From the battlefield and the pulpit, before cameras and vast crowds, women have long shaped history with powerful, impassioned words. Now, in the first anthology of its kind, S. Michele Nix brings together the memorable speeches of women throughout the ages. Filled with courage, poignancy, and wit, Women at the Podium pairs issues of war, patriotism, social justice, women's rights, religion, politics, and the press with leaders who helped to change the world. With this landmark collection, relive history alongside the women who rose to champion their causes and countries. Listen as Elizabeth I braces her troops for battle against the Spanish Armada and Margaret Thatcher steadies Britain through the Falklands War. Lean in as Frances Harper advocates liberty for slaves and Margaret Chase Smith denounces McCarthyism. Engage in the battle for women's rights as Susan B. Anthony, Elizabeth Cady Stanton, and Sojourner Truth campaign for the right to vote. Watch the drama unfold as Barbara Jordan argues for the impeachment of Richard Nixon and Lady Jane Grey says farewell from the gallows. Hear Eleanor Roosevelt, Golda Meir, Elizabeth II, Katharine Graham, Barbara Bush, Hillary Rodham Clinton, and many others in a collection that presents a unique and compelling view of history. Spanning centuries and crossing cultures, Women at the Podium stands as the definitive anthology of women's oratory. It is a stirring tribute to the many women who fought so hard to be heard.

This is a look back to the 1970's beginnings of the women's movement and what preceded it in the history of the LDS church with regard to women's rights within that church, the state of Utah, and across the country. It is an interesting and fascinating story, superbly documented, with equally engrossing views from both sides of the controversies, showing how a once radical church became a bast ion of conservatism.

The Podium Girl Gone Bad - Behind the Podium Tales From the Tour de France is a satire about the twisted life of a quirky podium girl at the Tour de France. Cycling fans love these cheeky little stories.

An illustrated history of the evolution of British women's cycle wear. The bicycle in Victorian Britain is often celebrated as a vehicle of women's liberation. Less noted is another critical technology with which women forged new and mobile public lives—cycle wear. This illustrated account of women's cycle wear from Goldsmiths Press brings together Victorian engineering and radical feminist invention to supply a missing chapter in the history of feminism. Despite its benefits, cycling was a material and ideological minefield for women. Conventional fashions were unworkable, with skirts catching in wheels and tangling in pedals. Yet wearing “rational” cycle wear could provoke verbal and sometimes physical abuse from those threatened by newly mobile women. Seeking a solution, pioneering women not only imagined, made, and wore radical new forms of cycle wear but also patented their inventive designs. The most remarkable of these were convertible costumes that enabled wearers to transform ordinary clothing into cycle wear. Drawing on in-depth archival research and inventive practice, Kat Jungnickel brings to life in rich detail the little-known stories of six inventors of the 1890s. Alice Bygrave, a dressmaker of Brixton, registered four patents for a skirt with a dual pulley system built into its seams. Julia Gill, a court dressmaker of Haverstock Hill, patented a skirt that drew material up the waist using a mechanism of rings or eyelets. Mary and Sarah Pease, sisters from York, patented a skirt that could be quickly converted into a fashionable high-collar cape. Henrietta Müller, a women's rights activist of Maidenhead, patented a three-part cycling suit with a concealed system of loops and buttons to elevate the skirt. And Mary Ann Ward, a gentlewoman of Bristol, patented the “Hyde Park Safety Skirt,” which gathered fabric at intervals using a series of side buttons on the skirt. Their unique contributions to cycling's past continue to shape urban life for contemporary mobile women.

An overview of women's work in classical and popular music since 1900 as performers, composers, educators and music technologists.

This collection of new essays explores the role played by women practitioners in the arts during the period often referred to as the Belle Epoque, a turn of the century period in which the modern media (audio and film recording, broadcasting, etc.) began to become a reality. Exploring the careers and creative lives of both the famous (Sarah Bernhardt) and the less so (Pauline Townsend) across a remarkable range of artistic activity from composition through oratory to fine art and film directing, these essays attempt to reveal, in some cases for the first time, women's true impact on the arts at the turn of the 19th century.

Drawing from extended fieldwork in La Réunion, in the Indian Ocean, the author suggests an innovative re-reading of different concepts of magic that emerge in the global cultural economics of tourism. Following the making and unmaking of the tropical island tourism destination of La Réunion, he demonstrates how destinations are transformed into magical pleasure gardens in which human life is cultivated for tourist consumption. Like a gardener would cultivate flowers, local development policy, nature conservation, and museum initiatives dramatise local social life so as to evoke modernist paradigms of time, beauty and nature. Islanders who live in this 'human garden' are thus placed in the ambivalent role of 'human flowers', embodying ideas of authenticity and biblical innocence, but also of history and social life in perpetual creolisation.