An intimate portrait of the diverse music-making at the center of Amish faith and life. Singing occurs in nearly every setting of Amish life. It is a sanctioned pleasure that frames all Amish rituals and one that enlivens and sanctifies both routine and special events, from household chores, road trips by buggy, and family prayer to baptisms, youth group gatherings, weddings, and “single girl” sings. But because Amish worship is performed in private homes instead of public churches, few outsiders get the chance to hear Amish people sing. Amish music also remains largely unexplored in the field of ethnomusicology. In Why the Amish Sing, D. Rose Elder introduces readers to the ways that Amish music both reinforces and advances spiritual life, delving deep into the Ausbund, the oldest hymnal in continuous use. This illuminating ethnomusicological study demonstrates how Amish groups in Wayne and Holmes Counties, Ohio—the largest concentration of Amish in the world—sing to praise God and, at the same time, remind themselves of their 450-year history of devotion. Singing instructs Amish children in community ways and unites the group through common participation. As they sing in unison to the weighty words of their ancestors, the Amish confirm their love and support for the community. Their singing delineates their common journey—a journey that demands separation from the world and yielding to God's will. By making school visits, attending worship services and youth sings, and visiting private homes, Elder has been given the rare opportunity to listen to Amish singing in its natural social and familial context. She combines one-on-one interviews with detailed observations of how song provides a window into Amish cultural beliefs, values, and norms.

Romance is bound to strike a chord when the young people of Bird-in-Hand join together to bring their community the gift of song. Hymn of Praise Sharon Lambert and Jay Smoker have been friends for a long time, but lately Jay has seen Sharon in a new light. They begin spending time together, and Sharon invites Jay to her family’s home to serve dinner and sing traditional hymns for their English guests. When Jay decides that this tramples upon his doctrinal beliefs, can these two dear friends compromise and find love? Or will Jay’s strict views keep them apart? Amazing Grace Dave Esh is broken with guilt after a recent tragedy. When Alice Blank, an acquaintance from school and youth group, invites him to join an informal singing group that performs for community members in need, Dave doubts he will enjoy himself—let alone find peace. Will Alice’s friendship help Dave learn how to forgive himself the way God already has? Great Is Thy Faithfulness Darlene Bender’s mother has been battling cancer, and Darlene can’t understand why God would allow someone so wonderful to go through such a terrible time. She finds strength in her singing group and friends, and when Andrew Detweiler senses that Darlene needs a confidant, he approaches and befriends her. As love blossoms between them, Darlene might soon realize that God was with her all along. O Holy Night Elaine Lantz and her parents have just moved to town from New Wilmington. After leaving behind some painful events and a group of deceitful friends, Elaine worries she’ll never be able to trust again. But the young people of Bird-in-Hand don’t give up, and Calvin King takes it upon himself to make Elaine feel welcome. Perhaps friendship and love await Elaine in her new hometown. Sweet, inspirational Amish novellas Collection includes four stories (23K words each) that can be read together or as standalones Includes discussion questions for book clubs

At age twenty, Saloma Miller left behind her Amish community in Burton, Ohio, and boarded a night train for Vermont, where she knew no one. In this poignant coming-of-age memoir, Saloma’s new life of freedom includes work as a waitress and plans to continue her education. Romance also blossoms with a Yankee toymaker. Soon, however, a vanload of people from her community, including the Amish bishop, arrive to take her back into the fold. Saloma’s freedom comes to an abrupt end when she goes back home to Ohio with them. Thus begins a years-long struggle of feeling torn between two worlds: will she remain Amish and embrace the sense of belonging and community her Amish life offers, or will she return to the newfound freedom she tasted in Vermont? Saloma settles into teaching in an Amish school and does her best to fit back into Amish ways, but a legacy of childhood abuse, struggles with an eating disorder, and questions of identity plague her. Her ties to the outside world remain, mostly through the quiet perseverance of the toymaker from Vermont. He keeps sending her cards, never giving up hope that their love could survive the strain of living in two different worlds. Bonnet Strings by Saloma Miller Furlong offers a universal story of overcoming adversity and a rare look inside an Amish community. Readers of Amish fiction and viewers of the PBS documentaries such as The Amish and The Amish: Shunned will find in it a true story: of woundedness and healing, of doubt and faith, and of the often competing desires for freedom and belonging.

