He's mythologically hot, a little bit wicked, and almost 100% immortal. And he'll hit you right in the heart . . . "Miss Black, we have a big problem.” Lila Black doesn't believe in matchmaking, let alone soul mates. So then why is she constantly being hassled by the Cupids Matchmaking Service? But this gilded, cherub-bedecked dating agency isn't exactly what it seems . . . and it’s about to turn Lila's entire world upside down. It turns out that Cupids Matchmaking is the real deal. As in, it's run by actual cupids—who don't look at all like they do in the paintings—and they have a serious problem with Lila's “match.” Because this guy shouldn't be in the system. He shouldn't have a match. And while he's irresistibly hot, he's also incredibly dangerous. Because Lila's true love match is Cupid. The original bad boy of love. And he wants her. Now Lila's once-normal teenaged world has exploded into a mythological nightmare overrun by crime-lord sirens, wrathful cupid hit men, magic arrows that cause no end of trouble, and a mischievous, not-so-angelic love god she can't seem to stop herself from falling for . . . Adored by 50 million readers on Wattpad, Lauren Palphreyman's smash-hit book is now in print for the first time.

Because a life without love is not worth living. Iction, has not yet become an angel by the time he receives one of the most difficult: looking after the good of a young woman named Sandra. And although he does not know the true purpose of Cupid, he accepts the assignment without opposition. Little does he know about her, he has a report of having received a report that explains his life, but he decides to ignore it and work his way. What you cannot imagine is that, although you lose a lot and that complicates things, the performance of your job, position, life, relationships. Various relationships, lies, history. The situation is complicated when he reveals the truth and the plot against Cupid Stealing his position is discovered, bringing heaven to heaven, because if it happened, fear and how it is known today, eradicated from the face of the earth forever and all should be avoided costa What will happen when Sandra discovers that Icción is an angel? Will she put up with one more lie? Or are you tempted not to believe in love anymore...

When the four Stanley children meet Amanda, their new stepsister, they’re amazed to learn that she studies witchcraft. They’re stunned to see her dressed in a strange costume, carrying a pet crow and surrounded by a pile of books about the supernatural. It’s not long before Amanda promises to give witchcraft lessons to David, Jamie, and the twins. But that’s when strange things start happening in their old house. David suspects Amanda of causing mischief, until they learn that the house really was haunted long ago. Legend has it that a ghost cut the head off of a wooden cupid on the stairway. Has the ghost returned to strike again?

Canadians have enjoyed a long history of encounters with Shakespeare, from the visual arts to creative new adaptations, from traditional and nontraditional interpretations to distinguished critical scholarship. We have in over two centuries remade Shakespeare in ways that are distinctly Canadian. The Oxford Shakespeare Made in Canada series offers a unique vantage on these histories of production and encounter with attention to accessibility and presentation. These editions explore how a given country can inform the interpretation and pedagogy associated with individual plays. Canadians, or more properly British North Americans from both Upper and Lower Canada, have been interacting with Shakespeare since no less than the 1760s in a tradition that is at once rich and robust, indigenous and international. The Canadian Adaptations of Shakespeare project at the University of Guelph has created a multimedia database of hundreds of adaptations, developed from Guelph's world-class theatre archives and a host of independent sources that reflect on a long tradition - from pre-Confederation times and heading vibrantly into the future - of playing Shakespeare in Canada. These are the first editions of the plays of William Shakespeare to place key insights from the world's best scholarship alongside the specific contexts associated with a dynamic Canadian tradition of productions and adaptations. Specially research images, never printed before, from a range of Canadian productions of Shakespeare will be featured in every play In additional to a scholarly edition of the playtext complete with original new annotation, these books will include both short introductions by noted scholars and prefaces by well-known Canadians who have experience with Shakespeare. In addition, each play will include act and scene summaries, dramatis personal, and recommended reading/resources.