This study uses the Czech national movement in the Austrian Empire between the late 1820s and the late 1850s to examine the complex set of social, physical, physiological, and moral requirements through which women became crucial social and political actors responsible for the existence of modern national communities. Situated within the larger frameworks of public and private spheres, contemporary Czech discussions of the positionality of women, and an understanding of the categories of gender and “woman” as fluid concepts, this book analyzes how Czech nationalists—in relation to and in comparison with other nineteenth-century nationalist movements—proposed that women become the central agents of the process to guarantee the continuity of the nation.

The Politics of Love describes the history of Polish intellectual and cultural life, which covertly flourished at home and abroad despite imperial repression between Poland's two great uprisings in 1830–1831 and 1863. Natalie Cornett focuses her study on a group of educated women known as the "Enthusiasts" (Entuzjastki), who were united by their commitment to live as independent women despite the intense nationalism that put the nation above all—including class and gender. The Enthusiasts, led by Narcyza Żmichowska, emphasized sororal love and homosocial bonding in their program to contest both an oppressive imperial regime and constrictive gender roles. Their affective relationships with each other and their decision to remain unmarried, childless, or divorced violated accepted conventions and the patriotic emphasis on the Polish family. By drawing on a large corpus of their letters, diaries, police files, and published works, Cornett describes the Enthusiast movement from its emergence in the 1840s to the death of Narcyza Żmichowska, in 1876. The Politics of Love describes how the Polish intelligentsia was so monomaniacally focused on the struggle for independence that discussion of other social questions was dismissed as "unpatriotic." Its dismissal of the Enthusiasts as socially deviant, despite the Enthusiasts' support for the national cause, reveals the limitations of nationalism as a binding agent and demonstrates how Polish women appropriated and contributed ideas about women's emancipation, nationalism, and religion in a globalizing era of increasing literacy and transnational exchange.

A poignant reflection on alienation and belonging, told through the lives of five remarkable people who struggled against nationalism and intolerance in one of Europe’s most stunning cities. What does it mean to belong somewhere? For many of Prague’s inhabitants, belonging has been linked to the nation, embodied in the capital city. Grandiose medieval buildings and monuments to national heroes boast of a glorious, shared history. Past governments, democratic and Communist, layered the city with architecture that melded politics and nationhood. Not all inhabitants, however, felt included in these efforts to nurture national belonging. Socialists, dissidents, Jews, Germans, and Vietnamese—all have been subject to hatred and political persecution in the city they called home. Chad Bryant tells the stories of five marginalized individuals who, over the last two centuries, forged their own notions of belonging in one of Europe’s great cities. An aspiring guidebook writer, a German-speaking newspaperman, a Bolshevik carpenter, an actress of mixed heritage who came of age during the Communist terror, and a Czech-speaking Vietnamese blogger: none of them is famous, but their lives are revealing. They speak to tensions between exclusionary nationalism and on-the-ground diversity. In their struggles against alienation and dislocation, they forged alternative communities in cafes, workplaces, and online. While strolling park paths, joining political marches, or writing about their lives, these outsiders came to embody a city that, on its surface, was built for others. A powerful and creative meditation on place and nation, the individual and community, Prague envisions how cohesion and difference might coexist as it acknowledges a need common to all.

Sixteen essays “apply the intersectional theory in an inspiring way in the analysis of gender issues in the past and in contemporary Czech society” (Aspasia). In this wide-ranging study of women’s and gender issues in the pre- and post-1989 Czech Republic, contributors engage with current feminist debates and theories of nation and identity to examine the historical and cultural transformations of Czech feminism. This collection of essays by leading scholars, artists, and activists, explores such topics as reproductive rights, state socialist welfare provisions, Czech women’s NGOs, anarchofeminism, human trafficking, LGBT politics, masculinity, feminist art, among others. Foregrounding experiences of women and sexual and ethnic minorities in the Czech Republic, the contributors raise important questions about the transfer of feminist concepts across languages and cultures. As the economic orthodoxy of the European Union threatens to occlude relevant stories of the different national communities comprising the Eurozone, this book contributes to the understanding of the diverse origins from which something like a European community arises. “While the collection demands that we understand Czech uniqueness, at the same time it is at its best when this uniqueness comes into focus through comparative study.” —Feminist Review “A colorful bouquet offering an overview of directions taken by Czech feminist scholarship since the 1990s.” —Slavic Review

By comparing women’s access to suffrage in the countries that make up the European Union, i>The Struggle for Female Suffrage in Europe provides a retelling of the story of how citizenship was gradually coined in Europe from the perspective of women.

This Biographical Dictionary describes the lives, works and aspirations of more than 150 women and men who were active in, or part of, women’s movements and feminisms in Central, Eastern and South Eastern Europe. Thus, it challenges the widely held belief that there was no historical feminism in this part of Europe. These innovative and often moving biographical portraits not only show that feminists existed here, but also that they were widespread and diverse, and included Romanian princesses, Serbian philosophers and peasants, Latvian and Slovakian novelists, Albanian teachers, Hungarian Christian social workers and activists of the Catholic women’s movement, Austrian factory workers, Bulgarian feminist scientists and socialist feminists, Russian radicals, philanthropists, militant suffragists and Bolshevik activists, prominent writers and philosophers of the Ottoman era, as well as Turkish republican leftist political activists and nationalists, internationally recognized Greek feminist leaders, Estonian pharmacologists and science historians, Slovenian ‘literary feminists,’ Czech avant-garde painters, Ukrainian feminist scholars, Polish and Czech Senate Members, and many more. Their stories together constitute a rich tapestry of feminist activity and redress a serious imbalance in the historiography of women’s movements and feminisms.

Presentations of National Cultures. Fifty-one texts illustrate the evolution of modernism in the east-European region. Essays, articles, poems, or excerpts from longer works offer new opportunities of possible comparisons of the respective national cultures, from the different ideological approaches and finessing projects of how to create the modern state liberal, conservative, socialist and others to the literary and scientific attempts at squaring the circle of individual and collective identities.