Intro -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgements -- Notes on Contributors -- Introduction -- Setting the Scene: Women in the Irish film industry -- Susan Liddy -- Revisiting the Past -- Ellen O'Mara Sullivan and Her Role in Early Irish Cinema -- Díóg O'connell -- Feminist Reclamation Politics: Reclaiming Maeve (1981) and Mother Ireland (1988) -- Sarah Edge -- Practitioners and Production Culture -- 'Where Are the Women?' Exploring perceptions of a gender order in the Irish film industry -- Susan Liddy -- Irish Production Cultures and Women Filmmakers: Nicky Gogan -- Laura Canning -- Women Cinematographers and Changing Irish Production Cultures -- Maeve Connolly -- A Cut Above: In conversation with Emer Reynolds -- Susan Liddy -- Documenting Documentary: Liberated enclave or pink ghetto? -- Anne O'brien -- Changing the Conversation: Education, celebration and collaboration -- Educating Gráinne: The role of education in promoting gender equality in the Irish film industry -- Annie Doona -- Activism through Celebration: The role of the Dublin Feminist Film Festival in supporting women in Irish film, 2014-17 -- Karla Healion, Aileen O'driscoll, Jennifer O'meara, Katie Stone -- What If We Had Been the Heroes of the Maze and Long Kesh? Collaborative filmmaking in Northern Ireland -- Laura Aguiar -- Text and Context: Documentary, fiction and animation -- Dearbhla Glynn: Documenting war and sexual violence -- Eileen Culloty -- Pat Murphy: Portrait of an artist as a filmmaker -- Lance Pettitt -- Juanita Wilson: A crusading Irish filmmaker -- Isabelle Le Corff -- Irish Cinema and the Gendering of Space: Motherhood, domesticity and the homeplace -- Ruth Barton -- Authority to Speak: Assessing the progress of gender parity and representation in Irish animation -- Ciara Barrett -- Conclusion.

"Women in Irish Film: Stories and storytellers is an interdisciplinary collection that critically explores the contribution of women to the Irish film industry as creators of culture - screenwriters, directors, producers, cinematographers, editors, animators, film festival programmers and educators. This book will explore the experiences and reflections of Irish women practitioners and, across a range of chapters, will situate them within a very specific historical, social and cultural context and further position them within a male dominated film industry. In an accessible style, it rigorously teases out the myriad of ways that gender impacts on who has the power to speak and be heard in the film industry. The absence of women has implications for the kinds of stories being told, the diversity of characters on our screens and for employment and creative opportunities. This collection teases out the impact of women's presence and absence. It also contextualizes that contribution by interrogating why women are so underrepresented in the film industry. What factors lie behind their absence and marginalization and what steps can be taken, and are being taken, to reconfigure the landscape? An exclusive focus on women in the Irish film industry has been notably absent from publications to date. This book is long overdue and builds a nuanced picture of the underrepresentation of women in the Irish film industry. Importantly, it is anticipated that this collection will put a solid research foundation in place and forge a pathway for future scholarship"--

The chapter Experiencing Male Dominance in Swedish Film Production” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

Women, Inequality and Media Work investigates how women experience gender inequality in film and television production industries. Examining women’s place in the production of media is vital to understanding the broader and related question of how women are (mis)represented in media content. This book goes behind the camera to explore the world of women working in media industries and unpacks the systemic gender inequality that they experience at work. It argues that women internalize their experience of gender inequality by adopting various beliefs: whether it is that gender does not matter in the workplace; that the workplace is now post-feminist; or by adopting a sense of self as liminal, neither fully included nor excluded from the industry. Drawing on detailed academic research and empirical investigation, Women, Inequality and Media Work is an important and timely book for students, researchers and those working in media industries.

This book provides an accessible, comprehensive discussion of how a small national cinema can remain relevant in the wider environment of globalisation. It includes chapters on the creative documentary, animation and the horror film, as well as Irish history on screen and the depiction of the countryside and the city.

Women Screenwriters is a study of more than 300 female writers from 60 nations, from the first film scenarios produced in 1986 to the present day. Divided into six sections by continent, the entries give an overview of the history of women screenwriters in each country, as well as individual biographies of its most influential.

Identifies an emerging genre within the contemporary Egyptian novel that reflects a new consciousness