Robert Geraci presents an exceptionally original account of both the politics and the lived experience of diversity in a society whose ethnic complexity has long been downplayed. For centuries, Russians have defined their country as both a multinational empire and a homogeneous nation-state in the making, and have alternately embraced and repudiated the East or Asia as fundamental to Russia's identity. The author argues that the city of Kazan, in the middle Volga region, was the chief nineteenth-century site for mediating this troubled and paradoxical relationship with the East, much as St. Petersburg had served as Russia's window on Europe a century earlier. He shows how Russians sought through science, religion, pedagogy, and politics to understand and promote the Russification of ethnic minorities in the East, as well as to define themselves. Vivid in narrative detail, meticulously argued, and peopled by a colorful cast including missionaries, bishops, peasants, mullahs, professors, teachers, students, linguists, orientalists, archeologists, and state officials, Window on the East uses previously untapped archival and published materials to describe the creation (sometimes intentional, sometimes unintentional) of intermediate and new forms of Russianness.

"Cases argued and determined in the Court of Appeals, Supreme and lower courts of record of New York State, with key number annotations." (varies)

»The Boarded Window« is a short story by Ambrose Bierce, originally published in 1891. AMBROSE BIERCE [1842-1914] was an American author, journalist, and war veteran. He was one of the most influential journalists in the United States in the late 19th century and alongside his success as a horror writer he was hailed as a pioneer of realism. Among his most famous works are The Devil's Dictionary and the short story »An Occurrence at Owl Creek Bridge.«

After an immense process of careful restoration and conservation, the outstanding artistry of the Great East Window is revealed afresh through state-of-the art photography that captures the complete sequence of major panels, in corrected placements, for the very first time. At the size of a tennis court, it is the largest single expanse of medieval stained glass in Britain and one of the largest medieval windows ever made. This visual feast is brought to life by expert author Sarah Brown, who explores the history, artistry, meaning and restoration of the window, revealing new insights on a fragile masterpiece that has been described as England's Sistine Chapel. Ground breaking new research has shed exciting new light on the window's complex narratives, relating its story to the Minster's history and liturgy. The Great East Window of York Minster explores the window's biblical presentation of the beginning and end of time, the window's relationships with other media and the technical processes behind its creation. This stunning, illustrated hardback presents an engaging contextual analysis of the window's unequivocal position as an English masterpiece.