Western struggles—and failures—to create functioning states in countries such as Iraq or Afghanistan have inspired questions about whether statebuilding projects are at all viable, or whether they make the lives of their intended beneficiaries better or worse. In this groundbreaking book, Oliver Richmond asks why statebuilding has been so hard to achieve, and argues that a large part of the problem has been Westerners’ failure to understand or engage with what local peoples actually want and need. He interrogates the liberal peacebuilding industry, asking what it assumes, what it is getting wrong, and how it could be more effective.

Football clubs across the world continue to embody many of the collective symbols, identifications and processes of connectivity which have long been associated with the notion of ‘community’. In recent years, however, the very term ‘community’ has become the focus of renewed interest within popular discourse and amongst academics, politicians and policy makers. It has become something of a ‘buzz’ word, wheeled out as both a lament to more certain times and as an appeal to a better future: a term imbued with all the richness associated with human interaction. ‘Community’ has also been employed increasingly within football, for instrumental reasons concerned with policy and stadium redevelopment, and in broader rhetoric about clubs, their localities and fans. This book brings together a range of key debates around contemporary understandings of ‘community’ in world football. Split into four sections, it considers political and theoretical debates around football and its connection with community; different national and ethnic football communities; instrumental uses of football to bridge gaps within and between groups; future directions in the football and community debate. This book was published as a special issue of Soccer & Society.

The poems in this collection reflect Gregg Valenzuela's passion for the history, rural culture, land and the people of Virginia's Tidewater and Northern Neck. Like his poetry, this singular place reveals a multitude of layers, textures, moods, as well as a rare and unforgettable beauty.