An imaginative story of a woman caught in an alternate world—where she will need to learn the skills of magic to survive Nora Fischer’s dissertation is stalled and her boyfriend is about to marry another woman. During a miserable weekend at a friend’s wedding, Nora wanders off and walks through a portal into a different world where she’s transformed from a drab grad student into a stunning beauty. Before long, she has a set of glamorous new friends and her romance with gorgeous, masterful Raclin is heating up. It’s almost too good to be true. Then the elegant veneer shatters. Nora’s new fantasy world turns darker, a fairy tale gone incredibly wrong. Making it here will take skills Nora never learned in graduate school. Her only real ally—and a reluctant one at that—is the magician Aruendiel, a grim, reclusive figure with a biting tongue and a shrouded past. And it will take her becoming Aruendiel’s student—and learning magic herself—to survive. When a passage home finally opens, Nora must weigh her “real life” against the dangerous power of love and magic. For lovers of Lev Grossman's The Magicians series (The Magicians and The Magician King) and Deborah Harkness's All Souls Trilogy (A Discovery of Witches and Shadow of Night).

A practical, modern-day grimoire (book of magical rituals) showing how easy and pleasurable it is to incorporate the age-old ways of the wise woman into the demanding life of any contemporary woman. It ranges from exploring sexual archetypes to harmonizing the home, pepping up culinary delights, planting and harvesting, and understanding the influence of astrological and numerological cycles. Bowes underlines the importance of by forming ongoing sisterhoods and exploring new ways of working in harmony with each other.

Daphanie Carter is thrilled that her sister Danice finally found her Prince Charming—even though he's not quite, well, human. Daphanie is trying to keep an open mind. Which is why she jumps at the chance to enter the hidden world of The Others when a friendly imp invites her to a non-human nightclub. Daphanie's curious to see how the Other half lives—and parties—but soon, one handsome stranger has her bewitched, bothered, and beside herself... Enter Asher Grayson. As a Guardian, it's his job to protect humans who get mixed up in the affairs of Others. When he spots Daphanie in a club, going head to head with a notorious witch doctor, he steps in to cool things off. Now the heat is on. Daphanie becomes the target of strange magical attacks, and Asher's got to undo the voodoo before it's too, too late. But soon he starts to wonder if this beautiful, beguiling mortal has put a spell on him—because every little thing she does is magic...

Award-winning author Lois Duncan and Navajo artist Shonto Begay collaborate in this enchanting Navajo teaching tale. Through the magic of Spider Woman, a young girl learns one of the most vital lessons of Navajo culture--the importance of leading a balanced life.

SHE IS MAGIC, YES is a book of 11 women who each share their personal journey.It is filled with hope. Filled with inspiration. Filled with women who chose to rise again and sometimes they chose to rise again and again. All of this made them into the women they are today. They are women who proved to the world that life is more than just the hand of cards you are dealt, but rather, how you respond to those cards you are dealt.It is a choice. They chose to find love. They chose to find healing. They chose to find life. In return, she gives love.She gives healing.She gives hope.She gives inspirationShe gives life.She is more than just a woman.She is Magic.Contributing Authors: Blair Hayse, Kelsey Rojas, Marina Fabian, Stephanie Mahony, Susan Finkel Barrows, Christine D'Elia, Nicole Barker, Mistie S. Rose, Karen Quiros, Brooke J. Coleman and Traci Miller.

With the help of mirrors, trap doors, elevators, photographs, and film, women vanish and return in increasingly spectacular ways throughout the nineteenth and twentieth centuries. Karen Beckman tracks the proliferation of this elusive figure, the vanishing woman, from her genesis in Victorian stage magic through her development in conjunction with photography and film. Beckman reveals how these new visual technologies projected their anxieties about insubstantiality and reproducibility onto the female body, producing an image of "woman" as utterly unstable and constantly prone to disappearance. Drawing on cinema studies and psychoanalysis as well as the histories of magic, spiritualism, and photography, Beckman looks at particular instances of female vanishing at specific historical moments—in Victorian magic’s obsessive manipulation of female and colonized bodies, spiritualist photography’s search to capture traces of ghosts, the comings and goings of bodies in early cinema, and Bette Davis’s multiple roles as a fading female star. As Beckman places the vanishing woman in the context of feminism’s discussion of spectacle and subjectivity, she explores not only the problems, but also the political utility of this obstinate figure who hovers endlessly between visible and invisible worlds. Through her readings, Beckman argues that the visibly vanishing woman repeatedly signals the lurking presence of less immediately perceptible psychic and physical erasures, and she contends that this enigmatic figure, so ubiquitous in late-nineteenth- and twentieth-century culture, provides a new space through which to consider the relationships between visibility, gender, and agency.

Daughters of Hecate presents a diverse collection of essays on the topic of women and magic in the ancient Mediterranean world. The book gathers investigations by leading scholars from the fields of Classics, Judaic Studies, and early Christianity, illuminating as well as interrogating the persistent associations of women with magic.