When women are erased from history, what are we left with? Between 1912 and 1922, Ireland experienced sweeping social and political change, including the Easter Rising, World War I, the Irish Civil War, the fight for Irish women's suffrage, the founding of the Abbey Theatre, and the passage of the Home Rule Bill. In preparation for the centennial of this epic decade, the Irish government formed a group of experts to oversee the ways in which the country would remember this monumental time. Unfortunately, the group was formed with no attempt at gender balance. Women and the Decade of Commemorations, edited by Oona Frawley, highlights not only the responsibilities of Irish women, past and present, but it also privileges women's scholarship in an attempt to redress what has been a long-standing imbalance. For example, contributors note the role of the Waking the Feminists movement, which was ignited when, in 2016, the Abbey Theater released its male-dominated centenary program. They also discuss the importance of addressing missing history and curating memory to correct the historical record when it comes to remembering revolution. Together, the essays in Women and the Decade of Commemorations consider the impact of women's unseen, unsung work, which has been critically important in shaping Ireland, a country that continues to struggle with honoring the full role of women today.

Women played a vital Role in the Irish Revolutionary movement In the years 1913-23, including The Easter Rising, where women fought Side-by-side with their male counterparts in Most of the risings outposts in Dublin, Enniscorthy & Galway during Easter Week of 1916. After the surrender, 77 of these women were arrested along with their male colleagues and taken to Richmond Barracks in Inchicore, Dublin. This book enriches our knowledge of the Revolutionary period by telling the history of the 1916 rising from a more nuanced and balanced perspective through the lens of these women’s lives and contribution. Containing detailed biographies of the 77 women, this book reveals motivation to take part in the 1916 rising as well as looking at their lives post-rising and post-independence. Narrated from the view of the women’s involvement, the commitment and depth of the contribution of women to the Rising is rediscovered. -- Publisher description

Can the way a word is used give legitimacy to a political movement? Feminism, Violence, and Representation in Modern Italy traces the use of the word "femminicidio" (or "femicide") as a tool to mobilize Italian feminists, particularly the Union of Women in Italy (UDI). Based on nearly two years of fieldwork among feminist activists, Giovanna Parmigiani takes a broad look at the many ways in which violence inflects the lives of women in Italy. From unchallenged gendered grammar rules to the representation of women as victims, Parmigiani examines the devaluing of women's contribution to their communities through the words and experiences of the women she interviews. She describes the first uses of the word "femminicidio" as a political term used by and within feminist circles and traces its spread to ultimate legitimization and national relevance. The word redefined women as a political subject by building an imagined community of potentially violated women. In doing so, it challenged Italians to consider the status of women in Italian society, and to make this status a matter of public debate. It also problematized the connection between women and tropes of women as objects of suffering and victimhood. Parmigiani considers this exchange within the context of Italian Catholic heritage, a precarious economy, and long-held notions of honor and shame. Parmigiani provides a careful and searing consideration of the ways in which representations of violence and the politics of this representation are shaping the future of women in Italy and beyond.

This volume explores the role of gender on both the home and fighting fronts in eastern Europe during World Wars I and II. By using gender as a category of analysis, the authors seek to arrive at a more nuanced understanding of the subjective nature of wartime experience and its representations. While historians have long equated the fighting front with the masculine and the home front with the feminine, the contributors challenge these dichotomies, demonstrating that they are based on culturally embedded assumptions about heroism and sacrifice. Major themes include the ways in which wartime experiences challenge traditional gender roles; postwar restoration of gender order; collaboration and resistance; the body; and memory and commemoration.

Liz Conor explores the role of media technology in the emergence of the 'modern woman' in the 1920s. At once liberating & confining, the media images of women set standards of appearance that were closely tied to ideas about the roles a woman could fulfill, from city girl to mannekin to flapper.

This book challenges the widespread scholarly and popular belief that the Irish Civil War (1922-1923) was followed by a 'traumatic silence.' It achieves this by revealing an alternative archive of published testimonies which were largely recorded in the 1920s and 1930s. These testimonies were written by pro- and anti-treaty men and women, in both English and Irish, and nearly all have eluded sustained scholarly attention to date. However, the act of smuggling private, painful experience into the public realm, especially when it challenged official memory making, demanded the cautious deployment of self-protective narrative strategies. As a result, many testimonies from the Irish Civil War emerge in non-conventional, hybridised, and fictionalised forms of life writing. This book re-introduces a number of these testimonies into public debate. It considers contemporary understandings of mental illness and how a number of veterans--both men and women--self-consciously engaged in projects of therapeutic writing as a means to 'heal' the 'spiritual wounds' of civil war. It also outlines the prevalence of literary representations of revolutionary sexual violence, challenging the assumptio

Front Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- Preface -- Acknowledgments -- Memory, Body, and Power: Women and the Study of Genocide -- 1. The Gendered Logics of Indigenous Genocide -- 2. Women and the Herero Genocide -- 3. Arshaluys Mardigian/Aurora Mardiganian: Absorption, Stardom, Exploitation, and Empowerment -- 4. "Hyphenated" Identities during the Holodomor: Women and Cannibalism -- 5. Gender: A Crucial Tool in Holocaust Research -- 6. German Women and the Holocaust in the Nazi East -- 7. No Shelter to Cry In: Romani Girls and Responsibility during the Holocaust -- 8. Birangona: Rape Survivors Bearing Witness in War and Peace in Bangladesh -- 9. Very Superstitious: Gendered Punishment in Democratic Kampuchea, 1975-1979 -- 10. Sexual Violence as a Weapon during the Guatemalan Genocide -- 11. Gender and the Military in Post-Genocide Rwanda -- 12. Narratives of Survivors of Srebrenica: How Do They Reconnect to the World? -- 13. The Plight and Fate of Females During and Following the Darfur Genocide -- 14. Grassroots Women's Participation in Addressing Conflict and Genocide: Case Studies from the Middle East North Africa Region and Latin America -- Selected Bibliography: Further Readings -- Index -- Back Cover