Unless they've lost a passport abroad, most Americans have little appreciation for the reach and scope of the US Department of State or the perils faced by its employees. Reporter Glen Johnson had been covering politics for the Boston Globe when he received a job offer that would embed him in this world of protocols, planes, and global peacekeeping. His new boss would be Secretary of State John Kerry, set to become the most prominent diplomat on the world stage. Johnson sensed it was a meeting of man and moment. For four years, he accompanied Kerry as he became the most-traveled Secretary of State in history. The former journalist kept notes while Kerry worked out a power-sharing agreement in Afghanistan, negotiated with the Israelis, convinced Iran to get rid of its nuclear weapons program, developed a counter-ISIS coalition, and brokered climate change agreements, including the 2015 Paris Agreement. Kerry also confronted two lingering challenges: how to cooperate with an assertive China and a Russia that sidestepped its own wrongdoing but felt aggrieved and justified to interfere in the 2016 presidential election. In his goal to create the best and most complete photo archive of any Secretary of State, Johnson lobbied the State Department for a decent camera and shot more than 100,000 photographs everywhere Kerry went--from the office of Pope Francis to center ice for a puck drop at Madison Square Garden, from the Kremlin and No. 10 Downing Street to a helicopter flying over Antarctica. Window Seat on the World is an all-access look at life inside the nation's first cabinet agency: the complexity of State Department protocols, the grueling schedules, the delicacy of engagement with world leaders and foreign cultures, and the dedication of a longtime public servant and his team to the practice of diplomacy.

“Gutsy, funny, risky and wise, full of dazzling late-night insight, in-the-middle-of-everything epiphanies, moments of sheer honesty blooming into gut truths.” —Marlon James, Booker Prize–winning author Aminatta Forna is one of our most important literary voices, and her novels have won the Windham Campbell Prize and the Commonwealth Writers’ Prize for Best Book. In this elegantly rendered and wide-ranging collection of new and previously published essays, Forna writes intimately about displacement, trauma and memory, love, and how we coexist and encroach on the non-human world. Movement is a constant here. In the title piece, “The Window Seat,” she reveals the unexpected enchantments of commercial air travel. In “Obama and the Renaissance Generation,” she documents how, despite the narrative of Obama’s exceptionalism, his father, like her own, was one of a generation of gifted young Africans who came to the United Kingdom and the United States for education and were expected to build their home countries anew after colonialism. In “The Last Vet,” time spent shadowing Dr. Jalloh, the only veterinarian in Sierra Leone, as he works with the street dogs of Freetown, becomes a meditation on what a society’s treatment of animals tells us about its principles. In “Crossroads,” she examines race in America from an African perspective, and in “Power Walking” she describes what it means to walk in the world in a Black woman’s body and in “The Watch” she explores the raptures of sleep and sleeplessness the world over. Deeply meditative and written with a wry humor, The Window Seat confirms that Forna is “a compelling essayist . . . her voice direct, lucid, and fearless” (Claire Messud, Harper’s Magazine).

Flight attendant Taylor Tippett had just finished beverage service and was sitting in the back of a Boeing 737 when she had a revelation: How can I show kindness to these passengers if I can't show it to myself? She grabbed a tiny notepad and a Sharpie and wrote a simple message that would change her life: "Be kind to yourself." Before she had time to think about it, Taylor taped the note to a window, posted a picture, and then left the slip of paper in a seat-back pocket for someone on the next flight to find. What started as a personal project to encourage herself and others soon became a viral sensation. In Words from the Window Seat, Taylor shares stories of her travels, daily life, and interactions with people of all kinds, anchoring each chapter around a note she's left for a stranger to find. As she takes you from Chicago to Paris to Barcelona on planes, trains, and even a skateboard, you'll: Learn how to embody love through little acts of kindness Discover the small moments of magic in the everyday Find ways to embrace your authentic self With charm, inspiration, and plenty of whimsy, Taylor reminds us that even in a weary world, it's possible to celebrate the beauty in each person's unique story--and make an impact that goes deeper than you'll ever know. Praise for Words from the Window Seat: "These pages will empower you to explore the many opportunities we have each day to encounter light and share love with others while traveling. Whether traveling by air or traveling through life. This book is an encouragement to be present in the everyday, no matter what comes your way." --Morgan Harper Nichols, bestselling author of All Along You Were Blooming

Flying on the wing of the North American edition's success, this book decodesthe sights to be seen on any flight across Europe. 67 color aerial photos. 18line drawings. Fold-out map.

Modifications). The book is in a 10x10" format. Annotation ©2006 Book News, Inc., Portland, OR (booknews.com).

The perfect companion to any flight - a guide to the science on view from your window seat. There are few times when science is so immediate as when you're in a plane. Your life is in the hands of the scientists and engineers who enable tons of metal and plastic to hurtle through the sky at hundreds of miles an hour. Inflight Science shows how you stay alive up there - but that's only the beginning. Brian Clegg explains the ever changing view, whether it's crop circles or clouds, mountains or river deltas, and describes simple experiments to show how a wing provides lift, or what happens if you try to open a door in midair (don't!). On a plane you'll experience the impact of relativity, the power of natural radiation and the effect of altitude on the boiling point of tea. Among the many things you'll learn is why the sky is blue, the cause of thunderstorms and the impact of volcanic ash in an enjoyable tour of mid-air science. Every moment of your journey is an opportunity to experience science in action: Inflight Science will be your guide.

A love letter to Paris and a meditation on how it has changed in two decades, evolving from the twentieth century into the twenty-first, from analog to digital. Your telephone is precious. It may be envied. We recommend vigilance when using it in public. --Paris bus public notice In fall 2014 Lauren Elkin began keeping a diary of her bus commutes in the Notes app on her iPhone 5c, writing down the interesting things and people she saw in a Perecquian homage to Bus Lines 91 and 92, which she took from her apartment in the 5th Arrondissement to her teaching job in the 7th. Reading the notice, she decided to be vigilant when using her phone: she would carry out a public transport vigil, using it to take in the world around her and notice all the things she would miss if she continued using it the way she had been, the way everyone does--to surf the web, check social media, maintain her daily sense of self through digital interaction. Her goal became to observe the world through the screen of her phone, rather than using her phone to distract from the world. During the course of that academic year, the Charlie Hebdo attacks occurred and Elkin had an ectopic pregnancy, requiring emergency surgery. At that point, her diary of dailiness became a study of the counterpoint between the everyday and the Event, mediated through early twenty-first century technology, and observed from the height of a bus seat. No. 91/92 is a love letter to Paris, and a meditation on how it has changed in the two decades the author has lived there, evolving from the twentieth century into the twenty-first, from analog to digital.