"A history of the noteworthy transgressions and crimes committed over the years in the Crescenta Valley"--

“Terrifying” true stories of criminals who live seemingly normal lives, perfect for fans of Mindhunter—”these are the stories that keep me up at night” (Sgt. Joseph Kuns, LAPD). “He seemed so normal” is an all-too common sentiment from the neighbors of violent criminals when their heinous acts are finally exposed. There are often no obvious indicators that separate the pleasant neighbor from the sadistic murderer. Even serial killers like Jeffrey Dahmer, Ted Bundy, and John Wayne Gacy managed to circulate unnoticed among their communities. They are neighbors and students, professionals and friends living out criminal double lives. In Double Lives, true crime author Eric Brach presents both a nonfiction exposé and a nationwide search that details the exploits of some of the worst criminals in recent American history, all of whom succeeded in going undetected for years while perpetrating one crime after another—all in their own hometowns. Monsters of every race, age, gender, and socioeconomic class are profiled in this roller-coaster of crime. Along the way, the author discusses the criminals he grew up with in his own seemingly innocent community, and provides a personal look at the current scourge of opioid addiction, making Double Lives a sensational yet sobering read.

Sex, Drugs, and Rock ‘n Roll: The American Counterculture of the 1960s offers a unique examination of the cultural flowering that enveloped the United States during that early postwar decade. Robert C. Cottrell provides an enthralling view of the counterculture, beginning with an examination of American bohemia, the Lyrical Left of the pre-WWII era, and the hipsters. He delves into the Beats, before analyzing the counterculture that emerged on both the East and West coasts, but soon cropped up in the American heartland as well. Cottrell delivers something of a collective biography, through an exploration of the antics of seminal countercultural figures Allen Ginsberg, Jack Kerouac, Timothy Leary, and Ken Kesey. Cottrell also presents fascinating chapters covering “the magic elixir of sex,” rock ‘n roll, the underground press, Haight-Ashbury, the literature that garnered the attention of many in the counterculture, Monterey Pop, the Summer of Love, the Death of Hippie, the March on the Pentagon, communes, Yippies, Weatherman, Woodstock, the Manson family, the women’s movement, and the decade’s legacies.

Though it has specific geographic borders, La Crescenta is politically split, straddling portions of unincorporated Los Angeles County, Glendale, and even a portion of Los Angeles itself. The Tongva Indians roamed the valley for hundreds of years until cattlemen moved in and loggers harvested the tall trees in the canyons above. Then came orchards, sanitariums, resort hotels, and, ultimately, suburban sprawl. These bucolic hills belied a penchant for archly conservative politics, but the peace of the valley was shattered not by Nazis or Klansmen, but rather by forces of nature: windstorms, fires, earthquakes, and, most severely, flash floods. In his book Man in Control of Nature, naturalist John McPhee wrote extensively about the La Crescenta floods. Despite the turbulence, La Crescenta has evolved into a quiet bedroom community in the foothills of the San Gabriel Mountains.

The pleasant neighborhoods of the Crescenta Valley offer no hint of the many violent and heinous crimes that have occurred between the San Gabriel and Verdugo Mountains. But ties to such macabre episodes as the Onion Field murder and the search for the Hillside Strangler left lasting scars here. Infamous criminals such as mafia boss Joe "Iron Man" Ardizzone, red-light bandit Caryl Chessman and accused yacht bomber Beulah Overell have left a black eye on La Cresecenta's history--not to mention the "Rattlesnake Murder," "Female Bluebeard" and "Santa Claus Killer." Join historians Gary Keyes and Mike Lawler as they expose the crimes and criminals that have inflicted murder and mayhem in Glendale, La Crescenta, Montrose and La Canada Flintridge.

Despite being within the Los Angeles metropolitan area, the Crescenta Valley manages to retain its small town flavor due to its geography--a small valley nestled between two mountain ranges--and the people who prefer this way of life. The community is marked not only by what has changed, but more importantly, by what has not.

"Henrik Ibsen: Ahead of his time. Father of modern drama. Often considered an early male feminist for confronting the constraints on women in the 19th century. The title character of one of his plays has a bone to pick with him, though. Hedda Gabler has had enough of being strong and uncompromising yet given just one means of independence at the end of her story: by killing herself. So she's been bursting...to try to wrest control of HEDDA GABLER and chart a new course. She's winning audience after audience to her side in Jon Klein's boisterous new comedy RESOLVING HEDDA... One of the pricklier characters in the dramatic canon, Hedda--introduced to the world in 1891--has never had a problem speaking her mind, and that quality is only intensified here. She glares at the heavens, heaping scorn on the Norwegian master as she tries to think of ways to circumvent his precision-crafted plot, which piles indignities on her while blocking avenues of escape -- `the perfect killing machine', as she bitterly describes it. Ibsen gives her plenty of qualities to help her along: fierce intelligence, bravery and tenacity. Other traits must be fought. `I'm bored and willful and perverse', she says ruefully, `at least according to Wikipedia'. Yes, Wikipedia. For all of her Victorian trappings, Hedda is very much a woman of 2017. She's been keeping current these last 126 years and drops offhand references to Oprah's Book Club and phone apps, as well as uttering the occasional curse word. The other characters don't know what to make of her as she restlessly paces her elegant drawing room. Her ineffectual academician of a husband, George, is flustered even more than usual; still, he and the others keep following the paths that lead toward her usual fate while she tries to steer them elsewhere, all while she battles props--pistols, a sole-copy manuscript--that keep playing into the action exactly as Ibsen wrote them. The comic tone spreads to the others, however... Klein, the author of such previous Victory hits as T BONE N WEASEL and WISHING WELL, delivers laughs at a steady pace... Pure entertainment is its own reward, though, and RESOLVING HEDDA, by its very existence, makes a larger statement. However much Hedda might abuse him, Ibsen deserves her--and our--admiration for writing so forcefully about issues that perpetually bedevil us... It's good to have him still at our side." Daryl H Miller, Los Angeles Times "Henrik and Hedda, a hilarious pair... Its author is the brilliantly clever and witty Jon Klein...Klein's hilarious script." Cynthia Citron, Santa Monica Daily Press