In an era marked by atrocities perpetrated on a grand scale, the tragedy of the so-called comfort women—mostly Korean women forced into prostitution by the Japanese army—endures as one of the darkest events of World War II. These women have usually been labeled victims of a war crime, a simplistic view that makes it easy to pin blame on the policies of imperial Japan and therefore easier to consign the episode to a war-torn past. In this revelatory study, C. Sarah Soh provocatively disputes this master narrative. Soh reveals that the forces of Japanese colonialism and Korean patriarchy together shaped the fate of Korean comfort women—a double bind made strikingly apparent in the cases of women cast into sexual slavery after fleeing abuse at home. Other victims were press-ganged into prostitution, sometimes with the help of Korean procurers. Drawing on historical research and interviews with survivors, Soh tells the stories of these women from girlhood through their subjugation and beyond to their efforts to overcome the traumas of their past. Finally, Soh examines the array of factors— from South Korean nationalist politics to the aims of the international women’s human rights movement—that have contributed to the incomplete view of the tragedy that still dominates today.

What would it be like if your existence was erased for half a century? This is the reality for the Korean comfort girls-women whose lives had been erased since the time of the expansion of comfort stations by the Japanese military in 1937. This book is an effort to bring these women back to life and to make their voices, experiences and memories available to future generations. The experiences of Korean comfort girls-women are a paradigmatic example of how military sexual violence can obliterate the dignity of women and shame them into nonexistence. This book examines how the turning of their innocence into inadequacy, actively by the Japanese government and passively by the Korean government and its people, and also by the world, compounded their long, miserable suffering for half a century until Kim Hak-sun broke the silence in 1991 with the support of Korean activists. The relentless and courageous efforts of Korean comfort girls-women and activists on the road to healing and justice are shared here. These efforts made it possible for us to hear their horrific stories, which are embedded with numerous and intense traumas, allowing them to unfold and be shared on the road to justice and healing.

Women in the Sky examines Korean women factory workers' century-long activism, from the 1920s to the present, with a focus on gender politics both in the labor movement and in the larger society. It highlights several key moments in colonial and postcolonial Korean history when factory women commanded the attention of the wider public, including the early-1930s rubber shoe workers' general strike in Pyongyang, the early-1950s textile workers' struggle in South Korea, the 1970s democratic union movement led by female factory workers, and women workers' activism against neoliberal restructuring in recent decades. Hwasook Nam asks why women workers in South Korea have been relegated to the periphery in activist and mainstream narratives despite a century of persistent militant struggle and indisputable contributions to the labor movement and successful democracy movement. Women in the Sky opens and closes with stories of high-altitude sit-ins—a phenomenon unique to South Korea—beginning with the rubber shoe worker Kang Churyong's sit-in in 1931 and ending with numerous others in today's South Korean labor movement, including that of Kim Jin-Sook. In Women in the Sky, Nam seeks to understand and rectify the vast gap between the crucial roles women industrial workers played in the process of Korea's modernization and their relative invisibility as key players in social and historical narratives. By using gender and class as analytical categories, Nam presents a comprehensive study and rethinking of the twentieth-century nation-building history of Korea through the lens of female industrial worker activism.

A New York Times Editors Choice Selection A global sensation, Kim Jiyoung, Born 1982 “has become...a touchstone for a conversation around feminism and gender” (Sarah Shin, Guardian). One of the most notable novels of the year, hailed by both critics and K-pop stars alike, Kim Jiyoung, Born 1982 follows one woman’s psychic deterioration in the face of rampant misogyny. In a tidy apartment on the outskirts of Seoul, millennial “everywoman” Kim Jiyoung spends her days caring for her infant daughter. But strange symptoms appear: Jiyoung begins to impersonate the voices of other women, dead and alive. As she plunges deeper into this psychosis, her concerned husband sends her to a psychiatrist. Jiyoung narrates her story to this doctor—from her birth to parents who expected a son to elementary school teachers who policed girls’ outfits to male coworkers who installed hidden cameras in women’s restrooms. But can her psychiatrist cure her, or even discover what truly ails her? “A social treatise as well as a work of art” (Alexandra Alter, New York Times), Kim Jiyoung, Born 1982 heralds the arrival of international powerhouse Cho Nam-Joo.

In Among Women across Worlds, Suzy Kim explores the transnational connections between North Korean women and the global women's movement. Asian women, especially communists, are often depicted as victims of a patriarchal state. Kim challenges this view through extensive archival research, revealing that North Korean women asserted themselves from the late 1940s to 1975, before the Korean War began and up to the UN's International Women's Year. Kim centers on North Korea and the "East" to present a new genealogy of the global women's movement. Women of the Korean Democratic Women's Union (KDWU), part of the global left women's movement led by the Women's International Democratic Federation (WIDF), argued that family and domestic issues should be central to both national and international debates. They highlighted the connections between race, nationality, sex, and class in systems of exploitation. Their intersectional program proclaimed "no peace without justice," "the personal is the political," and "women's rights are human rights," long before Western activists adopted these ideas. Among Women across Worlds uncovers movements and ideas foundational to today's era.

Presenting the voices of a unique group within contemporary Japanese society—Zainichi women—this book provides a fresh insight into their experiences of oppression and marginalization that over time have led to liberation and empowerment. Often viewed as unimportant and inconsequential, these women’s stories and activism are now proving to be an integral part of both the Zainichi Korean community and Japanese society. Featuring in-depth interviews from 1994 to the present, three generations of Zainichi Korean women—those who migrated from colonial Korea before or during WWII and the Asia-Pacific War and their Japan-born descendants—share their version of history, revealing their lives as members of an ethnic minority. Discovering voices within constricting patriarchal traditions, the women in this book are now able to tell their history. Ethnography, interviews, and the women’s personal and creative writings offer an in-depth look into their intergenerational dynamics and provide a new way of exploring the hidden inner world of migrant women and the different ways displacement affects subsequent generations. This book goes beyond existing Anglophone and Japanese literatures, to explore the lives of the Zainichi Korean women. As such, it will be invaluable to students and scholars of Japanese and Korean history, culture and society, as well as ethnicity and Women’s Studies.