the world - New York, Tokyo, Milan, London and Sydney - photographer, art director and blogger Giuseppe Santamaria brings together a unique photographic collection showcasing the styles of the modern man. Giuseppe seeks out the everyday man in each city whose dress sense speaks volumes about who they are. Alongside striking images captured from the streets, Giuseppe has chosen a handful of men from each city with a particular, distinct style and photographed them in their various attire, as well as profiled them about their particular approach to fashion and their sense of the menswear scene today.

Despite the considerable volume of research into various aspects of the social and economic, cultural and political history of eighteenth-century British towns, remarkably little has focused upon, or even reflected upon the distinctive experience of women in the urban context. Much of what research there is has explored the experience of laboring or impoverished women, or women of the social elite; by contrast, the essays in this collection take up the study of the participation of middling women in urban life. This volume brings into sharper focus the relationship between changes consequent upon urban development and shifts in the pattern of gender relations in the 18th century. The contributors address such themes as the extent to which to what extent urban change accelerated a redefinition of gender relations; the connections between urban growth, changing definitions of citizenship, and the emergence of the male gendered political subject; the role of women in a literate, consumer and industrializing society; the place of women's networks in the economic, political and social life of the town and the distinctive role played by women in areas such as philanthropy and business; and how the development of urban society in turn inflected contemporary conceputalizations of gender.

Diana got hurt—a lot—and she’s decided to deal with this fact by purchasing a life-sized robot boyfriend. Mary and La-La host a podcast about a movie no one’s ever seen. Kelly has dragged her friend Beth out of her comfort zone—and into a day at the fantasy market that neither of them will forget. Girl Town collects the Ignatz Award-winning stories “Radishes” and “Diana’s Electric Tongue” together with several other tales of young adulthood and the search for connection. Here are her most acclaimed mini-comics and anthology contributions, enhanced with new colors and joined by brand-new work. Bold, infatuated, wounded, or lost, Nowak’s girls shine with life and longing. Their stories—depicted with remarkable charm and insight—capture the spirit of our time.

The autobiographical essays in The Girls in My Town create an unforgettable portrait of a family in Los Angeles. Reaching back to her grandmother’s childhood and navigating through her own girlhood and on to the present, Angela Morales contemplates moments of loss and longing, truth and beauty, motherhood and daughterhood. She writes about her parents’ appliance store and how she escaped from it, the bowling alley that provided refuge, and the strange and beautiful things she sees while riding her bike in the early mornings. She remembers fighting for equal rights for girls as a sixth grader, calling the cops when her parents fought, and listening with her mother to Helen Reddy’s “I Am Woman,” the soundtrack of her parents’ divorce. Poignant, serious, and funny, Morales’s book is both a coming-of-age story and an exploration of how a writer discovers her voice.

This book tells the story of one of the women photographed by Russell Lee in Pie Town, New Mexico in 1940.