Sara Pezzini's world has become increasingly gray since she became a private investigator. Without the laws and regulations that being a cop used to provide, Sara has no idea whether her actions have been for the greater good or not. But to both put food on the table and stop a more powerful evil, Sara will need to dig up enough dirt to destroy the career of the only decent and honest politician left in Chicago.

It's the end of the world and few are worthy of passage to heaven, not even the Pope. God leaves behind Saint Michael, to act as a guardian for the humans. He fails, and is held captive by Luicfer. God enlists the aide of the Pope to rescue Michael, and leaves his son, Jesus H Christ to assist him in his quest. This volume is presented in color.

Cecil Steadman's bargain with Mr. Liu has taken a turn for the worst -- and now the greatest heroes of the Invincible Universe must defeat the dragon unleashed! But who will pay the cost for Cecil's choice?

"The misjudged, the betrayed, the fallen. Rise and avenge your name. Rise and show the Father your true face." Join Dynamite Entertainment and Top Cow Productions as they bring two of comics most celebrated heroines together in one terrifying tale of loss and redemption. Red Sonja, the She-Devil with a Sword, and Sara Pezzini, the modern day bearer of the Witchblade, must find a way to defeat a wickedly depraved being as old and as dark as the cosmos in order to prevent the world from eternally becoming a true hell on Earth. This volume collects issues one through six of Witchblade/Red Sonja written by Doug Wagner (The Ride, I.C.E.) and featuring stunning interior art by Cezar Razek (Hack/Slash/Eva: Monster's Ball) and amazing cover art by Ale Garza (Vampirella, Michael Turner's Fathom).

In the 1990s, American televison audiences witnessed an unprecedented rise in programming devoted explicitly to women. Cable networks such as Oxygen Media, Women's Entertainment Network, and Lifetime targeted a female audience, and prime-time dramatic series such as Buffy the Vampire Slayer, Judging Amy, Gilmore Girls, Sex and the City, and Ally McBeal empowered heroines, single career women, and professionals struggling with family commitments and occupational demands. After establishing this phenomenon's significance, Amanda D. Lotz explores the audience profile, the types of narrative and characters that recur, and changes to the industry landscape in the wake of media consolidation and a profusion of channels. Employing a cultural studies framework, Lotz examines whether the multiplicity of female-centric networks and narratives renders certain gender stereotypes uninhabitable, and how new dramatic portrayals of women have redefined narrative conventions. Redesigning Women also reveals how these changes led to narrowcasting, or the targeting of a niche segment of the overall audience, and the ways in which the new, sophisticated portrayals of women inspire sympathetic identification while also commodifying viewers into a marketable demographic for advertisers.

What do you do after you kill one clone? Kill the rest. Beta is hell bent on exterminating his predecessors from the face of the planet. But has he also unlocked the killer within Luke?

Ibrahaim's first door-to-door inspection goes badly when he's sent to the Holt farm. The Check brothers have Cooper hostage, and unfortunately for them, it's Em Cypress to the rescue.