What could be sweeter than Revenge? The sequel. American readers fell in love with Elizabeth Buchan?s Revenge of the Middle-Aged Woman. Now, with the delicious sequel to that beloved New York Times bestseller, Elizabeth Buchan answers the intriguing question: What happens when the mistress becomes the wife? Minty Lloyd has what she always wanted, her prized Nathan and twin boys, but she is haunted by the glamorous new life of her predecessor, Rose. Then an unforeseen event forces the rivals to renegotiate their relationship. With Buchan?s signature talents, Wives Behaving Badly is a delightful novel that reaffirms its author as our wisest and warmest revealer of women?s intimate lives.

Women who murder . . . why are they so much more fascinating than their male counterparts? For evidence, dip into any of the sixteen strange-but-true tales collected in this anthology by Cleveland’s leading historical crime writer. You’ll meet: • Ill-fated Catherine Manz, the “Bad Cinderella” who poisoned her step-sister in revenge for years of mistreatment, then made her getaway wearing her victim’s most fetching outfit, a red dress and an enormous feathered hat . . . • Velma West, the big-city girl who scandalized rural Lake County in the 1920s with her “unnatural passions”—and ended her marriage-made-in-hell with a swift hammer’s blow to the skull of her dull husband, Eddie . . . • Eva Kaber, “Lakewood’s Lady Borgia,” who, along with her mother and daughter, conspired to dispose of an inconvenient husband with arsenic and knife-wielding hired killers . . . • Martha Wise, Medina’s not-so-merry widow, who poisoned a dozen relatives—including her husband, mother, and brother—because she enjoyed going to funerals . . . And a cast of other, equally fascinating women who behaved very, very badly. This is wickedly entertaining reading!

23 strange-but-true stories of women flirting with perdition... In the steamy South, temptation is as wild and plentiful as kudzu. Whether the sin in question is skinny-dipping or becoming an unlikely porn star, running rum or renting out a room to a pair of exhibitionistic adulterers, in these true stories women defy tradition and forge their own paths through life—often learning unexpected lessons from the experience. As Dorothy Allison writes in her introduction, “The most dangerous stories are the true ones, the ones we hesitate to tell, the adventures laden with fear or shame or the relentless pull of regret. Some of those are about things that we are secretly deeply proud to have done.” A diverse array of contributors—mothers, daughters, sisters, best friends, fiancées, divorcees, professors, poets, lifeguards-in-training, lapsed Baptists, tipsy debutantes, middle-aged lesbians—lend their voices to this collection. Introspective and abashed, joyous and triumphant (but almost never apologetic), they remind us that sin, like beauty, is in the eye of the beholder.

This Pygmalion tale of a struggling novelist turned bond trader brings to life the greed and riotous wealth of mid-2000s New York City. India Palmer, living the cash-strapped existence of the writer, is visiting wealthy friends in Maine when a yellow biplane swoops down from the clear blue sky to bring a stranger into her life, one who will change everything. The stranger is Win Johns, a swaggering and intellectually bored trader of mortgage-backed securities. Charmed by India’s intelligence, humor, and inquisitive nature—and aware of her near-desperate financial situation—Win poses a proposition: “Give me eighteen months and I’ll make you a world-class bond trader.” Shedding her artist’s life with surprising ease, India embarks on a raucous ride to the top of the income chain, leveraging herself with crumbling real estate, never once looking back . . .Or does she? With a light-handed irony that is by turns as measured as Claire Messud’s and as biting as Tom Wolfe’s, Martha McPhee tells the classic American story of people reinventing themselves, unaware of the price they must pay for their transformation.

Brand new from the #1 bestselling author of The Old Ducks' Club 'A glorious romp that readers will adore. Maddie's warmth and humour will put a smile on your face' Judy Leigh Sisters Kitty and Jenny haven’t spoken since a very disappointing Carvery lunch. Kitty, sixty-two, thinks Jenny is turning grey. Jenny, sixty-six, thinks Kitty needs to grow up! So when both sisters inherit a farmhouse in rural France, it gives them the perfect chance to heal the rift between them. Except the farmhouse is a wreck, the garden is terrorized by a flock of chickens, not to mention a donkey with a serious flatulence problem! Kitty is determined to enjoy herself, especially when she meets gorgeous French builder, Leo. Ooh la – la! And Jenny finds the fully stocked wine cellar helps enormously with missing horrible husband Paul – hic! And as the two sisters begin to repair their fragile friendship, they discover that being bad is actually very good for the soul. Escape to the French countryside for a laugh-out-loud feel-good adventure with the #1 bestselling author of The Old Ducks' Club

An erotic anthology of tales of women exploring their sexuality. Some of these ladies are trying something new; from a virgin giving herself to her first man, to ladies who want to experience another woman's touch. A college coed who watches her roommate making love, and wants to join them. A babysitter who decides she wants a baby of her own. A lawyer who goes for her first massage and gets more than she bargained for. A young woman who goes for a modeling audition and decides she wants to try making a porn film for the producers. There is even a collection of three stories about a young woman who thinks her summer is going to be dull when her boyfriend goes away for a trip. Little does she know that his grandfather and his mother both have plans to keep her busy... and horny! Take a walk on the wild side with these stories of women getting what they want.

This book focuses on the emergence of female characters in typically male roles, particularly in the crime and prison drama genres. Contributors explore the role of race and sexuality, focusing on the transgression of female identity, and examine how bad women are portrayed and how they reveal the challenges by women to social and economic norms.