Wilfrid Laurier and Cha - Cha the Chimpanzee are BEST FRIENDS. They work hard around the farm but they love to get into MISCHIEF. What kind of MISCHIEF do you think Wilfrid Laurier and Cha - Cha the Chimpanzee like to get into? ALL the PRIME MINISTERS' PETS are a series of ENTERTAINING books about our PRIME MINISTERS and are Excellent tools for LEARNING! They are Popular with Parents, Teachers and Children BECAUSE they are ENJOYABLE and they WORK! ALL the PRIME MINISTERS' PETS fuels your child's CURIOSITY and sparks their IMAGINATION in a FUN and ENJOYABLE way while introducing them at a young age to the NAMES and a FEW FACTS about the GREAT LEADERS who helped build Canada. Being able to RECOGNIZE the names of the Prime Ministers will facilitate INTEREST and further LEARNING about Canadian Prime Ministers and Canadian History. Your CHILD will be able to make BETTER CONNECTIONS to these important people as they ADVANCE with their education.

Pierre Trudeau and his BEST FRIEND Prickles the Porcupine recruit a group of friends to play HIDE and SEEK. Everyone in the group thinks they have the BEST HIDING PLACE. Who do you think will have the BEST HIDING PLACE? ALL the PRIME MINISTERS' PETS are a series of ENTERTAINING books about our PRIME MINISTERS and are Excellent tools for LEARNING! They are Popular with Parents, Teachers and Children BECAUSE they are ENJOYABLE and they WORK! ALL the PRIME MINISTERS' PETS fuels your child's CURIOSITY and sparks their IMAGINATION in a FUN and ENJOYABLE way while introducing them at a young age to the NAMES and a FEW FACTS about the GREAT LEADERS who helped build Canada. Being able to RECOGNIZE the names of the Prime Ministers will facilitate INTEREST and further LEARNING about Canadian Prime Ministers and Canadian History. Your CHILD will be able to make BETTER CONNECTIONS to these important people as they ADVANCE with their education.

The interest of this book lies at the very center of a recent deployment of homosexual liberation on a larger scale. The reader will be able to understand how each of the traditions studied articulates its own regulatory mechanisms of male sexuality in general, and homosexuality.

This first English translation of the Asokavadana text, the Sanskrit version of the legend of King Asoka, first written in the second century A.D. Emperor of India during the third century B.C. and one of the most important rulers in the history of Buddhism. Asoka has hitherto been studied in the West primarily from his edicts and rock inscriptions in many parts of the Indian subcontinent. Through an extensive critical essay and a fluid translation, John Strong examines the importance of the Asoka of the legends for our overall understanding of Buddhism. Professor Strong contrasts the text with the Pali traditions about Kind Asoka and discusses the Buddhist view of kingship, the relationship of the state and the Buddhist community, the king s role in relating his kingdom to the person of the Buddha, and the connection between merit making, cosmology, and Buddhist doctrine. An appendix provides summaries of other stories about Asoka.

Whether referred to as mermaid, usalka, mami wata, or by some other name, and whether considered an imaginary being or merely a person with extraordinary abilities, the siren is the remarkable creature that has inspired music and its representations from ancient Greece to present-day Africa and Latin America. This book, co-edited by a historical musicologist and an ethnomusicologist, brings together leading scholars and some talented newcomers in classics, music, media studies, literature, and cultural studies to consider the siren and her multifaceted relationships to music across human time and geography.

Sound and Image: Aesthetics and Practices brings together international artist scholars to explore diverse sound and image practices, applying critical perspectives to interrogate and evaluate both the aesthetics and practices that underpin the audiovisual. Contributions draw upon established discourses in electroacoustic music, media art history, film studies, critical theory and dance; framing and critiquing these arguments within the context of diverse audiovisual practices. The volume’s interdisciplinary perspective contributes to the rich and evolving dialogue surrounding the audiovisual, demonstrating the value and significance of practice-informed theory, and theory derived from practice. The ideas and approaches explored within this book will find application in a wide range of contexts across the whole scope of audiovisuality, from visual music and experimental film, to narrative film and documentary, to live performance, sound design and into sonic art and electroacoustic music. This book is ideal for artists, composers and researchers investigating theoretical positions and compositional practices which bring together sound and image.