Lily is the daughter of a humble farmer, and to her family she is just another expensive mouth to feed. Then the local matchmaker delivers startling news: if Lily's feet are bound properly, they will be flawless. In nineteenth-century China, where a woman's eligibility is judged by the shape and size of her feet, this is extraordinary good luck. Lily now has the power to make a good marriage and change the fortunes of her family. To prepare for her new life, she must undergo the agonies of footbinding, learn nu shu, the famed secret women's writing, and make a very special friend, Snow Flower. But a bitter reversal of fortune is about to change everything.

Formless phase, the birth of all things, this was a world where the law of phase was respected. Vein beasts and taboo beasts filled the entire continent, including the North Mountain and the West Sea, and the South Sen East Desert. After Nie Xinghe died, he teleported to the Myriad Appearance Continent. He wanted to see the people he had betrayed in the past. In order to protect them, he had taken the ancient emperor as his master and dominated the entire Myriad Manifestation Continent. Realm division and corresponding titles: Pure Yuan Realm (Cultivator), Emptiness Realm (Emptiness Realm), Void Realm (King's Realm), Void Stage (Honored Scholar), and Great Space Stage (Emperor's Realm)

I can cover the sun and the moon with my heart! The color of the mountains and rivers changed! The Heavens had no eyes, but they were able to defy the heavens and turn into a demon! The heaven and earth were moved! Blood flowed like a river, washing away the muddy water! The universe was turned upside down! Close]

Rise on the Wheel Platform Annihilation before the Spiritual Shower Pearl Extraterritorial search for mustard seeds Black and White Books for Interrupting Love The boy ordered Tang Thirty-Six to find his father. In order to find his father, he and the fortune-teller Wang Heming and the Yin Yang Eyes set foot on a path that could not be turned back. Love and hate intertwined, trust and doubt intertwined, conspiracy and arrangement. For a hundred days, let's see how the three of them find their loved ones, capture demons, subdue demons, fight against the mysterious organization's wits, fight against the strong opponent to the death, and fight against the time race step by step ... Waves strange cloud, the human heart is difficult to predict, who with you fight shoulder to shoulder, who with you wind and rain, who with you life and death?

College student Lin Xiao had accidentally entered the world of demons. Humans and demons had actually survived for thousands of years! Fuxi Nuwa? Three Sovereigns and Five Emperors? Three Thousand Worlds? Myth is myth after all. Was the end of time and space a new era, and the cause of all the ancient grudges ... Three thousand six hundred lines, and a single dream that spanned the ages. In the blink of an eye, fate had sprung up within him. Close]

Although haiku is well known throughout the world, few outside Japan are familiar with its precursor, haikai (comic linked verse). Fewer still are aware of the role played by the Chinese Daoist classics in turning haikai into a respected literary art form. Bashō and the Dao examines the haikai poets’ adaptation of Daoist classics, particularly the Zhuangzi, in the seventeenth century and the eventual transformation of haikai from frivolous verse to high poetry. The author analyzes haikai’s encounter with the Zhuangzi through its intertextual relations with the works of Bashō and other major haikai poets, and also the nature and characteristics of haikai that sustained the Zhuangzi’s relevance to haikai poetic construction. She demonstrates how the haikai poets’ interest in this Daoist work was rooted in the intersection of deconstructing and reconstructing the classical Japanese poetic tradition. Well versed in both Chinese and Japanese scholarship, Qiu explores the significance of Daoist ideas in Bashō’s and others’ conceptions of haikai. Her method involves an extensive hermeneutic reading of haikai texts, an in-depth analysis of the connection between Chinese and Japanese poetic terminology, and a comparison of Daoist traits in both traditions. The result is a penetrating study of key ideas that have been instrumental in defining and rediscovering the poetic essence of haikai verse. Bashō and the Dao adds to an increasingly vibrant area of academic inquiry—the complex literary and cultural relations between Japan and China in the early modern era. Researchers and students of East Asian literature, philosophy, and cultural criticism will find this book a valuable contribution to cross-cultural literary studies and comparative aesthetics.

"I often wonder, just who are you crying for in that deserted alley during the rainy night?" He placed his chin on her hair and asked depressingly as the dragon caved in.He didn't seem to have a serious tone to his words, but he had to take the question that came out of the emperor's mouth seriously.Her body stiffened for a moment, then she turned around and wrapped her delicate and white arms around his neck, sticking close to him like a water snake. "Because I met you, I cried with joy, Your Majesty." She had found his lips and sealed them with a kiss.