As much about learning a language as it is about nature, this dignified and nuanced memoir of the author's stay on the remote Hokkaido island in the far north of Japan evokes what is cultured and cultivated, and yet also honours the wild; the untranslatable.

Winner of the 2015 New Welsh Writing Awards: WWF Cymru Prize for Writing on Nature and the Environment Shortlisted for the 2016 Wales Book of the Year: The Open University in Wales Creative Non-Fiction Award 'Eluned Gramich has written the perfect essay - a minutely detailed yet nuanced evocation of place and personalities that is full of ecologically precise imagery and is as attentive to the Japanese language as it is to Hokkaidan landscape.' – Mark Cocker As precise and nuanced as Japanese calligraphy, this memoir of the author's stay on the remote Hokkaido island in the far north of Japan, has at its heart the mountain, Yotei-san, the region's iconic equivalent to Mount Fuji. As much about learning a language (with connotations of 'reading' a wild landscape) as it is about nature, this dignified and nuanced work evokes what is cultured and cultivated, and yet also honours the wild; the untranslatable. With its themes of seasonal transformation, the peripheral, folklore, loneliness and learning to belong, this work takes a personal philosophical stance in relation to the centre and the periphery. '"Eluned Gramich" is a name to hear time and again in the future. [This writing] is as good as we the jurors have ever read... short but perfectly formed... absolutely perfect.' – Justin Albert 'Quite beautiful. [The author encounters a culture that is completely alien] and she does it with a poet's eye... precisely and vitally. She reads this unfamiliarity with all her imaginative nerve-endings open: the effect is quite remarkable...' – Tony Brown 'Most rewarding is the philosophical approach... [Gramich's] embracing of... cultural multiplicity, fluidity and adaptability... suits perfectly the changing boundaries of our modern world.' – Wales Arts Review

'If the mountains secluded Wales from England, the long coastline was like an open door to the world at large.' – Jan Morris The history of Wales as a destination and confection of English Romantic writers is well-known, but this book reverses the process, turning a Welsh gaze on the rest of the world. This shift is timely: the severing of Britain from the European Union asks questions of Wales about its relationship to its own past, to the British state, to Europe and beyond, while the present political, public health and environmental crises mean that travel writing can and should never again be the comfortably escapist genre that it was. Our modern anxieties over identity are registered here in writing that questions in a personal, visceral way the meaning of belonging and homecoming, and reflects a search for stability and solace as much as a desire for adventure. Here are lyrical stories refracted through kaleidoscopes of family and world history, alongside accounts of forced displacement and the tenacious love that exists between people and places. Yet these pieces also show the enduring value and joy of travel itself. As Eluned Gramich expresses it 'It's one of the pleasures of travel to submit yourself to other people, let yourself be guided and taught'. Taken together, the stories of An Open Door extend Jan Morris' legacy into a turbulent present and even more uncertain future. Whether seen from Llŷn or the Somali desert, we still take turns to look out at the same stars, and it might be this recognition, above all, that encourages us to hold the door open for as long as we can. Featuring contributions from Eluned Gramich, Grace Quantock, Faisal Ali, Sophie Buchaillard, Giancarlo Gemin, Siân Melangell Dafydd, Mary-Ann Constantine, Kandace Siobhan Walker, Neil Gower, Julie Brominicks and Electra Rhodes.

Original tales by remarkable writers Hometown Tales is a series of books pairing exciting new voices with some of the most talented and important writers at work today. Some of the tales are fiction and some are narrative non-fiction - they are all powerful, fascinating and moving, and aim to celebrate regional diversity and explore the meaning of home. In these pages on Wales, you'll find two unique short stories. 'Last Seen Leaving' is a gripping account of the days following the disappearance of a local man by award-winning writer Tyler Keevil. 'The Lion and the Star' by Eluned Gramich is a vivid retelling of the Welsh language protests that electrified Cardiganshire in the 1970s and the impact of the protests on ordinary lives.

'A wonderful collection stemming from a hugely important project keeping young Welsh writers connected to Europe despite all attempts to sever these crucial cultural ties.' – Rachel Trezise 'Anthologies such as this one are the footings of the recently-burnt bridges that we need to rebuild. They help to tear down the walls put up around us. Always important, they are now vital.' – Niall Griffiths Ulysses's Cat brings readers the work of some of the most outstanding authors of the younger generation from Croatia, Greece, Serbia, Slovenia and Wales who participated in a project of exchange residencies originally launched on the Croatian island of Mljet, where, according to legend, shipwrecked Ulysses found shelter. As Britain becomes metaphorically unmoored and drifts away from Europe, keeping connected through reading and dialogue provides us with new perspectives on our place in the world and on the tumultuous times we live in. The works of poetry, prose and essays included here offer a snapshot of the concerns and preoccupations shared by young writers from a region with a rich literature that rarely reaches English-language readers and at the same time confirms the vitality of the bilingual Welsh literary scene.

An American housewife's husband is offered a position in Japan to work on a multinational project. After much sole-searching they accept and their lives are never the same. Living in the countryside in housing specifically designed for Westerners, surrounded with friendly Japanese neighbors, and with families from The European Union, Canada, Russia and The United States, the Hagers endure. Life in Japan was a challenge: learning to drive on the left side of the road, decipher the labels on cans in the grocery stores, to name a few, but with the help of eager Japanese and their Western neighbors they thrive.

Writer and marine biologist Susan Scott had an enviable existence—a home in Hawai‘i, a prized 37-foot sailboat and exciting international adventures, all shared with her physician husband Craig in a marriage so intimate they called it the “Twinship.” Yet, when her menopausal hormones raged and Craig grew preoccupied with Ironman triathlon training, this perfect life ended. Once blessed with well-being, love, humor, and sharing, the Twinship exploded with fights, silence, accusations, and failed counseling. Shell-shocked, Susan sought solace in the one thing that always gave her joy: marine wildlife. She overhauled the couple’s neglected boat and, with a male friend nearly half her age, sailed away. Except it wasn’t that easy; Susan had always relied on Craig to make the sailing decisions and Alex, her young first mate, was a sailing novice. Call Me Captain follows Susan as she leaves everything behind—or tries to— and sails to spectacular but isolated Palmyra Atoll to work as a volunteer biologist. Susan helps rescue baby sea turtles, bands seabirds, and corrals ten-pound coconut crabs that look like Godzillas with knife-blade claws. She determinedly repairs her sailboat, skippers it through terrifying storms, and to her surprise, finds she and Craig are falling in love all over again. This time the two rediscover one another via satellite phone—Susan calling from her tiny floating speck in the middle of the Pacific Ocean to Craig in his hospital emergency room on Oahu. Susan writes with passion about swimming with manta rays, kayaking with sharks, and sailing with whales and dolphins. In those passages, she shows ways these magnificent animals guided her through the journey of a lifetime. Her memoir of self-discovery is a romance, a rousing sea tale, and a personal account of nature’s power to put life in perspective.