Examines Lam (1902-1982), born in Cuba to Chinese and African-Spanish parents, as a global figure in the context of major artistic movements of the 20th century.

LAM Volume II 1961-1982 completes the cata logue raisonne of the Painted Work. It is a visually stimulating treatment of Wilfredo LAM's work during the last two decades of his life and provides over 220 color-plate illustrations of his paintings. It also includes a poem by French Surrealist poet Alain Jouffroy.

This book reinterprets Wifredo Lam’s work with particular attention to its political implications, focusing on how these implications emerge from the artist’s critical engagement with 20th-century anthropology. Field work conducted in Cuba, including the witnessing of actual Afro-Cuban religious ritual ceremonies and information collected from informants, enhances the interpretive background against which we can construe the meanings of Lam's art. In the process, Claude Cernuschi argues that Lam hoped to fashion a new hybrid style to foster pride and dignity in the Afro-Cuban community, as well as counteract the acute racism of Cuban culture.

One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!

Catalogue of the exhibition of works from the 1930s to the 1980s by the renowned Cuban Surrealist.