Drawn from the life narratives of more than seventy African American queer women who were born, raised, and continue to reside in the American South, this book powerfully reveals the way these women experience and express racial, sexual, gender, and class identities--all linked by a place where such identities have generally placed them on the margins of society. Using methods of oral history and performance ethnography, E. Patrick Johnson's work vividly enriches the historical record of racialized sexual minorities in the South and brings to light the realities of the region's thriving black lesbian communities. At once transcendent and grounded in place and time, these narratives raise important questions about queer identity formation, community building, and power relations as they are negotiated within the context of southern history. Johnson uses individual stories to reveal the embedded political and cultural ideologies of the self but also of the listener and society as a whole. These breathtakingly rich life histories show afresh how black female sexuality is and always has been an integral part of the patchwork quilt that is southern culture.

Winner of the Publishing Triangle Judy Grahn Award for Lesbian Nonfiction, Phi Beta Kappa Christian Gauss Award, and a Lambda Literary Award Finalist for the National Book Award Longlisted for the Andrew Carnegie Medal for Excellence in Nonfiction How do you tell the real story of someone misremembered—an icon and idol—alongside your own? Jenn Shapland’s celebrated debut is both question and answer: an immersive, surprising exploration of one of America’s most beloved writers, alongside a genre-defying examination of identity, queerness, memory, obsession, and love. Shapland is a graduate student when she first uncovers letters written to Carson McCullers by a woman named Annemarie. Though Shapland recognizes herself in the letters, which are intimate and unabashed in their feelings, she does not see McCullers as history has portrayed her. Her curiosity gives way to fixation, not just with this newly discovered side of McCullers’s life, but with how we tell queer love stories. Why, Shapland asks, are the stories of women paved over by others’ narratives? What happens when constant revision is required of queer women trying to navigate and self-actualize in straight spaces? And what might the tracing of McCullers’s life—her history, her secrets, her legacy—reveal to Shapland about herself? In smart, illuminating prose, Shapland interweaves her own story with McCullers’s to create a vital new portrait of one of our nation’s greatest literary treasures, and shows us how the writers we love and the stories we tell about ourselves make us who we are.

Melissa M. Wilcox explores the complex spiritual lives of queer women in the Los Angeles area. She takes the reader on a tour of a colorful array of religious and secular groups that serve as spiritual resources for these women—from the well-known Metropolitan Community Churches to Wiccan covens, from the Gay and Lesbian Sierrans to the Sisters of Perpetual Indulgence. Arguing that these women's stories are exemplary cases of postmodern patterns of religious identity, belief, and practice, Wilcox offers a nuanced analysis of contemporary Western spirituality and selfhood, and a detailed exploration of the history of queer religious organizing in Los Angeles. Queer Women and Religious Individualism is important reading for scholars in religious studies, sociology, women's studies, and LGBT studies.

This book draws on interviews with women who left relationships with women to begin relationships with men, and uncovers how the women make sense of who they are. The women who leave female partners to begin relationships with male partners have the capacity to redefine their sexual identity. They can essentially call themselves whatever they want. However, their capacity for such a creative process is limited. In the process of framing their decision in a way that renders their claim to a stable identity legitimate, the women communicate their understandings of notions of identity, community, and belonging. The women also show a nuanced regard for sexual categories. They stretch the boundaries of some categories, while preserving and even policing the boundaries of other categories. This book is in no way an ex-gay narrative. It is entirely the voices of feminist, queer women who find themselves viewed by society as heterosexual, but who themselves, with two exceptions, do not identify as such. This book is a rich collection of wonderfully human stories about what it means to be “true” to oneself.

Lala (lesbian) and gay communities in mainland China have emerged rapidly in the 21st century. Alongside new freedoms and modernizing reforms, and with mainstream media and society increasingly tolerant, lalas still experience immense family and social pressures to a degree that this book argues is deeply gendered. The first anthropological study to examine everyday lala lives, intimacies, and communities in China, the chapters explore changing articulations of sexual subjectivity, gendered T-P (tomboy-wife) roles, family and kinship, same-sex weddings, lala-gay contract marriages, and community activism. Engebretsen analyzes lala strategies of complicit transgressions to balance surface respectability and undeclared same-sex desires, why "being normal" emerges a deep aspiration and sign of respectability, and why openly lived homosexuality and public activism often are not. Queer Women in Urban China develops a critical ethnographic analysis through the conceptual lens of "different normativities," tracing the paradoxes and intricacies of the desire for normal life alongside aspirations for recognition, equality, and freedom, and argues that dominant paradigms fixed on categories, identities, and the absolute value of public visibility are ill-equipped to fully understand these complexities. This book complements existing perspectives on sexual and gender diversity, contemporary China, and the politics and theories of justice, recognition, and similitude in global times.

As a freshman in college, Rachel Murr found herself trying to decide which campus social group to join: the gay and lesbian advocacy group or the campus Christian fellowship. She knew it couldn't be both. For the next fifteen years she held onto the belief that she couldn't be both gay and Christian. When the pain involved in trying not to be lesbian called for a change in theology, she came out to her evangelical church. Conflict ensued. Unnatural is a collection of stories--not only of the harm religiously-inspired negative messages about homosexuality inflict, but also of redemption. Rachel uses her own story as well as personal interviews with ten other queer women and one female-to-male transgender man to tell how they were judged, lectured, kicked out of homes and families, subjected to reparative therapies, and even assaulted. Some faced homelessness, depression, suicide attempts, and pervasive shame. Still, they fought to keep their faith alive. Each demonstrated an Unnatural ability to forgive, love, believe, advocate, and heal.

No, they weren’t ‘just friends’! Queer women have been written out of history since, well, forever. ‘But historians famously care about women!’, said no one. From Anne Bonny and Mary Read who sailed the seas together disguised as pirates, to US football captain Megan Rapinoe declaring ‘You can’t win a championship without gays on your team’, via countless literary salons and tuxedos, A Short History of Queer Women sets the record straight on women who have loved other women through the ages. Who says lesbians can’t be funny?