"In this Caldecott Medal winner, Mosquito tells a story that causes a jungle disaster. "Elegance has become the Dillons' hallmark. . . . Matching the art is Aardema's uniquely onomatopoeic text . . . An impressive showpiece." -Booklist, starred review. Winner of Caldecott Medal in 1976 and the Brooklyn Art Books for Children Award in 1977.

A cumulative rhyme relating how Ki-pat brought rain to the drought-stricken Kapiti Plain. Verna Aardema has brought the original story closer to the English nursery rhyme by putting in a cumulative refrain and giving the tale the rhythm of “The House That Jack Built.”

One day, a mysterious stranger arrives at a boardinghouse of the widow Gateau- a sad-faced stranger, who keeps to himself. When the widow's daughter, Mirette, discovers him crossing the courtyard on air, she begs him to teach her how he does it. But Mirette doesn't know that the stranger was once the Great Bellini- master wire-walker. Or that Bellini has been stopped by a terrible fear. And it is she who must teach him courage once again. Emily Arnold McCully's sweeping watercolor paintings carry the reader over the rooftops of nineteenth-century Paris and into an elegant, beautiful world of acrobats, jugglers, mimes, actors, and one gallant, resourceful little girl.

In a time of drought in the Kingdom of Morocco, a storyteller and a boy weave a tale to thwart a Djinn and his sandstorm from destroying their city.

Mufaro was a happy man. Everyone agreed that his two daughters were very beautiful. Nyasha was kind and considerate as well as beautiful, but everyone -- except Mufaro -- knew that Manyara was selfish, badtempered, and spoiled. When the king decided to take a wife and invited "The Most Worthy and Beautiful Daughters in the Land" to appear before him, Mufaro declared proudly that only the king could choose between Nyasha and Manyara. Manyara, of course, didn't agree, and set out to make certain that she would be chosen. John Steptoe has created a memorable modem fable of pride going before a fall, in keeping with the moral of the folktale that was his inspiration. He has illustrated it with stunning paintings that glow with the beauty, warmth, and internal vision of the land and people of his ancestors.

A collection of twelve folktales from different parts of Africa.

Explore the humorous world of opposites with the #1 bestselling illustrator of The Day the Crayons Quit and his band of Hueys! "What's the opposite of the beginning?" A sensible question to ask when opening a book that teaches the reader about opposites. But maybe we should start with something a little easier? For example, it's quite unlucky when a Huey finds himself stranded on a hot, deserted island—but how lucky it is when a fan arrives to provide some cool air! Oh, wait . . . nowhere to plug it in? Unlucky, once again. Now for a harder one: What’s the difference between half full and half empty? Stumped? Don’t worry, that one will make a Huey’s head hurt too. In this funny concept book from the illustrator of the #1 New York Times bestselling The Day the Crayons Quit, Oliver Jeffers takes us on a delightful ride through the world of contraries. Praise for The Hueys in What's the Opposite? * "Even readers who know the basics of opposites will get their minds blown here, as a glass is considered half full on one page but also half empty on the next. It’s not easy to be so very simple and so very clever, but Jeffers manages in this laugh-aloud offering that will get groups giggling."—Booklist, starred review * "An amusing twist on the traditional concept book by a beloved master of shape and line."—School Library Journal, starred review "A clever concept book from beginning to end."—Kirkus Reviews