A parent should never have to lose a child, but Jamerson shows that even when parents lose their only daughter life does go on, with God's help. Resource material and ideas included to help those who want to help others who grieve over great loss.

In the compelling memoir Who Will Wipe My Tears Away?, Earlina Gilford-Weaver tells the story of how she survived childhood sexual abuse and was later saved by God. Earlina was nine years old when she was first sexually abused by uncles who were entrusted to care for her, but instead, robbed her of her innocence. Raised by an emotionally-distant mother and an overwhelmed grandmother, Earlinas journey through childhood became agonizing. She relays how she dealt with her internal pain by stealing, lying, and running awayeventually becoming a ward of the state. After she was moved from group homes to foster care where she would stay with over twenty different families, Earlina was once again sexually molested by the males who surrounded her. All the while, Earlina would continually ask herself the same question: Why isnt God wiping my tears away? It would not be until much later when Earlina walked into a church on her birthday that she would realize God had been by her side all along. Throughout Earlinas heartbreaking story is an unforgettable message that through it all, loving yourselfno matter what others have done to youis the key to surviving even the worst of circumstances.

Book #1 of a 5 book series about the life of a priest, Father Jon Mark. As a young college student, Jon Mark decides to enter a seminary after graduation from the university. In seeking to serve God as Jesus would do, Father jon Mark becomes profoundly and compassionately involved in the lives of those with whom he comes into contact following the pattern of what would Jesus do.

This story is of a young Ghanaian girl; Kabuki who is suffering an extreme case of depression because she cannot live her dreams; which is to exploit all of her potentials and experience the kind of freedom others like herself enjoy in other developed countries; is frustrated and disappointed because Ghana is facing deep unlimited challenges that directly affect her and her inability to live her life and she sees no sign of these problems going away anytime soon. Her uncountable attempts at living her dreams at all cost through time, draws her to the painful realization of various challenges that limit her growth in Ghana leaving her broken in faith with a deep threat to throw her dreams to the curb. Despite the decade of research work combined with her proposed solutions, she is always turned away by the units that matter and taken for granted by the people who have what it takes to help her situation. On her journey to discover what it takes to develop potentials, she encounters millions of Ghanaians holding on to broken dreams and defining wrong outlets to pour their frustrations. One sleepless and frustrated night, she wakes up in tears and pours out her heart on paper to her Psychologist. She pinpoints her personal opinion on problems in Ghana, analyzes them and offers strategies to combat the challenges. Wipe my tears, O Ghana is a wakeup call to our leaders, political parties and influencers of society. It is time we all pause, reflect and take a critical look at what the needs of the people in the nation are which is the only ingredient required to grow the nation.

Tears Of The Soul is a selection of over 200 poems that I wrote over a period of many many years. They are an echo of my countless moods, a myriad of my emotions and a reflection of my tears.The poems question the meaning of love , loss and life itself. Sadness is my inspiration. Happiness is a moment. Love is a dream.

"THE ONAM RHYME AND OTHER PASSAGES FROM TIME" is a compendium of Traditional English Poetic Works (As opposed to Modern Poetry). This book is a meandering journey through a multitude of emotions and insights, ranging from the sublime and exhilarating, to the dark and depressing. This book, like life, is painted in shades of grey, where the light blends in with the shadows, and black merges into white forming shades of grey at the borders where they meet. There is nothing called absolute joy and neither absolute sorrow, no absolute victory and neither absolute defeat in life. Everything is relative and are governed by the laws f relativity as expounded by science too. Nobody is perfect and nobody is completely flawed too. Everything is ephemeral and temporary including our emotions too. The only thing that is permanent in this world is His Eternal Grace which is boundless and unending. The central message of this collection of poetry is the divesting of the self from the ephemeral and attaching the self firmly with the eternal, which is His Mysterious Grace. I sincerely hope that the readers shall find this collection to be worth their while.

mahikan ka onot collects the finest work of accomplished Indigenous poet Duncan Mercredi, from his first book in 1991 to recent unpublished poems. These are poems of life on the land as well as life in the city, vibrant with the rhythms of traditional Cree and Métis storytelling but also with the clamour and the music of the streets. This book brings the work of Duncan Mercredi (Cree/Métis) back into the public eye, providing a new generation of readers with the opportunity to experience his unique artistry. Mercredi brings to these poems the sensibility of a Cree speaker and a renowned oral storyteller, revealing a deep attachment to the land and a nuanced understanding of the complexities of contemporary Indigenous life. In startlingly direct, plainspoken language, the poet explores themes of cultural resurgence and steadfast connections among the generations, even amid the unfolding tragedies wrought by colonialism. Some of these poems are memories of traditional life on the land, especially in the time before Manitoba Hydro radically altered Mercredi’s home community of Grand Rapids, Manitoba. Others focus on the urban Indigenous experience, based upon Mercredi’s longstanding and intimate knowledge of Winnipeg. Like mahikan, the wolf, Mercredi’s characters are often outsiders in certain contexts, but the poems reveal other perspectives that allow us to understand their loyalty and their love of community. The volume includes an afterword by Duncan Mercredi and an introduction by Métis scholar Warren Cariou, both of which provide resources for deeper study of the poems.