Reprint of the original, first published in 1877.

William I (Old Norman: Williame I; Old English: Willelm I; c. 1028[1] - 9 September 1087), usually known as William the Conqueror and sometimes William the Bastard, [2][a] was the first Norman King of England, reigning from 1066 until his death in 1087. The descendant of Viking raiders, he had been Duke of Normandy since 1035. After a long struggle to establish his power, by 1060 his hold on Normandy was secure, and he launched the Norman conquest of England in 1066. The rest of his life was marked by struggles to consolidate his hold over England and his continental lands and by difficulties with his eldest son

William the Conqueror Makers of History By Jacob Abbott Chapter I. Normandy. A.D. 870-912 The Norman Conquest.Claim of William to the throne.The right of the strongest. One of those great events in English history, which occur at distant intervals, and form, respectively, a sort of bound or landmark, to which all other events, preceding or following them for centuries, are referred, is what is called the Norman Conquest. The Norman Conquest was, in fact, the accession of William, duke of Normandy, to the English throne. This accession was not altogether a matter of military force, for William claimed a right to the throne, which, if not altogether perfect, was, as he maintained, at any rate superior to that of the prince against whom he contended. The rightfulness of his claim was, however, a matter of little consequence, except so far as the moral influence of it aided him in gaining possession. The right to rule was, in those days, rather more openly and nakedly, though not much more really, than it is now, the right of the strongest. Map of Normandy. Normandy, William's native land, is a very rich and beautiful province in the north of France. The following map shows its situation: Map of England and part of France, showing the situation of Normandy. The English Channel.Nature of the French coast.Nature of the English coast. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

King Edward of England is dead. Edward's son Harold, one of the potential successors, renounces his oath to yield the throne to William of Normandy. From that day forth, William will have no peace until his rightful claim to the throne is acknowledged. As the famous Halley comet soars across the heavens, giving rise to much speculation among the scholars of the time, William, Duke of Normandy, launches into the arrangements for the conquest that will change the face of England -- one of the most formidable military expeditions History has ever seen. This is a tale of ambition, broken oaths, battles, love, death and glory.

For more than 900 years the Bayeux Tapestry has preserved one of history's greatest dramas: the Norman Conquest of England, culminating in the death of King Harold at the Battle of Hastings in 1066. Historians have held for centuries that the majestic tapestry trumpets the glory of William the Conqueror and the victorious Normans. But is this true? In 1066, a brilliant piece of historical detective work, Andrew Bridgeford reveals a very different story that reinterprets and recasts the most decisive year in English history. Reading the tapestry as if it were a written text, Bridgeford discovers a wealth of new information subversively and ingeniously encoded in the threads, which appears to undermine the Norman point of view while presenting a secret tale undetected for centuries-an account of the final years of Anglo-Saxon England quite different from the Norman version. Bridgeford brings alive the turbulent 11th century in western Europe, a world of ambitious warrior bishops, court dwarfs, ruthless knights, and powerful women. 1066 offers readers a rare surprise-a book that reconsiders a long-accepted masterpiece, and sheds new light on a pivotal chapter of English history.

The definitive and fully illustrated guide to the Bayeux Tapestry. The full history of the events leading up to the Battle of Hastings and the story of the tapestry itself. Most people know that the Bayeux Tapestry depicts the moment when the last Anglo-Saxon king of England, Harold Godwinson, was defeated at the Battle of Hastings in 1066 by his Norman adversary William the Conqueror. However, there is much more to this historic treasure than merely illustrating the outcome of this famous battle. Full of intrigue and violence, the tapestry depicts everything from eleventh-century political and social life—including the political machinations on both sides of the English Channel in the years leading up to the Norman Conquest—to the clash of swords and stamp of hooves on the battle field. Drawing on the latest historical and scientific research, authors David Musgrove and Michael Lewis have written the definitive book on the Bayeux Tapestry, taking readers through its narrative, detailing the life of the tapestry in the centuries that followed its creation, explaining how it got its name, and even offering a new possibility that neither Harold nor William were the true intended king of England. Featuring stunning, full- color photographs throughout, The Story of the Bayeux Tapestry explores the complete tale behind this medieval treasure that continues to amaze nearly one thousand years after its creation.

This book provides a boldly original account of Middle English literature from the Norman Conquest to the beginning of the sixteenth century. It argues that these centuries are, in fundamental ways, the momentous period in our literary history, for they are the long moment in which the category of literature itself emerged as English writing began to insist, for the first time, that it floated free of any social reality or function. This book also charts the complex mechanisms by which English writing acquired this power in a series of linked close readings of both canonical and more obscure texts. It encloses those readings in five compelling accounts of much broader cultural areas, describing, in particular, the productive relationship of Middle English writing to medieval technology, insurgency, statecraft and cultural place, concluding with an in depth account of the particular arguments, emphases and techniques English writers used to claim a wholly new jurisdiction for their work. Both this history and its readings are everywhere informed by the most exciting developments in recent Middle English scholarship as well as literary and cultural theory. It serves as an introduction to all these areas as well as a contribution, in its own right, to each of them.