This book brings the story of African American artist William H. Johnson (1901-1970) to light. Born in South Carolina, Johnson moved to New York as a teenager to live with his uncle, working as a hotel porter, cook, and stevedore -- and earning admission to the School of the National Academy of Design, where he won almost every student prize available. A trip to Europe became permanent residence after he married Danish textile artist Holcha Krake. He enjoyed wide success until World War II forced the couple to move to New York. After his wife's death Johnson's physical and mental health collapsed and after 1947 he never painted again. Steve Turner traces the fate of Johnson's huge body of work, indifferently managed for him by court-appointed guardians and the Harmon Foundation.

Profiles the life and work of the noted African American painter.

Published on the occasion of the exhibition organized by the Smithsonian Institution Traveling Exhibition Service and Morgan State University, opening September 2011.

Surveys the life of African-American artist William H. Johnson as his young niece might have told it. The artist's paintings provide the illustrations.

A provocative new biography of the man who forged America's alliance with the Iroquois William Johnson was scarcely more than a boy when he left Ireland and his Gaelic, Catholic family to become a Protestant in the service of Britain's North American empire. In New York by 1738, Johnson moved to the frontiers along the Mohawk River, where he established himself as a fur trader and eventually became a landowner with vast estates; served as principal British intermediary with the Iroquois Confederacy; command British, colonial, and Iroquois forces that defeated the French in the battle of Lake George in 1755; and created the first groups of "rangers," who fought like Indians and led the way to the Patriots' victories in the Revolution. As Fintan O'Toole's superbly researched, colorfully dramatic narrative makes clear, the key to Johnson's signal effectiveness was the style in which he lived as a "white savage." Johnson had two wives, one European, one Mohawk; became fluent in Mohawk; and pioneered the use of Indians as active partners in the making of a new America. O'Toole's masterful use of the extraordinary (often hilariously misspelled) documents written by Irish, Dutch, German, French, and Native American participants in Johnson's drama enlivens the account of this heroic figure's legendary career; it also suggests why Johnson's early multiculturalism unraveled, and why the contradictions of his enterprise created a historical dead end.

The authors offer findings on the comparative sexual responses of homosexuals and heterosexuals; comparative functional efficiencies of heterosexuals and homosexuals; a group of 12 ambisexuals; comparative fantasy patterns of homosexuals and heterosexuals; treatment of homosexual dysfunction; and conversion therapy for homosexuals wishing to convert to heterosexuality.