In Fantagraphics’ ceaseless effort to rediscover every world-class cartoonist in the history of the medium, we turn your attention to a neglected part of the art form—sports cartooning—and to its greatest practitioner—Willard Mullin. The years 1930-1970 were the Golden Age of both American sports and American comic strips, when giants strode their respective fields—Babe Ruth, Lou Gehrig, and Hank Aaron in one, George (Krazy Kat) Herriman, Milton (Steve Canyon) Caniff, Walt (Pogo) Kelly in the other—and Mullin was there, straddling both fields, recording every major player and event in the mid-20th-century history of baseball. Mullin was to baseball players what Bill Mauldin was to soldiers: advocate and critic, investing them with personality, humanity, dignity, and poignancy; Mauldin had Willie & Joe and Mullin had the Brooklyn Bum, his affectionate 1939 character representing the bedraggled figure of the Brooklyn Dodgers. Willard Mullin’s Golden Age of Baseball: Drawings 1934-1972 collects for the first time Mullin’s best drawings devoted to baseball—depictions of players like Joe DiMaggio, Ted Williams, Yogi Berra, and Sandy Koufax, legendary managers like Casey Stengel and George Steinbrenner, and events like Lou Gehrig’s emotional retirement speech on July 4, 1939, for which Mullin not only drew a portrait but composed a poem (which he often incorporated into his cartoons). Mullin’s fluid line and delicate but vigorous brushwork are shown to beautiful effect, with many drawings reproduced from original art. See why millions of baseball fans from the ’30s to the ’70s looked forward to Mullin’s cartoons in their daily paper.

In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.

On a chilly Sunday, December 7, 1941, major league baseball’s owners gathered in Chicago for their annual winter meetings, just two months after one of baseball’s greatest seasons. For the owners, the attack on Pearl Harbor that morning was also an attack on baseball. They feared a complete shutdown of the coming 1942 season and worried about players they might lose to military service. But with the support of President Franklin D. Roosevelt, the national pastime continued. The Nats and the Grays: How Baseball in the Nation’s Capital Survived WWII and Changed the Game Forever examines the impact of the war on the two teams in Washington, DC—the Nationals of the American League and the Homestead Grays of the Negro Leagues—as well as the impact of the war on major league baseball as a whole. Each chapter is devoted to a wartime year, beginning with 1941 and ending with the return of peacetime in 1946, including the exciting American League pennant races of 1942-1945. This account details how the strong friendship between FDR and Nationals team owner Clark Griffith kept the game alive throughout the war, despite numerous calls to shut it down; the constant uncertainties the game faced each season as the military draft, federal mandates, national rationing, and other wartime regulations affected the sport; and the Negro Leagues’ struggle for recognition, solvency, and integration. In addition to recounting the Nationals’ and the Grays’ battles on and off the field during the war, this book looks beyond baseball and details the critical events that were taking place on the home front, such as the creation of the GI Bill, the internment of Japanese Americans, labor strikes, and the fight for racial equality. World War II buffs, Negro League historians, baseball enthusiasts, and fans of the present-day Washington Nationals will all find this book on wartime baseball a fascinating and informative read.

Wilker marks the stages of his life through the baseball cards he collected as a child. He captures the experience of growing up obsessed with baseball cards and explores what it means to be a fan of the game.

Is the face of American baseball throughout the world that of goodwill ambassador or ugly American? Has baseball crafted its own image or instead been at the mercy of broader forces shaping our society and the globe? The Empire Strikes Out gives us the sweeping story of how baseball and America are intertwined in the export of “the American way.” From the Civil War to George W. Bush and the Iraq War, we see baseball's role in developing the American empire, first at home and then beyond our shores. And from Albert Spalding and baseball's first World Tour to Bud Selig and the World Baseball Classic, we witness the globalization of America's national pastime and baseball's role in spreading the American dream. Besides describing baseball's frequent and often surprising connections to America's presence around the world, Elias assesses the effects of this relationship both on our foreign policies and on the sport itself and asks whether baseball can play a positive role or rather only reinforce America's dominance around the globe. Like Franklin Foer in How Soccer Explains the World, Elias is driven by compelling stories, unusual events, and unique individuals. His seamless integration of original research and compelling analysis makes this a baseball book that's about more than just sports.

From an award-winning New York Times sports columnist, the definitive biography of one of baseball's most celebrated, mercurial, and misunderstood figures--legendary manager and baseball genius, Billy Martin

“Undoubtedly modern America’s finest literary tribute to the baseball since Bernard Malamud’s novel The Natural” (Chicago Tribune). Henry Granville, a baseball fanatic and high school teacher, spends hours in the basement with his young son Danny, introducing him to balls of all shapes and sizes. He even turns the basement into an indoor stadium. Danny quickly distinguishes himself from his peers, most conspicuously by his ability to throw perfectly with either arm—a feat virtually unheard of in baseball. But he also possesses a visionary gift that not even he understands. Danny becomes a superior athlete, skyrocketing through the minor leagues and into the majors where he experiences immediate success, breaking records held for decades. When a journalist, a former student of Henry’s and hungry for a national breakout story, exaggerates the teacher’s obsession and exposes him to the world as a monster, all hell breaks loose and the pressures of media and celebrity threaten to disrupt the world that Henry and Danny have created. A baseball novel—and much more—The Man with Two Arms is a story of the ways in which we protect, betray, forgive, love, and shape each other as we attempt to find our way through life. “Magical realism meets baseball in [this] debut novel . . . [A] Roy Hobbs-like narrative.” —Chicago Magazine “Sings with joy and tragedy . . . An amazing debut, as a lyrical paean to the national pastime and as a touching exploration of the life of a boy becoming a man both blessed and burdened with a unique and extraordinary talent.” —Flagpole