"With Grief Came Gardens" aims to encompass the entirety of my nineteen years of life and experience through poetry, short stories, and prose. This is a documentation of all the feels (the good, the bad, and the ugly), throughout my duration on mother earth thus far. When reading, "With Grief Came Gardens," I ask that you do so gently. Embrace my truth with open arms and a heart of vulnerability. This is me. The parts that I keep hidden so well that you wouldn't have otherwise known of. This book is separated into four sections titled grievance, lost files, light and love.This book is my baby. Handle her with care. It is my soul on paper. I hope that within these pages you see not only me, but yourself: understand that no matter how lonely you may feel, you are never truly alone. There is a community behind you, whether you've met them or not, they're there. I'm here.

Gardens of Grief, a sequel to Boston Teran's literary classic, The Creed of Violence, is not only a powerful and thrilling piece of literature, it is also a forceful condemnation of one of the most monstrous and controversial events of the twentieth century-the Armenian genocide. In 1915, Islamic fundamentalists in Turkey annihilated two million innocent Armenians. Were the atrocities committed by the Turkish government an unfortunate act of war, or the methodical extermination of a people that was unequalled in history up to that time? The novel has been compared to Hemingway's For Whom the Bell Tolls, where honor and bravery align with selflessness, to the impassioned advocacy for justice of Emile Zola's J'Accuse, the writer's 1898 open letter on the Dreyfus Affair, and to the work of Solzhenitsyn, for his treatment of the horrors of oppression.

A Victory Garden for Trying Times is a journey through a year of love and despair, and a testament to healing in the natural cycles of the earth.

Death and Garden Narratives in Literature, Art and Film: Song of Death in Paradise explores the combination of two motifs, death and gardens, to show how the two subjects are intertwined and used in various media and cultural contexts. Using cultural, literary, film, and art history theories, the contributors analyze various death and garden sceneries in literary works by Arthur Machen, Agatha Christie, J.K. Rowling, as well as in superhero comics, films, and cultural and art contexts such as Ian Hamilton Finley's “Little Sparta,” the poetic verses from the Karoo Desert National Botanical Garden in South Africa, and the Australian wilderness.

A “poignant, painful, and gorgeous” memoir that explores siblinghood, adolescence, and grief for a family shattered by loss (Alicia Garza, cocreator, Black Lives Matter). Melissa and her older brother Junior grow up running around the disparate neighborhoods of 1990s Oakland, two of six children to a white Quaker father and a black Southern mother. But as Junior approaches adolescence, a bullying incident and later a violent attack in school leave him searching for power and a sense of self in all the wrong places; he develops a hard front and falls into drug dealing. Right before Junior’s twentieth birthday, the family is torn apart when he is murdered as a result of gun violence. The Names of All the Flowers connects one tragic death to a collective grief for all black people who die too young. A lyrical recounting of a life lost, Melissa Valentine’s debut memoir is an intimate portrait of a family fractured by the school-to-prison pipeline and an enduring love letter to an adored older brother. It is a call for justice amid endless cycles of violence, grief, and trauma, declaring: “We are all witness and therefore no one is spared from this loss.” “A portrait of a place, a person who died too young, the systems that led to that death, and the keen insights of the author herself. Lyrical and smart, with appropriate undercurrents of rage.” —Emily Raboteau, author of Searching for Zion “Eloquently poignant.” —Kirkus Reviews

Turkey, 1999. A devastating earthquake brings Istanbul crumbling to the ground, ripping apart the fragile stability of Sinan's world. His family home becomes a makeshift tent in a camp run by Western missionaries whom he stubbornly distrusts, and he soon finds himself struggling to protect his family's honour and values. As he becomes a helpless witness to his daughter's dangerous infatuation with a young American, Sinan takes a series of drastic decisions with unforeseeable consequences. Cultures clash, political and religious tensions mount, and Sinan's actions spiral into a powerful and heartbreaking conclusion.

Federal Twist is set on a ridge above the Delaware River in western New Jersey. It is a naturalistic garden that has loose boundaries and integrates closely with the natural world that surrounds it. It has no utilitarian or leisure uses (no play areas, swimming pools, or outdoor dining) and the site is not an obvious choice for a garden (heavy clay soil, poorly drained: quick death for any plants not ecologically suited to it). The physical garden, its plants and its features, is of course an appealing and pleasant place to be but Federal Twist's real charm and significance lie in its intangible aspects: its changing qualities and views, the moods and emotions it evokes, and its distinctive character and sense of place. This book charts the author's journey in making such a garden. How he made a conscious decision not to "improve the land", planted large, competitive plants into rough grass, experimented with seeding to develop sustainable plant communities. And how he worked with light to provoke certain moods and allowed the energy of the place, chance, and randomness to have its say. Part experimental horticulturist and part philosopher, James Golden has written an important book for naturalistic and ecological gardeners and anyone interested in exploring the relationship between gardens, nature, and ourselves.