An intimate portrait of the diverse music-making at the center of Amish faith and life. Singing occurs in nearly every setting of Amish life. It is a sanctioned pleasure that frames all Amish rituals and one that enlivens and sanctifies both routine and special events, from household chores, road trips by buggy, and family prayer to baptisms, youth group gatherings, weddings, and “single girl” sings. But because Amish worship is performed in private homes instead of public churches, few outsiders get the chance to hear Amish people sing. Amish music also remains largely unexplored in the field of ethnomusicology. In Why the Amish Sing, D. Rose Elder introduces readers to the ways that Amish music both reinforces and advances spiritual life, delving deep into the Ausbund, the oldest hymnal in continuous use. This illuminating ethnomusicological study demonstrates how Amish groups in Wayne and Holmes Counties, Ohio—the largest concentration of Amish in the world—sing to praise God and, at the same time, remind themselves of their 450-year history of devotion. Singing instructs Amish children in community ways and unites the group through common participation. As they sing in unison to the weighty words of their ancestors, the Amish confirm their love and support for the community. Their singing delineates their common journey—a journey that demands separation from the world and yielding to God's will. By making school visits, attending worship services and youth sings, and visiting private homes, Elder has been given the rare opportunity to listen to Amish singing in its natural social and familial context. She combines one-on-one interviews with detailed observations of how song provides a window into Amish cultural beliefs, values, and norms.

There are two ways to leave the Amish—one is through life and the other through death. When Saloma Miller Furlong’s father dies during her first semester at Smith College, she returns to the Amish community she had left twenty four years earlier to attend his funeral. Her journey home prompts a flood of memories. Now a mother with grown children of her own, Furlong recalls her painful childhood in a family defined by her father’s mental illness, her brother’s brutality, her mother’s frustration, and the austere traditions of the Amish—traditions Furlong struggled to accept for years before making the difficult decision to leave the community. In this personal and moving memoir, Furlong traces the genesis of her desire for freedom and education and chronicles her conflicted quest for independence. Eloquently told, Why I Left the Amish is a revealing portrait of life within—and without—this frequently misunderstood community.

Rachel Mast finds the Amish are no more immune from crime than the people they call the English. It's been years since restless Rachel fled her family's farm as a teen. Starting with only the eighth-grade education afforded most Amish kids, she earned an MBA from Wharton and became successful in business. But Rachel never felt at home in the English world. So she came back to run a bed-and-breakfast in Stone Mill, near central Pennsylvania's thriving Amish community. Now she lives between the two worlds. Her boyfriend, Evan Parks, is a state trooper, but her best friend remains her cousin Mary Aaron Hostetler. Her uncle Aaron and aunt Hannah, tolerant of Rachel's English ways, allow her to drive Mary Aaron and a group of Amish teens to swim at the local quarry, where they're horrified to find the body of Beth Glick. Like Rachel, Beth left Amish life, but unlike Rachel, she left after her baptism and therefore was shunned by the community. What caused her to come back, dressed in Amish garb, to a place she knew she would be unwelcome? Rachel is determined to find out. Ignoring Evan's pleas for caution, she investigates the paths of teens leaving Stone Mill. A panicked call from Hannah Verkler, who disappeared years ago, convinces Rachel she's on the right track. But Hannah's call is from New Orleans. Can Rachel and Mary Aaron find Hannah in a city that represents everything the Amish reject?

Fewer than one hundred outsiders have joined the Old-Order Amish--and stayed--since 1950. Marlene C. Miller is one of them. In this rare memoir, Marlene recounts her unhappy and abusive childhood, how she throws herself into cheerleading and marching band, and how she falls in love with Johnny, the gentle young Amish man who helps her lace her ice skates. Against the wishes of both sets of parents, Marlene and Johnny get married and begin a family. Follow the author on this unusual journey to find out how God’s love called her out of bitterness and depression and into the warm embrace of her new Amish community. Accompany her as she dons an Amish dress and prayer covering and gets baptized. Learn how she endures the strain of ten children, a hundred-acre farm, and accidents and tragedy, and find out how she comes close to walking away from it all. Turning Amish has proven to be anything but plain and simple for this former majorette. But nearly fifty years later, Marlene is still living out God’s call as an Old Order Amish woman.