This book is the first history of the Irish juvenile justice system. It charts the emergence of the system from the mid-nineteenth century to the present. From the beginning, the system was dominated by a large network of reformatory and industrial schools which incarcerated tens of thousands of children and remained in existence into the late twentieth century. This dominance was eventually challenged by emerging discourses which emanated from the psychological sciences, social work, youth work and the children's rights movement. The book draws from a wide range of official and unofficial sources in exploring the key rationalities underpinning the system. In adopting a governmentality approach, it also examines the technologies and forms of childhood identity that are employed to govern the child and young person within the context of the Irish juvenile justice system. This unique and original approach will appeal to legal scholars, criminologists and those with an interest in juvenile justice, history and social policy.

“A complex and fascinating portrait of Israel . . . .an engaging book that combines anthropology, culture, and history.” —Anita Shapira, author of Ben-Gurion: Father of Modern Israel At once an ecological phenomenon and a cultural construction, the desert has varied associations within Zionist and Israeli culture. In the Judaic textual tradition, it evokes exile and punishment, yet is also a site for origin myths, the divine presence, and sanctity. Secular Zionism developed its own spin on the duality of the desert as the romantic site of Jews’ biblical roots that inspired the Hebrew culture, and as the barren land outside the Jewish settlements in Palestine, featuring them as an oasis of order and technological progress within a symbolic desert. Yael Zerubavel tells the story of the desert from the early twentieth century to the present, shedding light on romantic-mythical associations, settlement and security concerns, environmental sympathies, and the commodifying tourist gaze. Drawing on literary narratives, educational texts, newspaper articles, tourist materials, films, popular songs, posters, photographs, and cartoons, Zerubavel reveals the complexities and contradictions that mark Israeli society’s semiotics of space in relation to the Middle East, and the central role of the “besieged island” trope in Israeli culture and politics.

"In Imagined Orphans, Lydia Murdoch focuses on the discrepancy between the representation and the reality of children's experiences within welfare institutions - a discrepancy that she argues stems from conflicts over middle- and working-class notions of citizenship that arose in the 1870s and persisted until the First World War. Reformers' efforts to depict poor children as either orphaned or endangered by abusive or "no-good" parents fed upon the poor's increasing exclusion from the Victorian social body. Reformers used the public's growing distrust and pitiless attitude toward poor adults to increase charity and state aid to the children. With a critical eye to social issues of the period, Murdoch urges readers to reconsider the complex situations of families living in poverty."--BOOK JACKET.

Reprint of the original, first published in 1882.

A Modern Telemachus is an adventurous pirate novel by Charlotte Mary Yonge. Yonge was an English novelist, known for her huge output and adventuresome stories. Excerpt: "The two walked up and down the court together, unwilling to intrude on the parting which, as they well knew, would be made in floods of tears. Sad enough indeed it was, for Madame de Varennes was advanced in years, and her daughter had not only to part with her, but with the baby Jacques, for an unknown space of time; but the self-command and restraint of grief for the sake of each other was absolutely unknown. It was a point of honour and sentiment to weep as much as possible, and it would have been regarded as frigid and unnatural not to go on crying too much to eat or speak for a whole day beforehand, and at least two afterwards."