Nancy Mitford’s most controversial novel, unavailable for decades, is a hilarious satirical send-up of the fascist political enthusiasms of her sisters Unity and Diana, and of her notorious brother-in-law, Sir Oswald Mosley. Written in 1934, early in Hitler’s rise, Wigs on the Green lightheartedly skewers the devoted followers of British fascism. The sheltered and unworldy Eugenia Malmain is one of the richest girls in England and an ardent supporter of General Jack and his Union Jackshirts. World-weary Noel Foster and his scheming friend Jasper Aspect are in search of wealthy heiresses to marry; Lady Marjorie, disguised as a commoner, is on the run from the Duke she has just jilted at the altar; and her friend Poppy is considering whether to divorce her rich husband. When these characters converge with the colorful locals at a grandly misconceived costume pageant that turns into a brawl between Pacifists and Jackshirts, madcap farce ensues. Long suppressed by the author out of sensitivity to family feelings, Wigs on the Green can now be enjoyed by fans of Mitford’s superbly comic novels.

In Highland Fling—Nancy Mitford’s first novel, published in 1931—a set of completely incompatible and hilariously eccentric characters collide in a Scottish castle, where bright young things play pranks on their stodgy elders until the frothy plot climaxes in ghost sightings and a dramatic fire. Inspired in part by Mitford’s youthful infatuation with a Scottish aristocrat, her story follows young Jane Dacre to a shooting party at Dulloch Castle, where she tramps around a damp and chilly moor on a hunting expedition with formidable Lady Prague, xenophobic General Murgatroyd, one-eyed Admiral Wenceslaus, and an assortment of other ancient and gouty peers of the realm, while falling in love with Albert, a surrealist painter with a mischievous sense of humor. Lighthearted and sparkling with witty banter, Highland Fling was Mitford’s first foray into the delightful fictional world for which the author of The Pursuit of Love and Love in a Cold Climate later became so celebrated. With an Introduction by Julian Fellowes, creator of Downton Abbey.

AN INSTANT NEW YORK TIMES BESTSELLER “Riveting. The Six captures all the wayward magnetism and levity that have enchanted countless writers without neglecting the tragic darkness of many of the sisters’ life choices and the savage sociopolitical currents that fueled them.” – Tina Brown, The New York Times Book Review The eldest was a razor-sharp novelist of upper-class manners; the second was loved by John Betjeman; the third was a fascist who married Oswald Mosley; the fourth idolized Hitler and shot herself in the head when Britain declared war on Germany; the fifth was a member of the American Communist Party; the sixth became Duchess of Devonshire. They were the Mitford sisters: Nancy, Pamela, Diana, Unity, Jessica, and Deborah. Born into country-house privilege in the early years of the 20th century, they became prominent as “bright young things” in the high society of interwar London. Then, as the shadows crept over 1930s Europe, the stark—and very public—differences in their outlooks came to symbolize the political polarities of a dangerous decade. The intertwined stories of their stylish and scandalous lives—recounted in masterly fashion by Laura Thompson—hold up a revelatory mirror to upper-class English life before and after WWII. The Six was previously published as Take Six Girls.

Nancy Mitford’s life was as glamorous and as dramatic as her most famous novels, The Pursuit of Love and Love in a Cold Climate. Mitford was witty, intelligent, often acerbic, a great tease, and an acute observer of upper-class English idiosyncrasies. With the publication of her comic novels, based in part on her eccentric family, she became a huge bestseller and household name. An inspired letter writer, she wrote almost daily to a wide variety of correspondents, among them Evelyn Waugh, Harold Acton, John Betjeman, and, of course, her famous sisters. Noted biographer Selina Hastings captures the gaiety and frivolity as well as the unhappy truth of Nancy Mitford’s life: her failed marriage and her long, unfulfilled relationship with her dashing but unfaithful French lover contrasting sharply with literary celebrity and glittering social success. Hastings has written a biography that is as superbly entertaining and clear-eyed as the unforgettable novels that are its subject’s lasting claim to fame.

“Clear, vibrant” essays on reading and writing by the Pulitzer Prize–winning, New York Times–bestselling author: “A reader feels smarter just taking it in” (The Boston Globe). From the author of A Dangerous Business, A Thousand Acres, and Thirteen Ways of Looking at the Novel, this volume “gathers essays (and two stories) composed with wit, enthusiasm, expertise, and candor” (Booklist). Long acclaimed as a preeminent American novelist, Jane Smiley is also an unparalleled observer of the craft of writing. In this book, she offers penetrating essays on some of the aesthetic and cultural issues that mark any serious engagement with reading and writing. After a personal introduction tracing Smiley’s migration from Iowa to California, she reflects on her findings in the literature of the Golden State, whose writers have for decades litigated the West’s contested legacies of racism, class conflict, and sexual politics through their work. With meticulous attention, she also dives beneath surface-level interpretations of authors like Marguerite de Navarre, Charles Dickens, Anthony Trollope, Harriet Beecher Stowe, Louisa May Alcott, Mark Twain, Willa Cather, Franz Kafka, Halldór Laxness, and Jessica Mitford. Throughout, Smiley seeks to think harder, and with more clarity and nuance, about the questions that matter most. “Valuable . . . Smiley gives educators, readers, and writers much to discuss.” —Library Journal (starred review) “Her literary criticism . . . brims with the same keen observations, inquisitiveness, and humor as her novels. . . . Fleet-footed and smart, this delights.” —Publishers Weekly